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Mellow My Man - The Roots



     
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Mellow My Man Lyrics


One two
Yes, The Roots layin' back, real-xin
Coolin' out with my man Malik be
We call him Sla-xon
YaknowhatI'msayin? We in effect
Mo like Al B. Sure, for your pleasure
Aiyyo bust it
We about to flip it on some ol' laid back, mellow my man tip
We gon' set it like this
Yo check itBust it, La Di Da Di, who likes to party
Like Slick Rick the Ruler I'm cooler than a ice brick
Got soul like those afro picks, with the black fist
And leave a crowd drippin' like John the Baptist, it's
The cause of that "Oh shit!"
The skits I kick, flows like catfish
And got many emcees on the blacklist
I'm sharp as a cactus plus, quick to bust gymnastic tactics
Us, Roots is really true to that rap shit

Now holla to the scholarly, street skats that follow me
Back to the Soul Shack with packs of rap colonies
Max that, Foreign Objects is mad abstract, make Shadrach
Offender want to go like Meshach, Black
Thought the nappy cat a bookworm shoe styles like sperm
Cool as Malcolm Little with conch a la perm burn
The herb sticks like wicks, and flips when I slaps the hand
Of my mellow my man, Malik beHere I goes, negroes best to know the flower
The professional, best in those skills that kills so uhh
Whoa, slow down before you go down (sissy)
Trixie this is Agatha Christie your slain and know now
Next contender, Malik's the axe offender
Critique me so uniquely with mystique that's so deep within the
Microphones I grip, psych with poems so's I slits throats
Put him in a quote, when he croaks
They sayin', isn't it, is it the negro that did it?
'Cause wreck with the tech, make you jump and say 'ribbit'
I exhibit many forms, prohibit the corny forms
(And we're in, your neighborhood) on the norms
Capture, was to, whack ya
Manu-facture, you can even ask Anita about the, rapture
I figured, perhaps ya, a say it slam
For my mellow my manThe way we do it like this
That, for my mellow my man
It's like that for my mellow my man
No no we do it like that
This, for my mellow my man
It's like this for my mellow my man
No no we do it like this
That, for my mellow my man
It's like that for my mellow man
No no we do it like that
This, for my mellow my man
It's like this for my mellow my manYo, I got spunk, plus funk
And Jump Like Punks, to Get Beat Down
Turn that heat down, I'm crazy cool
Deeper than the pool than Wilt the Stilt
Damn near drowned in clowns bounce to sound
When Thoughts pound
And brown's, my complexion section Southern
My brother-in is Jex, I
Sweats no sex, cause this kid gets
Grits n shit, it's flex to drains that was crazed
When your heart spit up, dip dup damn
Yo I lost it but
Back is the Black Boogey Man
Manic mad musician, maker of noise
That's jocked, by your homeboys
I rocks my flocks of sheep, it's the slickest shepherd around
I was lost but was found, now I gets down
From Philly to the Apple I, stop and holla tunes and then hit
Up-town, Diggin Planets when they get Earthbound
I kick the groovy tunes for you and yours, when I pass the can
To my mellow my man, Malik beWhoa, shucks, my nuc snuff ducks (uh-huh)
Abruptly I erupt, to destruct, deducts
In wax I like to smack em, stroke em as I cap em
Change my name to Saran or Reynolds then I Wrap em
Negroes know we be furrow to my borough
Cause my ass is so thorough, like Levert Gerald
Too strong to be sterile
So I impregnates the greats (say what?)
Bust the Pacino's, I won't trust them
Even though I lust them shapes -- females for retail prices
Twice this nice, this witch sure does her spices
I won't smirk, cause my name's not Urkel
The voice with the multiple choice, she does a circle
You want to turn and page your eyes, and try to plagiarize
But I degrade ya, slaughtered ya and slayed ya
Microphones I grip equipped to flip the hyp-ocrites
And nit-wits, with tidbit skits, them ain't
That was a curse, but I divide it in half
Gets the airplay, no fair play, you're feelin the wrath
Of Malik, aiyyo get tragic, negroes that get dramatic
Because I have the habit to smoke rabbits like a addict
So if you can not rap I will just slap YOU
If you wants to pick up on your nose be shows the chrome
And then we cap, YOU
It's too bad, dem cyan't understand de true check
For my mellow my manThe way we do it like this
That, for my mellow my man
It's like that for my mellow my man
No no we do it like that
This, for my mellow my man
It's like this for my mellow my man
No no we do it like this
That, for my mellow my man
It's like that for my mellow man
No no we do it like that
This, for my mellow my man
It's like this for my mellow my manI think it's for my mellow my man, uh
My mellow my man, right
My mellow my man, uh
My mellow my man, right
My mellow my man, uh
My mellow my man, right
My mellow my man my mellow my man my mellow my man my mellow my man
For Scott Storch, my mellow my man
Leonard Hubbard on the bass, my mellow my man
B.R.O.T.H.E.R. ? on the drums, my mellow my man
Gotta end it on the one, my mellow my man
Check it

Enjoy the lyrics !!!
The Roots, also known as The Legendary Roots Crew, The Square Roots and The Foundation, are an influential, Grammy winning hip hop group based out of Philadelphia, Pennsylvania, famed for a heavily jazzy sound and live instrumentation. Inspired by the "hip-hop band" concept pioneered by Stetsasonic, the Roots themselves have garnered critical acclaim and influenced later hip-hop and R&B acts.

