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[Fat Joe]Coca!
Krillz-mania
BX, T.S. 'til I die muh'fuckersssss
CRACK! Ka-ka-ka-Crack-Crack-Crack, aowwww!
Yeah, wave hi at the bad guy
And you can ice grill when I drive by
See if I be givin a fuck
My hands on the woodgrain, fat ass tucked
Ha ha, shit a nigga just came off tour
Mister Mister Rainman, I'm makin it pour
I 'member when I used to have to play that hard
Apartment 5B, Forrest Projects y'all
A nigga too fat, so I couldn't play ball
So I hit the strip, started flippin that raw
My pants would sag, now they callin me Crack
Used to love graffiti, so I made it my tag
Me and Tone Montana we was bangin them hammers
before New York niggaz, ever wore bandanas

Got so much money, a nigga would abuse it
Then I left the streets alone for the love of the music
[Chorus: Cherlise]You know I never dreamed that I could be perfect
Cause that's the only thing that I've ever been, ohh
And when I look back on my life it's all worth it
Because I know I know my people believe me, I do it for love
[Fat Joe]Yeah, yo
They say Joe too selfish, he won't let us in the door
I say shit I could have left Pun in front of that store
Could have left Remy Ma ass in Castle Hill
Where every other day another nigga get killed
They say what's Cool without Dre?
I say shit, what if them niggaz never met Jose?
Hell 'Ve was a great DJ
Now he produce Roc Boyz, headed for a Grammy
What if I would have told Khaled to stop buggin me?
He'd probably never be President of that company
Shit you probably woulda never heard the movement
I ain't gotta talk, I ain't gotta prove shit
Scott Storch is the best, they kept sleepin on him
Cause he's a white boy, he kept ghostbeatin for 'em
Dropped "Lean Back," then that shit hit and guess what?
I made the nigga rich cocksuckers!
[Chorus][Fat Joe]I was never into girls, I was just into my music
Dropped so many hits, still them niggaz just confuse it
Went to my old school, gave 'em some computers
And the niggaz in the hood still be sayin I don't do shit
Bein they ain't got no love in they hearts
I just moved to Miami, copped a crib and a yacht
I bought my little daughter an equestrian park
Now she's ridin horses, tell me that ain't hot
Sade, Luther Vandross
Stephanie Mills, El DeBarge
I used to look at them like Gods
Now tell me why a nigga wouldn't go hard?
Bye {?} boricua, why you hatin on me papi?
It's been sweet 16, still them haters can't stop me
In fact man I'm just like Rocky
Lordy we did it baby, you keep goin shopping
[Chorus][Fat Joe - over Chorus]Yeah, man I did it for the music!
I did it for the love
Ha! I mean Mother's Day I'm performin for your mother
and your girl... can't even be with my family man
You know what? