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Law - Yo Gotti



     
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Law Lyrics


Don't fuck no bitch that's fucking with your dawg, that's law
If you come up don't forget about your dawgs, that's law
I'm a street nigga so it's fuck the law
If you broke nigga that should be against the law
Fuck no bitch that's fucking with your dawg, that's law
If you come up don't forget about your dawgs, that's law
I'm a street nigga so it's fuck the law
If you broke nigga that should be against the lawI'm a real hustler so don't knock it, that's law
It's all about the re-up and the profit, that's law
Can't be in the club without no bottles, that's law
We gon' ball today fuck tomorrow, that's law
I be in the kitchen whipping trying to cook the sauce
If you sat down to talk, then nigga you the law
Balmain mannequin I'm fresher than a doll
Look so damn fresh that shit should be against the law
I'm living my life like the rules of the game and they calling the 40 a law
Money with money with all of my homies ain't fucking with none of these broads
Hustling just to show out for these bitches you lost

In love but you ain't never got the pussy you want
Head on first night we need to turn that to a law
Love on first sight man I don't fuck with that at all
Bitches can't be beefing 'bout no niggas, that's law
Niggas shouldn't beefing over bitches, that's offDon't fuck no bitch that's fucking with your dawg, that's law
If you come up don't forget about your dawgs, that's law
I'm a street nigga so it's fuck the law
If you broke nigga that should be against the law
Fuck no bitch that's fucking with your dawg, that's law
If you come up don't forget about your dawgs, that's law
I'm a street nigga so it's fuck the law
If you broke nigga that should be against the lawGot guns for every nigga, news reporter
Working with them fours you on Law & Order
If you girl getting it then you must support her
I turnt up I'm trying to fuck somebody daughter
Piecing up on bottles boy don't let me find out
(Don't let me find out, don't let me find out)
Them your home girl's shoes bitch don't let me find out
(Don't let me find out, don't let me find out)
Trying to steal my swag that copy right infringement
You can't rock all white if your white be looking dingy
The brokest bitches always trying to say they independent
I'm picking real bitches over bad bitches do you feel meDon't fuck no bitch that's fucking with your dawg, that's law
If you come up don't forget about your dawgs, that's law
I'm a street nigga so it's fuck the law
If you broke nigga that should be against the lawI'm a real hustler so don't knock it, that's law
It's all about the re-up and the profit, that's law
Can't be in the club without no bottles, that's law
We gon' ball today fuck tomorrow, that's lawPaper over plastic P.O.P, that's law
Cash on delivery C.O.D, that's law
Hush your mouth some time and let 'em teach you, that's law
Never bite the hand of the man that feed you, that's law
Don't forget who buttered your bread don't get amnesia, that's law
Sleep with one eye closed, the back door you ain't sneaking, that's law
Know your bail bonds man and your lawyer number by heart, that's law
Interrogation keep your tongue in park, that's law
You pushing a lot, I'm pushing a lot
You packing a nine, I'm packing a nine
Your bitch is a dime, my bitch is a dime
She curvy and fine, she curvy and fine
You halving your bread, I'm halving my dough
You selling them O's, I rap and do shows
You powder your nose, I only do dro
Mendocino, indoor outdoor
Got to play the game of life 'til game of death, that's law
Don't be no bitch don't stir up hella mess, that's law
He praying on his paper didn't pray, that's law
Dab with two guns in hand from the AK, that's lawDon't fuck no bitch that's fucking with your dawg, that's law
If you come up don't forget about your dawgs, that's law
I'm a street nigga so it's fuck the law
If you broke nigga that should be against the lawI'm a real hustler so don't knock it, that's law
It's all about the re-up and the profit, that's law
Can't be in the club without no bottles, that's law
We gon' ball today fuck tomorrow, that's law
Songwriters
EARL THOMAS STEVENS, MARIO SENTELL GIDEN, LELAND CLOPTONPublished by
Lyrics © Kobalt Music Publishing Ltd. Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Mario Mims (born May 19, 1981 in Memphis, Tennessee), better known by his stage name Yo Gotti, is an American rapper signed to Cash Money Records. Formerly known as Lil Yo in the 90's, he released his first album, From Da Dope Game 2 Da Rap Game, in 2000. Since then he has released 2001's Self-Explanatory, 2003's Life, 2006's Back 2 Da Basics, 2008's Cocaine Muzik, 2009's CM2 (Cocaine Muzik 2 hosted by DJ Drama), and The Pyrex King: Street Runnaz Special Edition.

