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Mean Lyrics


You, with your words like knives
And swords and weapons that you use against me
You have knocked me off my feet again
Got me feeling like I'm nothing
You, with your voice like nails on a chalkboard
Calling me out when I'm wounded
You picking on the weaker man
You can take me down with just one single blow
But you don't know, what you don't know...
Someday I'll be living in a big ol' city
And all you're ever gonna be is mean
Someday I'll be big enough so you can't hit me
And all you're ever gonna be is mean
Why you gotta be so mean?
You, with your switching sides

And your wildfire lies and your humiliation
You have pointed out my flaws again
As if I don't already see them
I walk with my head down
Trying to block you out 'cause I'll never impress you
I just wanna feel okay again
I bet you got pushed around
Somebody made you cold
But the cycle ends right now
'Cause you can't lead me down that road
And you don't know, what you don't know...
Someday I'll be living in a big ol' city
And all you're ever gonna be is mean
Someday I'll be big enough so you can't hit me
And all you're ever gonna be is mean
Why you gotta be so mean?
And I can see you years from now in a bar
Talking over a football game
With that same big loud opinion
But nobody's listening
Washed up and ranting about the same old bitter things
Drunk and grumbling on about how I can't sing
But all you are is mean
All you are is mean
And a liar, and pathetic, and alone in life
And mean, and mean, and mean, and mean
But someday I'll be living in a big ol' city
And all you're ever gonna be is mean, yeah
Someday I'll be big enough so you can't hit me
And all you're ever gonna be is mean
Why you gotta be so?..
Someday I'll be living in a big ol' city (Why you gotta be so?..)
And all you're ever gonna be is mean (Why you gotta be so?..)
Someday I'll be big enough so you can't hit me (Why you gotta be so?..)
And all you're ever gonna be is mean
Why you gotta be so mean?

Enjoy the lyrics !!!
Milwaukee quartet the Scarring Party perform tuba, accordion and banjo driven end time music that draws on the influence of 20's and 30's music hall, Lomax folkways recordings and 70's punk. The quartet has attracted a growing following and shared a stage with a diverse range of acts, including Daniel Johnston, Why?, Tilly & the Wall, the Polyphonic Spree, the Ditty Bops, Cake and Southern Culture on the Skids.

Though the Scarring Party performances combine low-key showmanship with vaudevillian spectacle, the more confounding part of their aesthetic is the role of toy piano, typewriters, 40lb cast iron bells, the theremin-howl of mandolins, a host of Christopher Roberts' unorthodox percussion instruments and Daniel Bullock's warbling tenor delivered through the crackling victrola veneer of a hand-built copper microphone. While their sound and aesthetic may recall an age gone by, the Scarring Party's unique voice rests comfortably outside of the confines of any era.
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The Scarring Party