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Jus Lyke Compton - DJ Quik



     
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Jus Lyke Compton Lyrics


Finally out the motherfuckin' C P T
Off to other cities and shit, no longer just an underground hit
Moving thangs, a local nigga made good
And made a name off of making tapes for niggaz in the hood
And now, let me tell a little story
About the places that I been to and the shit that I been through
Like fightin' and shootouts and bangin' and shit
All because a nigga made a hit, check itNineteen ninety one, it was double or nothin' that a nigga would hit
Then we broke out with the fonky shit
About bitches and niggaz and gettin' drunken off that bud
I was doing the shit they hadn't heard of
But foolish was I to think that it wasn't no other cities like this
And that they didn't like this
That Compton was the home of a foot in yo ass, where you got blast
And now that's just a thing of the pastLet me tell ya why firsthand, we did a show up in Oakland
And niggaz was kickin' up sand, to them bangin' ain't nothin' new
And slangin' ain't nothin' new
And for every nigga we done shot they done shot two

Straight through and on since the sixties before I was born
Families of young niggaz mourn
So I'm just letting you know
That if ya plan to take a trip to the bay keep your hand on the clipBecause Oakland
(It's jus lyke Compton)
Yeah, I'm telling y'all Oakland
(It's jus lyke Compton for y'all)Moving on to St. Louis, where the country is fucked
With gold teeth ain't hey mouth, but they still know what's up
Where it's hot as a motherfucker, hot enough to make ya cuss
That's why I kept my ass on the bus
But later on, when it cooled off we came down
And met a couple of friends, who put us up on the St. Louis cap
The Smith Center, with Big Bob, Little Steve, Tojo, Biss and Rich
And a couple of bitchesThen they took us to a man named Gus in a store
He put me down with a herringbone and shoes galore
That's when I started thinking that this wasn't like home
But then they had to prove me wrong
'Cuz later that night after we did the show
We went back to the after set, and wouldn't ya know
Yeah, Bloods and Crips start scrapping and shootin' in Missouri?
Damn, how could this happen?Now St. Louis
(It's jus lyke Compton)
Yeah y'all, St. Louis
(It's jus lyke Compton for y'all)I don't think they know, they too crazy for their own good
They need to stop watchin' that Colors and Boyz in the Hood
Too busy claiming Sixties, tryin' to be raw
And never ever seen the Shaw
But now, back to the story that I'm tellin'
We packed up the tour bus one more time and started bailin'
When we arrived I saw red and blue sweat suits
When I'm thinkin' 'bout horse donkey and cowboy bootsI guess Texas ain't no different from the rest
And San Antonio, was just waitin' to put us to the test
And before it was over the shit got deep
A nigga got shot in the face, and was dead in the street
Then they came in the club thinkin' of scrappin'
Little did they know that we was packin'
Yeah, we was puttin' 'em down and squaring the rest, shit
I even had to wear the bulletproof vestNow San Antonio
(It's jus lyke Compton)
Yeah, San Antonio
(It's jus lyke Compton for y'all)After a month on the road
We came home and I can safely say
That L.A. is a much better place to stay
How could a bunch of niggaz in a town like this
Have such a big influence on niggaz so far away?
But still my story ain't over 'cuz I got one more to tell
And the people of Colorado, they know it well
It was all in the news and if you don't remember
I had this show I did in DenverWith a punk ass promoter in a bunk ass skating rink
Bitches was loving it, but niggaz was shovin' and shit
To the front of the stage to throw their gang signs
But I'm getting paid so I didn't pay it no mind
Then I poured out my brew onto their face and chest
Then they start throwin' soda, and fuckin' up my guests
When it was over two niggaz needed stitches
Got cracked in they jaw for being punk ass bitchesNow Denver
(It's jus lyke Compton)
Yeah y'all, Denver
(They wanna be like Compton, bitch)And ya know that Oakland
(It's jus lyke Compton)
Yeah y'all, St. Louis
(It's jus lyke Compton)Uh-huh, San Antonio
(It's jus lyke Compton)
Yeah, and Denver
(They wanna be like Compton, punk ass niggaz)
I thought ya knew
(Yeah)

