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Miss Marmelstein - Barbra Streisand



     
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Miss Marmelstein Lyrics


Miss Marmelstein, Miss Marmelstein, Miss MarmelsteinOh, why is it always Miss Marmelstein? Miss Marmelstein
Miss Marmelstein, Miss Marmelstein
Miss Marmelstein, Miss MarmelsteinOther girls get called by their first names right away
They get cozy intimate
Do you know what I mean?And nobody calls me, "Hey, baby doll", Miss Marmelstein
Or "Honey dear", Miss Marmelstein, or "Sweetie pie"
Miss MarmelsteinEven my first name would be preferable
Though its terrible, it might be better, its Yetta
Or perhaps my second name thats Tessye
Spelled T E S S Y EBut no, no, its always Miss Marmelstein, Miss Marmelstein
Youd think at least Miss M. they could try
Miss Marmelstein, Miss Marmelstein
Miss Marmelstein, Miss Marmelstein, Miss Marmelstein
Oh, I could dieIm a very willing secretary
Enjoy my work as my employer will corroborate
Except for one disappointment one fly in the ointment
Its great I mean simply greatBut the aggravation of my situation
I might as well get it off my chest, its the drum appellation

Oh, pardon the big words I apply
But I was an English major at C.C.N.Y.Drum appellation
With which I am persistently addressed
Persistently, perpetually, continually and inevitably addressed
Believe me, it could drive a person positively psychosomaticOh, why is it always Miss Marmelstein? Miss Marmelstein
Miss Marmelstein, Miss Marmelstein, Miss Marmelstein
Miss MarmelsteinOther girls get called by their nick names right away
Slightly naughty or risky
Do you know what I mean?Nobody calls me,"Koo-chee-koo", Miss Marmelstein
Or "Boobala", Miss Marmelstein, or "Passion pie"
Even, "Hey there, babe" thought not respectable, aint so object able
Its kind of crummy but chummyOf course if I got married, that would do it
So, wheres the lucky guy?
Till then it still is Miss Marmelstein, Miss Marmelstein
Everyday I get more and more fastMiss Marmelstein, Miss Marmelstein
Miss Marmelstein, Miss Marmelstein, Miss Marmelstein
Oh, I could bust

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Barbra Streisand (born Barbara Joan Streisand; April 24, 1942 Brooklyn, New York), is an Academy Award-winning American singer, theater and film actress, composer, film producer, and director. She has won Oscars for Best Actress and Best Original Song as well as multiple Emmy Awards, Grammy Awards, Golden Globe Awards and an honorary Tony Award. She received the prestigious Kennedy Center Honor on December 7, 2008. She is the most successful female recording artist according to the Recording Industry Assoc. of America (RIAA).

Barbra Streisand has recorded more than 60 albums, almost all with Columbia Records. Her early works in the 1960s (her debut The Barbra Streisand Album which won two Grammy Awards in 1963, followed by The Second Barbra Streisand Album, The Third Album, My Name Is Barbra, etc.) are considered classic renditions of theater and nightclub standards, including her version of Happy Days Are Here Again. Beginning with My Name Is Barbra, her albums were often medley-filled keepsakes of her television specials.

Starting in 1969, Streisand tackled contemporary songwriters; like many talented singers of the day, she found herself a fish out of water in attempts to tackle rock, but her vocal talents prevailed and she gained newfound success with the pop and ballad-oriented Richard Perry-produced album Stoney End in 1971. The title track, written by Laura Nyro, was a big hit for Streisand.

Streisand's 1980 album, Guilty featured the songwriting, production and vocal talents of Barry Gibb and was the best-selling album of her recording career. During the 1970s, she was also highly prominent in the pop charts, with number-one records like The Way We Were, Evergreen, No More Tears (Enough Is Enough) (her duet with Donna Summer), and Woman In Love; some of these came from soundtracks of her films. She recently took part in supporting Haiti in singing "We are the World 25th anniversary.

When the 1970s ended, Streisand was named the most successful female singer in the U.S. - only Elvis Presley and The Beatles having sold more albums. [1]

[1] In 1982, New York Times music critic Stephen Holden wrote that Streisand was "the most influential mainstream American pop singer since Frank Sinatra."




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