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Mala Suerta Con el 13 - Calle 13



     
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Mala Suerta Con el 13 Lyrics


Puedo nutrirme escuchando esto, sabe?
Tu me estas escuchando, ah?
Vamo' a faltarnos el respeto, aja
Vamo' a faltarnos el respeto
Aja, miraYo quiero un hombre sin complejo
Que tenga buenos reflejo
Pa' ver como se hace viejo
Miro el horoscopo pa' ver que me depara
Cuando me pongo perra tu nada me para
Esa busqueda de mi demonio me tiene con insomnio
Como plaga (con picante como tica ma' sala), aja
Yo soy mas bien normalita, okay una mijita rara
Llevame pa' la cueva de los pelo arrastran
No me deje ni hablar, si tengo la oportunidad
De agarrarte como quiero la presion (la presion je je) se te va a disparar
Lo de no probar boca'o es la prueba de que na' (de que na' na)
Se puede comparar con a'na
Ay papa estoy haciendo lo posible,

Cada ve' que me proyecto, yo no tengo edad
Soy como la'mo
A'mo, a'mo a morir en el intento, vam'o alla
Si tu quieres nos ponemos contento
A ratito fuerte (a ratito lento)Me sabe mejor lo que no me da
Que lo que me da, ay papa
Que lo que tu tiene pa' mi
Tengo que gritar yo estoy en libertad
Vamo' a ponerno a llorarVamos a faltarnos el respeto
Usando el alfabeto completo
Vamo'a faltarnos el respeto
Usando el alfabeto completoOye flaca, este sudaca quiere tener sexo con caca
Kinky peludo como chubaca
Quiere tener sexo, puerco, sucio como de inodoro
Oriname en el pecho, te lo juro que yo te enamoro, mi tesoro
(Escupeme en la boca)
Mientras me agarras las tetillas,
Con solo verte la rodilla yo me lubrico
(Ay te la tiene muy pequea, chico)
Pero eso lo sabe tu na' ma' y ahora todo Puerto Rico
Cuando lo undo hasta lo mas profundo
Me vengo rapido como en... (cinco segundo)
Pero no te me pongas violenta,
Que este caballo representa y el primer polvo no cuenta
Por ahi va el burrito sabanero a marcarte pa' toa la vida
Como cicatriz de pandilleroVamos a faltarnos el respeto
Usando el alfabeto completo
Vamo'a faltarnos el respeto
Usando el alfabeto completoVamos hacerlo siete, ocho, nueve veces
Te voy a sacar a pasiar por la calle 13
Pa'que veas los arbolitos y los pajaritos
Y que de una vez me chupes el pito
Pues yo te quiero decir cosa bonitas mamita, pero no me sale
Es que yo fui criao con los animales, sin modales
(Mamando teta de orangutane)
No me quiero poner romantico,
Pero si tengo que cruzar el atlantico
Pa' darte pa'bajo pues lo cruzo nadando
Por el agua resbalando, mientras voy fumando
Mi amol, te voy a cantar una cancion de cuna
Pa' que rompas fuente, una laguna
Pa' que le llegues a la luna
Y cuando bajes te preparo arroz con tunaVamos a faltarnos el respeto
Usando el alfabeto completo
Vamo'a faltarnos el respeto
Usando el alfabeto completo
Vamos a faltarnos el respeto
Usando el alfabeto completo
Vamo'a faltarnos el respeto
Usando el alfabeto completoMe sabe mejor lo que no me da
Que lo que me da, ay papa
Que lo que tu tiene pa' mi
Tengo que gritar yo estoy en libertad
Vamo' a ponerno a llorar
Me sabe mejor lo que no me da
Que lo que me da, ay papa
Que lo que tu tiene pa' mi
Tengo que gritar yo estoy en libertad
Vamo' a ponerno a llorarOye, anormal (jaja)
Bellaco
Cabrona
Desgracia'o
Estupida
Falfoya
Gamberra
Huevon
Imbecil
Jinetero
Pi'caca
Gambrucio
Mala
Calle 13
Mala
Calle 13
Mala, mala
Calle 13
Mas te crece
Calle 13
Mala
Calle 13
To' pa' ti (To' pa' ti)...

Enjoy the lyrics !!!
Calle 13 is a ten-time Latin Grammy Award nominee and one time Grammy Award-winning hip hop and alternative duo from San Juan, Puerto Rico, formed by stepbrothers René Pérez Joglar (born on February 23, 1978), who calls himself Residente (lead singer, writer) and Eduardo José Cabra Martínez (born on September 10, 1978) who calls himself Visitante (multi-instrumentalist, particularly keyboards, vocals, beat producer) in 2005. Their sister Ileana (aka PG-13) has contributed the female vocals to some of their songs, and so has Residente's mother, Puerto Rican actress Flor Joglar de Gracia (on the single "Tango del Pecado").

Although most people have labeled Calle 13's music as reggaeton, they have tried to distance themselves from the style. Visitante, being a professional musician, tries to fuse diverse styles in the group's songs. Early cuts featured elements from jazz, bossa nova and salsa, while recent songs feature cumbia, tango, electronica and others. In their recent tours around Latin America they have added different musical elements according to the place the band is playing in, yet many of their songs carry the traditional reggaeton "Dem Bow" beat such as in their hit Tango del Pecado and the remix to "Suave".

Singer Residente is reluctant to label their music in a specific genre, instead calling it plain urban style. He has a clear preference of hip hop over traditional reggaeton and both he and his brother justify it by saying that only three songs out of fifteen songs in their eponymous debut album, as well as four out of fifteen songs in their album "Residente o Visitante", feature reggaetón beats.

Residente's lyrical style is inspired partly by the lyrical approach used by artists such as Vico C and Tego Calderón, trying to minimize what they refer to as "clichés" of the genre -such as open confrontations with other rappers, known in Spanish as "tira'era", or tiradera. Residente's trademark, by his own account, is a lyrical style full of sarcasm, satire, parody and shock value, which some critics and fans have likened to Eminem's. It also uses Puerto Rican slang considerably (which in turn incorporates a sizeable dose of Spanglish), as well as allegory.

Residente's distinctive lyrics treat a wide and random variety of subjects. He mentions (and sometimes derides) celebrities and known icons such as Diddy in the song "Pi-Di-Di-Di (La Especialidad de la Casa)" ("The Specialty of the House"); Mickey Mouse, Red Man, and 2Pac, in "Tengo Hambre" ("I'm Hungry"); 50 Cent in "La Crema" ("The Cream"); Madonna ("I mean, Maradona", Residente says) in "Sin Exagerar"; Puerto Rican singer Nydia Caro (rather affectionately) in "La Era de la Copiaera", wrestler Abdullah the Butcher in Tributo a la Policía ("A Tribute to Police"), and most controversially, his diss track aimed at the Federal Bureau of Investigation in Querido F.B.I. ("Dear F.B.I."). The song "A Limpiar El Sucio" ("Cleaning Up The Dirt") is rumored to be a veiled (some say direct) attack on Puerto Rican entertainment journalist Milly Cangiano.

Visitante, on the other hand, is strongly influenced by electronica, world music, and particularly latin american folk and popular music. Recently, Visitante has claimed to be influenced by music from Central Europe such as Fanfare Ciocarlia (particularly its collaboration with Roma band Kaloome, also known as "The Gypsy Kings and Queens") and Emir Kusturica's group, "The No Smoking Orchestra". In live presentations, Visitante can be seen playing a variety of instruments: an electric guitar, synthesizers, an accordion, a melodica, a Puerto Rican cuatro and a theremin.

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Calle 13