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Live To Die - Raekwon



     
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Live To Die Lyrics


Ayo gas station Sammy, rich nigga live in Miami
They killed him and lived with his family
He was drunk spazzin' on a young nigga with cash
They did the best to him, whooped his ass
Bloody out, his ear was ripped, they know he loved his music
They poked him twice, his gear was ripped
Ninja style, niggas whipped him with a Benz belt, broke his arm
Crushed his Audemars with whelps
On his face, they was slappin' him, fake ass rapper
Old ass gun, pussy get Tinactin
Medicine face, nigga, they opened his mouth
A few gold fell out, wheel him out
He thinkin' he a gangsta?
Quit playin', listenin' to Sid and them
Because he sat up in bed to bid with 'em
Fishcakes, bubblegum shrimps in his Timbs
He had 12 and a half on, only wore 10
Niggas is lame, and I'm sayin'

All that hard, no damn frame, how you playin'?
Thought you bubble with the big Willies, flyin' in fast cars
And get busy, now he sittin' there lookin' dizzy
Don't look at Chef, nigga look at your rep
What dinosaur game you playin', they playin' death
Tax man comin', you can feel it
Besides, hold the ratchets in both arms
They gave it to him, peel itKill niggas, let it die, live with the feelings
We don't know no other way, just get millions
Pyrex kings and the cartels connected
Scars there, put your money up in wash wellsKill niggas, let it die, live with the feelings
We don't know no other way, just get millions
Pyrex kings and the cartels connected
Scars there, put your money up in wash wellsIndian Femi from Toronto
Him and his horse, Ganny and Ronald, two wild sopranos
Runnin' through ice, and niggas fall back
They bumped in the crunch, out of Eglinton
Selected niggas coal black
Used to wash them niggas up for chump change
Somethin' was strange, feds was listenin', ran out of the gun range
Son I feel vibes, not knowin' this was the time
To get away, but they rolled on alive
Black freeze out of the bushes, came deezed
Big three pound, four of them were beams
When they rushed him they cuffed him, we cussed them
Yo what the fuck?
You doin' life, little nigga, who the sucker, what?
Black was mad, he went for the cop's mag
They started susslin', the shot rang, that's bad
Black fellow was mizzed, like 33 Ds
Let off 100 shots, went madKill niggas, let it die, live with the feelings
We don't know no other way, just get millions
Pyrex kings and the cartels connected
Scars there, put your money up in wash wellsKill niggas, let it die, live with the feelings
We don't know no other way, just get millions
Pyrex kings and the cartels connected
Scars there, put your money up in wash wells

Enjoy the lyrics !!!
Corey Woods (born January 12, 1970) is an American rapper most well known as Raekwon (the Chef), one of the nine Wu-Tang Clan members. Raekwon joined Wu-Tang Clan, a hip hop group based in Staten Island, New York in 1992. When the time came for him to release his first solo album, Only Built 4 Cuban Linx... (1995), hip-hop, once again, underwent a momentous transformation. The album moves from track to track like a film moves from scene to scene. With its invigorating instrumentals and dramatic lyrical tales, Raekwon painted vivid pictures and presented powerful imagery through his enchanting verbal expression.

Rae's groundbreaking debut album helped to bring the flavour of flossing to wax as well as the use of the moniker among Wu brethren and other prominent emcees. The single "Verbal Intercourse" featured the first appearance of Nas Escobar, Nas' alter ego. Similarly, Raekwon and Ghostface Killah, who served as Rae's partner in rhyme throughout the entire Cuban Linx album, also developed a slew of other identities. Identities like Lex Diamond, one of the flashy, witty and intellectually stimulating personas of the multifaceted Raekwon.

In the years after the release of Cuban Linx, Raekwon continued to record several albums with the Clan including the platinum Wu-Tang Forver (1997) and The W (2000), as well as the gold Iron Flag (2001). He also starred in the critically acclaimed film Black and White, before releasing his second solo album, Immobilarity in 1999. Four years later, it's time for another masterpiece from Raekwon.

The Lex Diamond Story, Raekwon's forthcoming third solo album is that desperately needed effort. This new LP is as much a reflection of his first musical triumph Cuban Linx, as it is a manifestation of the future and what is to come from this great emcee. Raekwon is like the E.F. Hutton of hip-hop: when he speaks, everyone listens. The current void in hip-hop is filled with this rap veteran's
crafty verbal gymnastics and artistic form of storytelling. The Lex Diamond Story takes the top shelf elements of the Wu's first album and the finest sentiments of Raekwon's debut and joins them together to deliver another classic album to the masses.

A lyrical gourmet meal, The Lex Diamond Story shows that The Chef still possesses the recipe to cook up a jambalaya of words with the main ingredient being superior skills. Animated and intense, Raekwon's stealth delivery is filled with emotion, skilled cadence and an array of diverse stories, hooks, and topics. The track, "All Over Again (The Way We Were)" touches on the flavour of "Can It Be All So Simple" with its tale of street survival. Meanwhile, "Pit Bull Fights" is reminiscent of the ferocious lyrical beating inflicted on "Incarcerated Scarfaces." Raekwon is indisputably at his creative beast. Unchained and uninhibited, he is assertive with his music and focused on his goals.

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