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Money Lyrics


[Intro: Bizzy]
Bizzy Bone, you know what it is baby
After Platinum Records
Let's get this money '07 style
[Chorus: Bizzy Bone]
Mon-eyyyyyyyyyy, mon-eyyyyyyyyyy, mon-eyyyyyyyyyy
Gotta get that money money, gotta get that money money money money
Mon-eyyyyyyyyyy, mon-eyyyyyyyyyy, mon-eyyyyyyyyyy
Gotta get that money money, gotta get that money money money money money
[Bizzy Bone]
I don't give a fuck what they sayin!
Buck buck buck buuuuuuck!
I'm ridin a Caddy and daddy I'm rollin it sadly, but I don't mind
If they laughin at me the movie I hardly think that they be singin singin
I never gave up on my lady, but she still ain't listenin to me

Gotta let them 24's spin, chins ain't chippin or flippin
And let me get another victim again, gain-gain-gain-gain
Whether they don't gimme any Henn' or befriend them, when they say I was
But I been right here cuz, you know what it is, you know what it was
So they wanna move dude, what'chu gotta do, who? Not me
I said I'm glossin, and who you thought of flossin baby
Baby I'm not 'Pac though, and I'm not God, no!
But I float like a butterfly, sting like a bee
Mo' money money money money money money, in the face of the crowd
Plottin now, I don't need no pride to hide, oh wow, oh wow
Mo' money money, in the face of the crowd
Plottin now, I don't need no pride to hide, oh wow
But baby I'm not 'Pac, no! (buck buck buck buck buuuuuuck!)
[Chorus]
[Twista]
You knocked out by the Windy City southpaw
No cookin in the kitchen homie we put out raw
Midwest outlaw, fuck with it? I doubt y'all
Somewhere between Chi-Town and Cleveland is where they found y'all
Rollin through the alley in a Caddy
Blowin Cali to the haters, oh what a pity
When they hit a nigga, Twista rockin city after city
they gon' ask, "Is he doin it with Bizzy?"
And you know why they done that (why?)
Because we two of the coldest motherfuckers
to spit these fast lyrics on one track
Buck 'em with a lyrical bullet in the body
because I gotta get the fire know the shit don't stop
Pull up in a Lamborghini or the Ferrari
I know I gotta get the props, cause I gotta get the drop
Gotta get the dough and get the money money
I could really feel it when I hear they comin for me
Try to get it if you think you feelin kinda lucky
Twin glocks so you know you better bring a buddy
And I got the ammunition for anybody
that wanna go against the Midwest Militia
A whole clip at the competition for Bizzy
A whole clip at the competition for Twista
A whole clip at the world, because it's us against
And then this shit about to get ugly
For static, I'ma hit 'em with an automatic
Run and do murder after murder, but I'm a baller so I gotta get
[Chorus]
[Bizzy Bone]
Buck buck buck buuuuuuck!
Me and my brother Twista gettin it crunk
and drinkin that Goosey, with 'em a brew
Doin whatever we wanna do, get to the club, ain't nobody knew
Thought that we beefin they try to divide the truth
Talk about who really started the style
How 'bout everyone livin in harmony, look at the army now
General 7, the belly is purest and we gonna get it at heaven
We dancin our way to the gates, if you comin with me we'll need every Muslim
We human, we're all in the brethren
Veteran deep in the city I pity the fool who jump out of this fake
What do I look like massagin the thought
when they come with the matrix and say that we 'fraid
We'll never break, 'member that conny and Twista
we're gonna go through the fire
Never expire, give it the way that they want it
they'll front on you if you tired (what about)
Money you tell me what's money to you, pay for the rappers and corporates
The office that burn wood, but the burn good and the brain wave
Puts the energy certainly, I don't have time for emergencies
Baby the word and we walk with the covenant
Party and poppin the melody baby, I know that the ladies be lovin it
Brush the dust, enemies way, get 'em a drink, we look too lovely
The spirit is present and never be hesitant
Twista and Bizzy, we gettin this money nucca
[Chorus]

Enjoy the lyrics !!!
The Human League are an English synthpop band formed in 1977. Originally a minimal post-punk synthesiser-based group from Sheffield, UK, they became one of the most successful new wave acts of the 80s. The only consistent band member is vocalist and songwriter Phil Oakey. The band's best known configuration was their 1980-1985 lineup of Phillip Oakey (vocals), Joanne Catherall (vocals), Susanne Sulley (vocals), Phillip Adrian Wright (keyboards), Jo Callis (guitar, keyboards) and Ian Burden (bass).

