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Jump Around - Mr. Vegas



     
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Jump Around Lyrics


Smack that bitch right across the lips
Cause she aint nothin but a filthy bitch
Beat the freak in the head with a cinder block
Blackin her eyes your lunatic tock
Cause i really dont gives a fuck
Except when im tryin to put her in the book
Shit i aint sayin nothin
Sombody left there load in her bellybutton
How you gonna say you love that
When her breathe be smellin like somonebodys nutsack
I outta smack you in your fucking head
Should of shot that bitch in the bag with nut stains
But you nothin but a pogo tryin to fall in love but you cant love a yoyo
She will run and fuck then come right back then i greet her at the door with a smack
Cause im psycho swingin till you hit her singin
I think yous a dumbass bitch
In a minute he aint even gonna want the shit
You needa shut your stuck up mouth

Cause your pussy aint worth the walk to your house
Im tired of the dooky lies you know your dream about his ugly ass face between your thighs
Because you think it feels nice all he wants to do is smack your ass once or twice
And make your buttcrack jiggle and stick his little ding a ling in the middle
I suppose you can wait for a weddin but aint nothin wrong with givin up a little neden
But if you really wanna hold on to the couchy atleast let him stick his nuts in your booty
Or ill wear somthin else out like maybe let him chill with his nuts in your mouth
But if not well thats alright because he will just fuck some other bitch tonight
2 Dope is the mother fuckin shit
You know what im sayin?
Bitches be linein up to get a glense of his nuts
And stick em in there butts
But only the nastyest uglyest southwest sewer skanks be gettin doin the nasty with the mother fuckin shaggy
Roll up on your chocolate tie and smoke that shit until you die
Biggity puffin on the sess takin off her dress
Slap her titties up and down do they bounce? (yes)
Good get some redbull and pour it in her bootie hole
Did she yell what the fuck? (yes) you did it right
So turn the bitch over and punch her in the eye
Some bitches like this but i dont know why
But some will hit you back you must watch out for that
Cause if you with a gangsta bitch you aint gettin jack (aww)
How to keep your nut shh i have a secret
But if imma tell you youve got to promise to keep it
Get you some Faygo and pour it in a bowl
And let your nuts soak in it (what?) just kiddin (ohh)
That is all your lession for today
If you cant get it right yous a punk ass bitch!
Wicked klowns mutha fucker Violent J 2 Dope
Know what im sayin? check it mutha fucker
Nathan mack laylow...

Enjoy the lyrics !!!
He catapulted to the top of the Jamaican charts in 1997 with the dancehall boomshots "Heads High" and "Nike Air", his distinctive vocals fusing melodious singing with precision deejaying (rapping). Since then he has built an international fan base with hit singles like "Pull Up", "Tamale" and "Hot Gal Today" but it is on his latest CD "Constant Spring" that Mr. Vegas' spectacular sing-jay approach and cleverly crafted lyrics dazzle with the intensity of an evening in, well, Las Vegas.

Born Clifford Smith in Kingston, Jamaica, he was given the nickname Mr. Vegas by his cousin for the neon pink shorts he wore on the football field; in addition to his athletic skills Mr. Vegas also demonstrated musical talents early on. However an unfortunate dispute over the ownership of a DAT resulted in Vegas being hit in the jaw with an iron pipe; after the assault Vegas' mouth was wired shut so he was forced to create a unique method of vocalizing through his teeth. That style was first heard on "Nike Air", the song that initially positioned Vegas on the dancehall charts. Characterized by uplifting lyrics aimed (especially) at young women, he followed "Nike Air" with another affirming and very appealing tune "Heads High" which reached number one in Jamaica, hit the British Top Ten and found its way onto several urban stations across America.

Vegas' 1997 debut album "Heads High" (Greensleeves Records) further displayed his captivating vocal capabilities on songs like "Jacket", "Sweet Pineapple" and "Everywhere I Go"; it also earned him a British Mobo Award as Best Reggae artist, while establishing his fan base beyond the Jamaican dancehall.

However Vegas demonstrated even greater versatility on his 2001 sophomore release "Damn Right" (Greensleeves) which featured a stronger R&B and hip-hop flavor on the hits "Girls Time" and "She's A Ho", sensitive singing on the roots rocking "Rise" and a sensational duet with Sean Paul "Hot Gal Today".

With his move to the Los Angeles based independent label Delicious Vinyl Vegas released his third CD "Pull Up". The title track was recorded on Scatta Burrell's wildly popular Coolie Dance riddim, entered the Billboard charts and took Vegas' music into previously uncharted territory. Another single from "Pull Up" "Tamale" also did well, particularly in Europe.

Vegas has just completed his fourth and finest CD so far "Constant Spring" which presents an amalgam of styles including reggaeton productions by the red hot duo Luny/Tunes on the tracks "Johnny" and "Papito" and Latin tinged duets with Don Omar ("Pobre Diablo") and El Medico ("Penicilin"). Another scorching combination "Burnin" features soca sensation Kevin Lyttle. Vegas' long time associate Jamaica's Richard "Shams" Browne produced several tracks including "Million Dollar Baby" and "Slow Wine" while veteran dancehall hit makers Steely and Clevie's Sleepy Dog riddim scampers under Vegas' current Jamaican chart topper, the CDs title track "Constant Spring". Another Jamaican hit that is currently finding popularity throughout Europe is Vegas' self-produced, uncharacteristically contemplative "More Love", his emotive singing lamenting Jamaica's upwardly spiraling crime rate but the song's lyrics are applicable to many troubled territories throughout the world:

"I walk these Kingston streets, everyday a bare a beat/I can't get no sleep all I hear is AKs when they speak/ I walk Spanish town all I hear is people get gunned down, when I look around all I see is bodies on the ground. My shadow's afraid to even walk beside me, my shadow's afraid to even walk this city gun dawg and his friend full the morgue in Kingston city/too many guns in town."

"Crime, violence, war, it affects everyone," Vegas says, "and there is nothing in that song that doesn't relate to what is going on everywhere, especially Kingston. We want this album to be versatile so a Latino person a hip hop person, urban kids or all nationalities will listen to it."

Reflecting the ongoing changes within the music industry, Vegas and his manager Leslie Cooney of the Los Angeles based company Addict Management will be taking a very different approach regarding the release of "Constant Spring": they will not be signing to just one label. "We have found that as an independent artist Vegas can better exploit his appeal in every territory without the expectations and limitations of being signed to one label," says Ms. Cooney. "Instead, we will directly supply his fans with music worldwide and will seek licenses with different labels in their respective territories. Whether by an actual record or digital distribution, if there is a demand for Vegas it can now be met without waiting for the record label machinery to spring into action. We are taking matters in our own hands and Vegas is planning his own future."

And for Mr. Vegas the future appears to be shining even brighter than the flashing neon lights that abound in the Nevada city that is his namesake. www.mr-vegas.com

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Mr. Vegas