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Mesopotamia - The B-52's



     
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Mesopotamia Lyrics


Mesopotamia, Mesopotamia
You fucking give me the creeps
You fucking give me the creeps
I've never known another city to burn
Face down in the bottom of a river
Swimming with the dead makes me want to shiver
If you really wanna know, I'd rather just drown alone
Clay fingers reaching for the ceiling
Once numb, now tingling with feeling
You'll see in the end that nothing really gets away
And I'd give it all just to be with you
Mesopotamia, Mesopotamia
You fucking give me the creeps
You fucking give me the creeps
I've never known another city to burn
You took back the mud from which you're made
And threw it at me like a fucking grenade

You keep cutting my throat, then you ask me if I'm feelin ok
This city is just like any other
They keep blowing it up, then building up another
If you look in the hole, you'll see it ain't going away
And I'd give it all away just to be with you
Mesopotamia, Mesopotamia
You fucking give me the creeps
You fucking give me the creeps
I've never known another city to burn
City to burn

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The B-52's are an American rock band formed 1976 in Athens, Georgia, United States. The band formed as Fred Schneider (vocals), Kate Pierson (vocals, organ), Cindy Wilson (vocals, guitar), Ricky Wilson (guitar) and Keith Strickland (drums). After Ricky Wilson died in 1985, Strickland replaced him as a guitarist. The band is perhaps best known for their 1978 single "Rock Lobster" and their 1989 pop smash "Love Shack".

The name comes from the bouffant wigs that are part of the band's distinctive look, worn by singers Cindy Wilson and Kate Pierson. Along with Wilson and Pierson, fellow vocalist Fred Schneider, drummer (and later guitarist) Keith Strickland and guitarist Ricky Wilson (Cindy's older brother) formed the band after a drunken night at a Chinese restaurant.

Their sound is particularly marked by the vocals of Wilson and Pierson, with Kate singing in a slightly deeper voice, along with the generally monotone or spoken-word vocals of Schneider. Aside from their vocals, the band also had a unique New Wave sound that was a combination of dance and surf music, and the unusual guitar-string tunings utilized by Ricky Wilson. Although part of the new wave movement, their music was more experimental than most new wave, indulging in all manner of odd vocal and synthesizer effects. It created a quirky dance sound that became very popular.

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The B-52's