Martyn Ware and Ian Craig Marsh were both working as computer programmers in 1977, and combined a love of pop music (such as glam rock and Tamla Motown) with avant garde electronic music. They acquired a Roland System 100 synthesizer and began to create music in their own rehearsal facility. Initially they formed a group called The Dead Daughters, which then became The Future with Adi Newton on vocals. Newton was soon dismissed and left to form the outfit Clock DVA. Ware and Marsh searched for a vocalist, but their first choice, Glenn Gregory (who would be the lead singer of their later band, Heaven 17), was unavailable. Ware instead decided to invite Philip Oakey, an old school friend, and a hospital porter at the time to join the band, "apparently by leaving a note stuck to his door". Oakey accepted the invitation, despite never having been in a band before. Shortly after, they decided to call themselves The Human League. A collection of demos from this period was released on CD in 2002, titled The Golden Hour of The Future, compiled by Richard X.

The original lineup of The Human League debuted in 1978 with the single "Being Boiled", a dark synth track that would later become extremely influential on later industrial musicians (namely Trent Reznor of the Nine Inch Nails). This single and it's follow-up "Empire State Human" were modest sucesses, however the group's albums - 1979's "Reproduction" and 1980's "Travelogue" - did not sell. This caused a rift in the band, and in 1980, Ian Marsh and Martyn Ware left the group.

Following the split of the original line-up, Phillip Adrian Wright (their live slide projectionist) fully joined the group and Oakey & himself released another flop single, "Boys and Girls". In order to fulfil their European tour commitments, they recruited bass player Ian Burden, and fronted the band with two singers, Susanne Sulley and Joanne Catherall, schoolgirls whom they had met in a Sheffield nightclub, and managed to complete the tour.

In 1981, Virgin Records paired them with former Stranglers producer Martin Rushent, and the first result was the single "The Sound of the Crowd", which saw them at last achieve success in the singles chart. Guitarist Jo Callis (formerly of The Rezillos) was now recruited to the band, and with Rushent at the helm, The Human League recorded their most successful album to date, "Dare!". It achieved huge success, fuelled by its further hit singles, "Open Your Heart", "Love Action" and most famously "Don't You Want Me", which reached number one in the UK charts during the Christmas of 1981 and was one of the biggest selling singles of that year, and it also charted at number one in the US during the summer of 1982. These three releases were accompanied by striking promo videos ("Love Action" based on the movie The Graduate). During their Dare! phase, the Human League were often associated with the New Romantic movement.

The band also had a number of other hits but their success faded towards the mid-1980s. Arguably, one problem was the length of time the band took to make a record. Dare! was followed by the six-song EP Fascination! (featuring hit singles "Mirror Man" and "Fascination") as a stopgap, and it took three years to release a full-length follow-up album, "Hysteria".

In 1985, outside of the Human League, Oakey scored a huge hit single in collaboration with one of his idols, synth pioneer Giorgio Moroder, with the single "Together in Electric Dreams", taken from the film soundtrack to Electric Dreams. The pair proceeded to record an entire album for Virgin, Philip Oakey & Giorgio Moroder, but this met with rather less success.

In 1986, the group found themselves in creative stagnation, struggling to record material to follow up on their previous success. Key songwriter Jo Callis departed, replaced by drummer Jim Russell, and Virgin paired the League up with cutting-edge American R&B producers Jimmy Jam and Terry Lewis. The result was the "Crash" album. The album featured much material written by Jam and Lewis' team, and showcased their distinctive DX7-led sound, making it quite a departure from previous Human League material. It did provide an American number one single, "Human", but other singles made smaller chart impact.

The following tour saw keyboardist Neil Sutton join the line-up and also keyboardist/guitarist Russell Dennett. Since 1990, their resident engineer on and off stage has been David Beevers. Following Dennett's departure in 1996, Nic Burke has been his replacement for live work since 2001.

The Human League released a new album, Credo in March 2011.

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The Human League