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Lullaby (Explicit Edit) - Professor Green



     
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Lullaby (Explicit Edit) Lyrics


All the time I have laid in your love
When your love kept me safe through the night
All the time I was sure you were mine
And before time demands our goodbye
Can you sing me a last lullaby?It's been a while since I last dreamt
Barely remember what it's like to dream
Finding it hard to get to sleep, too stressed
And there ain't anyone to sing a lullaby to me
Pretend shit doesn't get to me
And I suffer in silence when I'm hurting
A man's problems are his own
And it's my burden
Tossing and turning, trying to get to sleep
But I find it hard to switch off when my mind's working
I ponder on things I shouldn't ponder on
Off the rails, my train of thought's wandering
Sick of pretending to be so happy
All the while my anxiety's away at me

My skin crawling, I look up to the sky
And it falls, the walls close in and it's
As if all the good in my life disappears
In an instant, that thing is just so distant
So seeing the ones who I love, the ones who love me
But I don't wanna tell em how I feel in case they judge me
It's just me, wish I could let somebody in
But I ain't ever been too trustingAll the time I have laid in your love
When your love kept me safe through the night
All the time I was sure you were mine
And before time demands our goodbye
Can you sing me a last lullaby?I've barely had any sleep when I get up
Sick of all these nightmares and these night terrors
Like it's only when I'm in heaven that I sleep better
Might sleep better when I get up, I'm weak
It just makes my day harder, I wonder if
It would've been any different if I had a father that I knew
Could it have helped shape the way that I grew?
But the point of things I never have went from
Being a reason for the things that I do
To just being an excuse that I'd use
I've gotta take responsibility for the things I do
Find something other than negativity for my fuel
But I feed off it, even when I don't seem bothered
I hide everything that's going on inside
Guess it's been a while since I've been honest, I need help
But I deny it and even lie to myself like I'm fineAll the time I have laid in your love
When your love kept me safe through the night
All the time I was sure you were mine
And before time demands our goodbye
Can you sing me a last lullaby?I just wish someone would tell me it would be OK
But pessimism leads me to believe that it won't
To see even a glimmer of hope in the darkness
Is hard and depression is a slippery slope
I don't wanna do what my dad did with a rope, though
So I carry on even though it's hard to
The only thing that's definite is death and things always change
As long as you give em a chance toAll the time I have laid in your love
When your love kept me safe through the night
All the time I was sure you were mine
And before time demands our goodbye
Can you sing me a last lullaby?(Can you sing me a last lullaby?)All the time I have laid in your love
When your love kept me safe through the night
All the time I was sure you were mine
And before time demands our goodbye
Where you sing me a last lullaby?
Songwriters
CHRIS CROWHURST, INA WROLSDON, STEPHEN MANDERSONPublished by
Lyrics © Sony/ATV Music Publishing LLC Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Professor Green is an english rapper from Hackney, East London, currently signed to Virgin Records, after Mike Skinner's The Beats label closed, and ended a run of his own radio shows on BBC Radio 1.

He was signed to The Beats, a record label run by Mike Skinner and Ted Mayhem from 2006 until 12 February 2008, when the label terminated. He rose to success upon winning the inaugural JumpOff MySpace £50,000 battle rap tournament in July 2008. Following this in 2009, Manderson worked with Lily Allen on her 2009 concert tour.

Growing up on the Northwold estate in Upper Clapton, Green's familial situation saw him being raised by his grandmother while he traded up school attendance for just hanging on the estate, like kids do. The Read All About It Songfacts reports that he had a turbulent relationship with his father, who was rarely around during Manderson's childhood and committed suicide in 2008. In his hit single, Read All About It, Green responds to accusations made by his stepmother that his debut album, Alive Till I'm Dead, was "cashing-in" on his death.

While the usual nefarious stories of low budget living played a part in his life, Green's formative years were also characterised by fun: skating was big on the estate, etc. He also had an early inkling that the art of verbal sparring would somehow play a part in his life, confessing how, he always wanted to be a barrister or a lawyer. "I like debates and I've always been argumentative, I think that's helped me in battles a lot."

However, while becoming obsessed with hip-hop at the age of nine "Biggie [The Notorious B.I.G.] is my greatest hip-hop influence", Green only switched up from passive fan to active participant at a relatively late stage. After turning 18 years old, he coined his first rhyme completely off-the-cuff when put on the spot at an impromptu freestyle jam session round a friends house. Passing the test with aplomb and impressing his music making peers, the underground rap battle scene suddenly opened up before him.

After seeing a poster advertising a rap battle at the Lyric Pad night in London, Green turned up and won. From that he graduated to competing at the prestigious Jump Off events, performing at venues like The Scala and Sound in Leicester Square, and becoming the first ever contestant to win six straight weekly finals in a row. While his seventh showdown ended in defeat, he returned undeterred, put together a second run of consecutive victories and became the first string seven wins together. Throw in a further series of seven straight wins and a dalliance with pay battles, and Green became a man to fear on the battle circuit.

Cue a change of scene and a flight to the exotic climes of the Bahamas to spar for $50,000.

Entering the Power Summit battle against America's finest freestyle icons (think 8 Mile but with no holds barred), the crowd may have first viewed Green as this white English kid who's not going to do anything, but his gift of gab and ability to coin scathing punchlines saw him through to the final where he faced Jin, a member of DMXs much amped Ruff Ryders camp. The judges decided in Jin's favour, although with the Ruff Ryder man having been given a bye to the final and Green having already been through seven prior knockout bouts (including taking out representatives from Eminem's Shady Records camp), by his own admission it was "more a case of me losing it as opposed to Jin winning it."

Still, with a crowd featuring US big rap guns like Busta Rhymes and Saigon, Green made a name for himself and in September went off to Hawaii to compete in the battle again.

A performance at the B-Boy Championships last summer ultimately paid greater dividends and opened him up to a new audience in Mike Skinner of The Streets fame.

"Mike approached me after the B-Boy Championships and wanted to bring me on tour with The Streets" he recalls. I ended up doing an opening battle on the tour and we formed a great relationship from that. At first it wasn't about me looking for a record deal though it was more a case of us deciding to lay down some tracks and seeing where it went.

At the end of April 2006 he signed on the dotted line to release his debut album on Skinner's The Beats label. And while UK hip-hop's profile is certainly in the ascendancy thanks to acts like Skinnyman, Sway and Kano, Green has his eyes on breaking out beyond the usual urban tag affixed to British rappers.

Name-checking Portishead, Radiohead, Tracy Chapman and Suzanne Vega as song-writing influences, Green is well aware of the importance of adapting his lyrics from the immediacy of the live battle circuit to cater to the depth of the album format.

"The thing with hip-hop is if you take a lot of rap songs outside of rap then they aren't great songs, whereas with something like country if you take them outside of the genre then the song-writing skills are still incredible, he rationalises. And I'd like to take those skills into rap."

So while never completely leaving behind the entertaining punchlines that have characterised his battle persona, the album will take in everything from songs about his estranged parents to wish lists of things to do before he passes away and the plight of the average stereotypical man in the eyes of the average stereotypical female (see Stereotypical Man, complete with the catchphrase "'Til my breathings done I'll be reading page three of The Sun").

As Green concludes of his new goals "I wouldn't be happy to sell just 30,000 copies of my album. I don't think that there's anything wrong with aiming above that, giving people an album they can relate to, and wanting to be successful."


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Professor Green