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Josephina Lyrics


Josephina I'm trapped and I can't find an open door
I won't go back to that job to die on the killing floor
The disappearing light of freedom
It won't leave my worried mind alone
Josephina, got it in my bones
I've got to roamSeven times she asked me to settle down
Making everyone happy nearly put me into the ground
Working the graveyard shift by the river
The captain was so mean to me
Josephina got it in my knees
Disappear anywhere with me
They just keep pushing me right over that line
Back to my baby as I'm making good time
To Indiana where my sweet freedom shines
Sunshine
On this cold heart of mine
On this cold heart of mine
On this cold heart of mineJosephina why can't you take what your good life brings

Fall for me again and I won't quit you this time
Time ain't on our side
But our evil days have long been left behind
Josephina my mind churns
Never to returnThey just keep pushing me right over that line
Back to my baby and I'm making good time
To California where my sweet freedom shines,
Sunshine!
They just keep pushing me right over that line
Back to my baby and I'm making good time
To Indonesia where my sweet freedom shines
Sunshine
On this cold heart of mine
On this cold heart of mine!
On this cold heart of mineJosephina I'm trapped
Josephina I'm trapped
Josephina I can't find an open door.
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Big Head Todd & the Monsters is a rock band formed in 1986 in Colorado. The band has released eight studio albums since 1989 with their 1993 album Sister Sweetly going well beyond platinum in the US. The band has developed a sizeable live following especially in the Mountain States of the US.
Big Head Todd and The Monsters – singer-guitarist Todd Park Mohr, bassist-singer Rob Squires, drummer-singer Brian Nevin and keyboardist-guitarist-singer Jeremy Lawton -- could have begun resting on their laurels back in 1993, when their Top 10 singles “Bittersweet,” “Broken Hearted Savior,” “Circle” and “It’s Alright” pushed the album Sister Sweetly to platinum certification. However, Mohr says, “I’ve fought throughout our career not to be a one-trick pony, to be the kind of band that has depth and diversity in its catalogue. I’m a fan of this band, and I’m constantly looking forward to what comes next.”
The essence of Big Head Todd and The Monsters – a rootsy, emotionally direct variety of rock ’n’ roll that lends itself particularly well to a live setting – has been winning fans since Mohr, Rob Squires and Brian Nevin started playing together in high school (Jeremy Lawton joined in 2004). Needless to say, the three never expected to be in the same band at this late date, but, as Mohr points out, “It was a really fortunate combination of musical personalities, and we’re still partners in every sense of the word.”
The band spent seven years developing their chemistry and amassing a following, boosted significantly by the independent releases Another Mayberry (1989) and Midnight Radio (1990), before being “discovered” by the listening public at large with 1993’s Sister Sweetly. After a major-label stint (Sister Sweetly, 1994’s Stratagem, 1997’s Beautiful World), during which the trio increasingly found itself frustrated artistically, they reclaimed their independent status (2001’s Riviera, 2004’s Crimes of Passion). “If it were not for our ability to do things for ourselves, we would have disappeared a long time ago,” Mohr allows.


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Big Head Todd And The Monsters