Enjoy the lyrics !!!
DJ Quik (born David Martin Blake on January 18, 1970) is a West Coast rapper and record producer from Compton, California. He was raised at 436 West Spruce Street in Compton, California. As a teen he took up an affiliation with the Tree Top Piru Bloods, hence why his name is spelled Quik with the C conspicuously missing. A lot of Bloods would let the name "Quick" (because CK stands for Crip Killer) but he chose "Quik" to represent the Red but at the same time in some form of respect for the other side . He grew up without a father and moved out of his mother's home when he was only 17. He lived in the house as the only male with 8 sisters. His home life was far from stable as he raps in a song that one of his sisters was selling drugs to one of his other sisters. He began selling homemade mixtapes (like "The Red Tape", 1987) after he received a turntable for his 9th grade graduation and then began doing shows DJing around Southern California when he moved out. He signed to Profile Records in the summer of 1990, reportedly as the label's first six figure signee. Not only could he rap and write his own songs, he could produce as well.

His debut album, "Quik Is The Name" was led by the success of two top 20 R&B singles, "Tonite" and "Born and Raised in Compton." "Tonite" even charted on the pop charts. The album ended up reaching 10th on the album charts. None of his successive albums reached the success of his debut, though they have been well received in California, particularly his 1998 release "Rhythm-Al-Ism." His most popular albums are Quik Is The Name and Safe + Sound. . On "Safe + Sound" appears "Dollaz And Sense," which was a diss track to Compton rapper and member of the rival Tragniew Park Crips MC Eiht. Though full of bravado at the time, Quik now admits to fearing for his life during the period.

Instead of joining the G-Funk movement during the 1990's, DJ Quik had his own style that a new version of P-Funk, inspired by artists like Roger Troutman (who even taught him the use of the talkbox, which became a trademark for Quik's sound in the 1990's) and George Clinton. Throughout his career, Quik has collaborated with and produced for artists including 2Pac ("Heartz of Men", "Words To My First Born", "Late Night"), Janet Jackson ("All For You"), Snoop Dogg (e.g. "Doin' Too Much", "Buss'n Rocks", "Don't Tell"), Talib Kweli ("Put It In The Air"), Whitney Houston ("Fine"), Kurupt ("Can't Go Wrong"), Jay-Z ("Justify My Thug"), Xzibit ("Sorry I'm Away So Much"), Ludacris ("Spur of the Moment"), Chingy ("Bagg Up", and "Wurr's My Cash"),Dr. Dre, 2nd II None, Hi-C, Suga Free ("Street Gospel" album and on the "New Testament" album), 8Ball & MJG ("Buck Bounce") and others. Though he formally produced only "Heartz of Men" on 2Pac's masterpiece "All Eyez On Me" album, he went uncredited for work on many other tracks on the album; on that track he used his real name David Blake, because Profile did not allow him to use his stage name. In 2002, he produced Truth Hurts' Top 10 pop hit "Addictive". Quik used an uncleared Hindi sample on the record, and the copyright holders eventually filed a $500 million dollar lawsuit against Truth Hurts' label, Aftermath Entertainment.

Quik faced personal and professional tragedy when his friend and protegé Mausberg was murdered on the 4th of July, 2000. This was compounded by the death of his best friend Daryl Reed soon after.

Following 2000's "Balance and Options" CD he was dropped by Arista Records which in 1998 had bought Profile Records. In September 2005, DJ Quik released his first independent album on his own new label, Mad Science, which was supposed to be distributed by Warner Bros but Quik was forced to let Time Warner and so signed his Mad Science with Fontana/Universal. The album is titled "Trauma" and reflects the turmoil in the producer's life over the past few years. He than released "Trauma: Instrumentals". In recent years he has worked with a 74 piece orchestra during a collaboration with Marcus Miller while working on the score to the movie "Head of State." Over the years, Quik has morphed from a hardcore gangsta rapper to a mainstream producer and rapper who is not afraid to change his style. He has not abandoned his West Coast roots and now produces very much his own unique style.

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