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It's Alright Lyrics


You can turn back the tide of the cold tears from your eyes,
The pangs of wounded pride if you hold me.
Did someone do you wrong yeah, good lovin's good as gone.
Maybe you ain't as strong as you want to be.[Chorus]
It's alright if you don't want to go home.
It's alright if you don't want to be alone.
It's alright if you don't want to go home.
I understand.Nothin' stays if it's gotta go now.
You can't get water from a stone now.
Sometimes you've got to think about.
The things you're gonna love.[Chorus]Now that you're doing alright.
You're pretty much outta sight.
I don't see you knockin' 'round my door anymore.
I'm glad to hear you're doing well.
But I know that time will tell.
Only when you're broken down,
Is that what friends are for?[Chorus]It's alright if you just want to go home.
It's alright if you just want to be alone.

It's alright if you just want to go home.
I understand.
Songwriters
BROWN, PETER H/RANS, ROBERT SPublished by
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group, BMG RIGHTS MANAGEMENT US, LLC Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Big Head Todd & the Monsters is a rock band formed in 1986 in Colorado. The band has released eight studio albums since 1989 with their 1993 album Sister Sweetly going well beyond platinum in the US. The band has developed a sizeable live following especially in the Mountain States of the US.
Big Head Todd and The Monsters – singer-guitarist Todd Park Mohr, bassist-singer Rob Squires, drummer-singer Brian Nevin and keyboardist-guitarist-singer Jeremy Lawton -- could have begun resting on their laurels back in 1993, when their Top 10 singles “Bittersweet,” “Broken Hearted Savior,” “Circle” and “It’s Alright” pushed the album Sister Sweetly to platinum certification. However, Mohr says, “I’ve fought throughout our career not to be a one-trick pony, to be the kind of band that has depth and diversity in its catalogue. I’m a fan of this band, and I’m constantly looking forward to what comes next.”
The essence of Big Head Todd and The Monsters – a rootsy, emotionally direct variety of rock ’n’ roll that lends itself particularly well to a live setting – has been winning fans since Mohr, Rob Squires and Brian Nevin started playing together in high school (Jeremy Lawton joined in 2004). Needless to say, the three never expected to be in the same band at this late date, but, as Mohr points out, “It was a really fortunate combination of musical personalities, and we’re still partners in every sense of the word.”
The band spent seven years developing their chemistry and amassing a following, boosted significantly by the independent releases Another Mayberry (1989) and Midnight Radio (1990), before being “discovered” by the listening public at large with 1993’s Sister Sweetly. After a major-label stint (Sister Sweetly, 1994’s Stratagem, 1997’s Beautiful World), during which the trio increasingly found itself frustrated artistically, they reclaimed their independent status (2001’s Riviera, 2004’s Crimes of Passion). “If it were not for our ability to do things for ourselves, we would have disappeared a long time ago,” Mohr allows.


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Big Head Todd And The Monsters