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It's Alright, Ma (i'm Only Bleeding) - Bob Dylan



     
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It's Alright, Ma (i'm Only Bleeding) Lyrics


Darkness at the break of noon
Shadows even the silver spoon
The handmade blade, the child's balloon
Eclipses both the sun and moon
To understand you know too soon
There is no sense in tryingPointed threats, they bluff with scorn
Suicide remarks are torn
From the fools gold mouthpiece
The hollow horn plays
Wasted words proved to warn
That he not busy being born is busy dyingTemptation's page flies out the door
You follow, find yourself at war
Watch waterfalls of pity roar
Feel to moan but unlike before
You discover that you'd just be
One more person cryingSo don't fear if you hear
A foreign sound in your ear
It's alright, Ma, I'm only sighingSome warn victory, some downfall

Private reasons great or small
Can be seen in the eyes of those that call
To make all that should be killed to crawl
While others say don't hate nothing at all
Except hatredDisillusioned words are like a bullet's bark
As human gods aim for their mark
Make everything from toy guns that spark
To flesh-colored Christs that glow in the dark
Easy to see without looking too far
That not much is really sacredWhile preachers preach of the evil fates
Teachers teach that knowledge waits
Can lead to the hundred-dollar plates
Goodness hides behind its gates
But even the President of the United States
Sometimes must have to stand nakedThough the rules of the road have been lodged
It's people's games, you got to dodge
But it's alright, Ma, I can make itAdvertising signs that con
You into thinking you're the one
That can do what's never been done
That can win what's never been won
Meantime life outside goes on
All around youYou loose yourself, you reappear
You suddenly find you got nothing to fear
Alone you stand with nobody near
When a trembling distant voice, unclear
Startles your sleeping ears to hear
Someone thinks they really found youA question in your nerves is lit
Yet you know there is no answer fit to satisfy
Insure you not to quit
To keep it in your mind and not forget
That it is not he or she or them or it
That you belong toAlthough the masters make the rules
For the wise men and the fools
I got nothing, Ma to live up toOld lady judges watch people in pairs
Limited in sex, they dare
To push fake morals, insult and stare
Money doesn't talk, it swears
Obscenity, who really cares
Propaganda, all is phonyWhile them that defend what they cannot see
With a killer's pride, security
It blows the minds most bitterly
For them that think death's honesty
Won't fall upon them naturally
Life sometimes must get lonelyMy eyes collide head-on with stuffed graveyards
False Gods, I scuff
At pettiness which plays so rough
Walk upside-down inside handcuffs
Kick my legs to crash it off
Say alright, I've had enough
What else can you show me ?And if my thought-dreams could be seen
They'd probably put my head in a guillotine
But it's alright, Ma, it's life and life only

Enjoy the lyrics !!!
Bob Dylan (born Robert Allen Zimmerman on May 24, 1941 in Duluth, Minnesota, United States) is an American musician, poet and artist whose position in popular culture is unique.

Dylan started his musical odyssey in 1959 and much of his best known work is from the 1960s, when he became an informal documentarian and reluctant figurehead of American unrest. Some of his songs, such as "Blowin' in the Wind" and "The Times They Are a-Changin'", became anthems of the anti-war and civil rights movements. His song "Like a Rolling Stone", released in July of 1965, was named "The Greatest Song of All Time" by Rolling Stone magazine in 2004, placing #1 in a list of 500 titles. Dylan remains an influential and popular artist; his most recent album of new songs, 2009's Together Through Life, reached #1 on the charts in the US, Britain, France and several other countries.

Bob Dylan's strong influence over the past few years is becoming even more prominent amongst a growing group of younger emerging artists such as George Ellias, and Devendra Banhart.

Dylan's early lyrics incorporated politics, social commentary, philosophy and literary influences, defying existing pop music conventions and appealing widely to the counterculture of the time. While expanding and personalizing musical styles, Dylan has shown steadfast devotion to traditions of American song, from folk and country/blues to rock and roll and rockabilly, to Gaelic balladry, even jazz, swing and broadway.

After becoming a Christian, Dylan explored themes of faith, redemption and love while mining the gospel vein. In a few years he found an equilibrium. His last albums can be seen as new highlights in his important career.

Dylan performs with the guitar, keyboard and harmonica. Backed by a changing lineup of musicians, he has toured steadily since the late 1980s. He has also recently performed alongside other iconic artists, such as Paul Simon, Joni Mitchell, Tom Petty and Eric Clapton. Although his contributions as a performer and recording artist have been central to his career, his songwriting is generally held as his highest accomplishment.

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