As one of the six epicenters of Southern hip hop, Memphis has always had a thriving underground capable of producing major platinum superstars such as Eightball & MJG, 3-6 Mafia and Project Pat,Skip a.k.a Gianni Booker. All of the above-mentioned artists at one point in time literally dominated the city’s underground rap scene before going on to become national superstars. Next up to bat is Yo Gotti, M-Town’s current underground rap kingpin. Like his namesake John Gotti, the Memphis based rapper has been running the Southern underground scene with an iron fist for the past. Known and respected throughout the South for his skill and finesse on the microphone, Yo Gotti is one the South’s most respected young rappers.
Born Mario Mims, Yo Gotti grew up in the infamous Ridge Crest Apartments in a North Memphis neighborhood called Frazier. His childhood was typical for a poor ghetto youth in the Deep South. Raised in a family of hustlers and exposed to hard times 24 hours a day the Tennessee rap titan soon turned to the only thing that he knew could get him paid, hustling. “Being from the hood things like hustling will come your way,” says Yo Gotti. “Everybody in my family hustled in some kinda way.” Ironically, hustling is what ultimately led Yo Gotti to rapping.
Taking his cue from Memphis rap legends such as Eightball & MJG, Al Kapone, Gangsta Black, Triple 6 Mafia and Kingpin Skinny Pimp, all of whom he lists as influences, Yo Gotti released his own underground tape entitled, Youngster on the Come Up and placed it on consignment at local mom & pop record stores as well as hustling it out the trunk. The tape sold like hotcakes on the street and made Yo Gotti the hottest rapper on the streets of Memphis. From the Dope Game to the Rap Game, Yo Gotti’s sophomore effort sold so well that Select-O-Hits, a local based independent distributor offered him a small deal and the Memphis rapper more than doubled his fan base with absolutely no marketing or promotions. Soon he found himself ranked among the city’s top rappers. In addition to being featured on the cover of Murderdog Magazine along side his idols Kingpin Skinny Pimp and Al Kapone his record From the Dope Game to the Rap Game made the list for the magazine’s top independent record for the year 2000.
Two years later he inked a distribution deal with TVT Records and released the critically acclaimed album Life, which did respectable numbers for an independent label. “It sold about 40 or 50,000, with no promotions or video,” says Yo Gotti. “That record did what it did on its own.” But as the old saying goes when one door is closed another opened. Gotti’s reputation as the king of Memphis continued to spread and that eventually led him to a production deal with Cash Money/Universal records for his group the Block Burnaz. With his TVT sophomore album entitled Back 2 Da Basics, Yo Gotti returns with the same hardcore street flavor that his die-hard fans have come to know and love, only this time around the true king of Memphis has elevated his game a bit. Given the fact that his last record didn’t do the type of big number he’d hope for you’d think that Yo Gotti would switch up his style to reach a larger audience. Right? Wrong! According to Gotti his street credibility with his underground fans means more to him than gold or platinum status.
“The one thing that you have to understand is that when you create a fan base off of street product the last thing you wanna do is disrespect them by changing because of the record companies and stuff like that. When you do that you change what created you. To me it is very important that I keep in tune with the people that helped to sell 40,000 records independently. That’s why I call my record Back 2 Da Basics.”
Produced by DJ Thoomp, Mannie Fresh, Carlos Brody and newcomers Street Tunes, Back 2 Da Basics offers fans a gritty, insider’s view into the real streets of Memphis as seen through the eyes of Yo Gotti. Nowhere is this viewpoint more intense than on “Full Time,” the amped up lead single –and featured in the MTV Films’ Hustle & Flow movie - with a thunderous bass and intoxicating beat that espouses Gotti’s formula to success –hustle full time.
“A lotta cats wanna be a rapper or a street hustler but they don’t wanna put in the time that it takes,” says Yo Gotti. “They want the money and the cars and the girls, but they don’t wanna work hard for it. But to be successful at anything you gotta grind for it.” On the song “Mama We Gone Be Alright,” he waxes introspective by reflecting on all of the hard times that he and his family have suffered through the years and offers her hope-filled words encouragement. “Mama We Gone Be Alright” along with the gripping tune “My Story” emerges as two of the most interesting songs on Back 2 Da Basics. These three titles along with club banging songs like “Shorty” featuring Baby make Back 2 Da Basics one of the best albums of the year.

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Yo Gotti