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Late Nights - Jim Parker



     
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Late Nights Lyrics


Late night, just another show
Live but you showin' me the under clause
Maybe you twitter like your intuitor
Intuitor, intuitor (toast to)
Late nights with a much of chicks
They ain't gonna think I'll need another sip
Shorty knew it's nothing cuz you pull it up
You pull it up, you pull it up (toast to)
Late nights, spin a couple alts
In this here, fresh gear, just another love
This right here is an open toast to overlord and overdose
Late nights late nights
Late nights late nights
Late nights
Say you got the shit to make him wanna do
Tell me baby, how you have fondue
This isn't how you plan to do real good night
Imma do what you did, sensationalize

And our life when the sky's dark blue
Took the fame by the bubble, over one time soon
Said why don't you grab the twitter, tell the shit we wanna do
Cuz I'm the bad extert where the dreams come true
Will you come and ride with me? fly chief
If I were the nigga startin' stratchin' up on it
Take you down town shoppin', case of her lv, g fly with her
I just wanna, I just wanna stick her pussy, pop it so drama
Hair so smart, booty so dumb
Oh shit, think to the one, think through the night, sing to the night (toast to)Late night, just another show
Live but you showin' me the under clause
Maybe you twitter like your intuitor
Intuitor, intuitor (toast to)
Late nights with a much of chicks
They ain't gonna think I'll need another sip
Shorty knew it's nothing cuz you pull it up
You pull it up, you pull it up (toast to)
Late nights, spin a couple alts
In this here, fresh gear, just another love
This right here is an open toast to overlord and overdose
Late nights late nights
Late nights late nights
Late nightsI said I'm hood and fresh as el lemar
I look up in the mirror like 'what's up dog?'
Think tonight is gonna be (a good night)
Tell the front desk I'm gonna need a (wake-up call)
Down and pressurize like (wait wait)
You know a nigga startin' to get (what up dog?)
People always askin' me why i(skate skate)
I tell them shot town, my town (what up dog?)
Man, I'm takin' them down like eleven below
You hear them now like you've never before
They're runnin' the town, give me the clown
Cuz either the world or the piff in the blow
Rock with your girls when you go to the mall
Rubbin' the pearls when you go to my show
In and out, just one way to go
If already know then you already (toast to the nights)Late night, just another show
Live but you showin' me the under clause
Maybe you twitter like your intuitor
Intuitor, intuitor (toast to)
Late nights with a much of chicks
They ain't gonna think I'll need another sip
Shorty knew it's nothing cuz you pull it up
You pull it up, you pull it up (toast to)
Late nights, spin a couple alts
In this here, fresh gear, just another love
This right here is an open toast to overlord and overdose
Late nights late nights
Late nights late nights
Late nights

Enjoy the lyrics !!!
Jim Parker (born 1934) is a British composer.

After graduating as a silver medallist at the Guildhall School of Music, Parker played with leading London orchestras and chamber groups as well as being a key part of The Barrow Poets for whom he provided both original instrumental music and music to accompany the performance of a wide range of poetry spoken or sung by the rest of the band. This music was played on a variety of instruments including the bass cacacofiddle, a home made sort of double bass with knobs on, played by William Bealby-Wright, while Parker mostly played clarinet and cor anglaise[citation needed].

After a while he concentrated on composing and conducting. He had early success with a series of recordings in which he set to music the poems of the British Poet Laureate Sir John Betjeman; the recordings, recited by the poet and conducted by the composer, have achieved classic status.[citation needed] These and subsequent records, including Captain Beaky which topped the charts as both a single and album, led to work in television as well as in the London West End theatre where he has had productions of three musicals. Film scores include numerous feature-length television films along with scores for the new prints of the classic silents Girl Shy, by Harold Lloyd and The Blot, a 1921 film directed by Lois Weber.

He has won the British Academy Award for Best Original Television Music four times, and has written scores for over one hundred programmes. His work in film and television ranges from the Moll Flanders, Tom Jones, Midsomer Murders and The House of Eliott, to the contemporary score for the political thriller House of Cards, to children's and schools programmes such as Watch, Zig Zag and Fourways Farm.

Concert works have been written for the Nash Ensemble, Philip Jones Brass, The Hilliard Ensemble, The Albion Ensemble, The Wallace Collection and Poems in the Underground. His published compositions include "A Londoner in New York" for brass, "Mississippi Five" for wind quintet, "The Golden Section" for brass quintet, and a clarinet concerto. He is also the recipient of an honorary degree from the Guildhall School of Music and Drama.

In the early 1980s Parker collaborated with Tom Stanier on a number of musicals for schools, including Blast off: Mr Jones goes to Jupiter. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Jim Parker