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Look At Me Now Lyrics


Yellow model chick, yellow bottle sipping
Yellow Lamborghini, yellow top missing
Yeah, yeah, that shit look like a toupee
I get what you get in ten years, in two days
Ladies love me, I'm on my cool J
If you get what I get, what would you say?
She wax it all off, Mr. Miyagi
And them suicide doors, hari kari
Look at me now, look at me now
Oh, I'm getting paper
Look at me now, oh look at me now
Yeah, fresh than a motherfucker
Lil nigga bigger than gorilla
'Cause I'm killing every nigga that try to be on my shit
Better cuff your chick if you with her, I can get her
And she accidentally slip and fall on my dick
Oops, I said on my dick
I ain't really mean to say on my dick

But since we talking about my dick
All of you haters say hi to it, I'm done
Ayo Breezy
Let me show you how to keep the dice rolling
When you're doing that thing over there, homie
Aye, aye, aye, aye, aye, aye
Let's go
'Cause I feel like I'm running and I'm feeling like I gotta
Get away, get away, get away
Better know that I don't and I won't ever stop 'cause
You know I gotta win everyday day, go
She didn't really really wanna pop me
Just know that you will never flop me
And I know that I can be a little cocky, no
You ain't never gonna stop me
Every time I come a nigga gotta set it, then I got it go and then I get it
Then I blow it and then I gotta shred it
Any little thing a nigga think that he be doing
'Cause it doesn't matter 'cause I'm gonna dada dada
Then I'm gonna murder every thing and anything
A bada boom a bada bing, I gotta do a lot of things
And make it clearer to a couple niggas that I always win
And I gotta get it again and again and again
And I be doing it to death
And now I move a little foul, a nigga better call a ref
Everybody know my style and niggas know that I'm the the best
When I come to doing this and I'm banging on my chest
And I bang in the east and I bang in the west
And I come to give you more and I never give you less
You will hear it in the street or you can read it in the press
Do you really wanna know what's next? Let's go
See the way we all in it, we all up in the race
And you know we gotta go, now try to keep up with the pace
And we struggling and hustling, I said it and I get it
And always gotta do her take her to another place
Gotta taste it and I gotta grab it
And I gotta cut all through his traffic
Just to be at the top of the throne
But I know I gotta have it
Look at me now, look at me now
Oh, I'm getting paper
Look at me now, oh look at me now
Yeah, fresh than a motherfucker
Man fuck these bitch ass niggas, how y'all doing?
I'm Lil Tunechi, I'm a nuisance
I go stupid, I go dumb like the Three Stooges
I don't eat sushi, I'm the shit, no I'm pollution, no substitution
Got a bitch that play in movies in my jacuzzi, pussy juicy
I never gave a fuck about a hater, got money on my radar
Dress like a skater, got a big house, came with a elevator
You niggas ain't eating, fuck it, tell a waiter
Marley said shoot 'em, and I said okay
If you wanted bullshit then I'm like ol

Enjoy the lyrics !!!
Electric Light Orchestra were a symphonic rock band which formed in Birmingham, England in 1970. The band was formed by Jeff Lynne (vocals, guitar, multiple instruments), Roy Wood (multiple instruments, vocals), Richard Tandy (keyboards, vocals) and Bev Bevan (drums). Lynne, Wood and Bevan were former members of the psychedelic rock band The Move. The band's lineup would fluctuate throughout its original incarnation, although Lynne, Tandy and Bevan would remain constant members.

They incorporated the sounds of string ensembles, vocoders and dub echos into rock songs, thereby creating a very sophisticated studio version of rock. The musical content of ELO songs often went far beyond usual chord structures, mixing pop songwriting with classical romanticism and synthesized sounds. The band claim that their music "picks up where The Beatles' 1967 song I Am the Walrus left off."

Formed in 1970 by Roy Wood, Jeff Lynne and Bev Bevan (the remaining members of the 1960s rock group The Move). The band used cellos, violin, horns and woodwinds to give their music a classical sound. This was an idea Roy Wood initially had while with The Move, to take rock music in a new direction. In 1970 when Carl Wayne left the The Move, Jeff Lynne, front man with fellow Brum band Idle Race, responded to Wood's second invitation to join the line-up, with the lure of starting the new band. To help finance the fledgling project, two more Move albums were released during the recording of their eponymous first album in 1971 which produced the UK hit 10538 Overture. In the US this album was released with the mistaken title of No Answer, due to a mix-up with an uncompleted telephone call to the American label and subsequent secretarial message.

However, tensions soon surfaced between Roy Wood and Jeff Lynne. With most of the media attention focused on Roy Wood, differences in musical direction, and a disastrous first live outing, it was no surprise when the band went through the first of its many line-up changes as Wood took Hugh McDowell and Bill Hunt with him to form Wizzard. Despite the music press's predictions that the band would fold without Wood, Jeff Lynne stepped up to lead the band, with Bevan remaining on drums, bassist Richard Tandy switching to moog synthesizer, Michael d'Albuquerque on bass, Mike Edwards, Colin Walker (cello) and Wilfred Gibson replacing Steve Woolam on violin. They released ELO 2 in 1973, from which came their first U.S. chart hit, a hugely elaborate version of the Chuck Berry classic Roll Over Beethoven. After their second album, violinist Gibson was dismissed and replaced by Mik Kaminski. They also released On The Third Day in 1973, with Mike Edwards playing all the cello parts due to Colin Walker leaving the band. Later that same year saw the return of Hugh McDowell, who had jumped ship the year previous, to replace cellist Colin Walker.

In 1974 Lynne hired a thirty-piece orchestra, choir and Louis Clark, then began work on the next LP Eldorado, A Symphony, a concept album about dreams, scoring their first U.S. Top Ten hit with Can't Get It Out Of My Head in 1975. Eldorado would become ELO's first gold album.

After the release of Eldorado, bassist and vocalist Kelly Groucutt and cellist Melvyn Gale joined, replacing de Albuquerque and Edwards respectively.

The band split in 1983. In 1985, Lynne, Tandy and Bevan reunited and recorded the album "Balance of Power". This reunion was short lived and the band split once more in 1986. Bev Bevan and Louis Clark, with the consent of Lynne, toured and recorded as ELO Part II from 1988 until Bevan's retirement in 1999. In 2000, Lynne and Tandy reformed Electric Light Orchestra and released a new record, "Zoom". "Zoom" proved to be a commercial failure, and the duo split once more in 2001. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Electric Light Orchestra (elo)