The Roots' original lineup included Black Thought (MC vocals) and Ahmir "?uestlove" Thompson (drums), who were classmates at the Philadelphia High School for Creative Performing Arts. As they began to play at school and on the streets, they added another MC named Malik B., bassist Leonard Hubbardand keyboardist Scott Storch. Another MC, Dice Raw, frequently made album appearances with the group from 1995 to 1999 before leaving to record a solo album. Scott Storch also left to pursue career as a producer following the Do You Want More?!!!??! album, He produced songs such as Still D.R.E. by Dr Dre. The Roots filled his void with another keyboardist, Kamal who is still a member. A beatboxer named Rahzel also joined the group and contributed from 1995-1999. Alongside Rahzel was vocal turntablist, Scratch who greatly contributed to The Roots' sound, most notably in live concerts. He left the group in 2003. Malik B. left the group in 2000. A guitarist, Ben Kenney, enjoyed a short stint with the group and contributed to their Phrenology album, but left to join Incubus. A percussionist, Knuckles, was added in 2002 and guitarist, Kirk Douglas (a.k.a. "Captain Kirk") repleaced Kenney. A vocalist, Martin Luther toured with The Roots in 2003 and 2004 and contributed to their album The Tipping Point. The current members of The Roots are Black Thought (MC vocals), ?uestlove (drums), Hub (bass), Kamal (keyboard), Knuckles (percussion), and Captain Kirk (guitar).

The Roots' debut album, Organix released in 1993, was actually a live recording from a concert in Germany that the Roots sold at their shows. The album earned enough industry buzz to earn the Roots offers from major record labels, and they signed with DGC records, which at the time was better known for its grunge music releases.

The Roots' first album for DGC, Do You Want More?!!!??! (recorded live without the use of samples), was a moderate hit on alternative radio. Their 1996 release Illadelph Halflife was the group's first album to crack the Top 40 on Billboard's album chart, spurred in part by MTV's airplay of the video for "What They Do", a parody of rap video clichés such as the "beatdown shot," and "Clones" which was their first to single to reach the top five on the rap charts.

In 1999, The Roots released Things Fall Apart (named after a novel by Chinua Achebe), their breakthrough album. The track "You Got Me", duet with R'n'B singer Erykah Badu, earned them a Grammy award for Best rap Performance By A Duo Or Group.

In 2000, Dice Raw left the group to record his solo debut album, Reclaiming the Dead.

The Roots' reputation as a hip-hop live band made Jay-Z call on them for his MTV Unplugged album in 2002. The album featured good recreations of many of his great songs, played by the band with a little help from female vocalist Jaguar Wright.

2002's Phrenology introduced a more mainstream sound for the Roots, earning a Grammy nomination for Best Rap Album. The album's sales were boosted by radio and TV airplay for two duets on the album, "Break You Off" (featuring Musiq Soulchild) and "The Seed 2.0" (featuring cody chestnutt). The video for "The Seed 2.0" earned a nomination for the MTV2 Award at the 2003 MTV Video Music Awards. "The Seed" was also featured on the soundtrack to the Mandy Moore movie Chasing Liberty. Phrenology was certified gold (signifying U.S. sales of at least 500,000 units) in June 2003.

The Roots' 2004 release, The Tipping Point, took its name from a 2000 book by Malcolm Gladwell. The album earned two more Grammy nominations: one for Best Urban/Alternative Performance for the track "Star", and another for Best Rap Performance By A Duo Or Group for the track "Don't Say Nuthin'". The album was an immediate hit, debuting at #4 on the Billboard album chart and selling over 100,000 copies in its first week of release.

On November 15, 2005 The Roots released two compilation albums, Home Grown! The Beginner's Guide To Understanding The Roots, Volumes 1 & 2. These two separately sold discs are a compilation of past hits, live performances, and rare remixes compiled by ?uestlove himself. They also feature 70 pages of liner notes written by ?uestlove. These two albums marked the Roots' last releases on Geffen Records.

The Roots' album, Game Theory, was released on August 29, 2006. The album, which features a track that samples the song "You and Whose Army" by Radiohead, was released on Jay-Z's Def Jam.

The Roots next album 'Rising Down' was released on April 29th 2008. Features tracks with Common, Mos Def, Talib Kweli, Saigon, and other greats.

The Make Me Songfacts reports that The Roots' eleventh album, Undun, is their first concept album. It tells the story of a man called Redford Stephens who died in 1999 at the age of 25. We hear Redford retelling his life post-mortem and attempting to deconstruct what led to his undoing.

The Roots are also the house band on Late Night with Jimmy Fallon airing first on March 2nd, 2009.

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The Roots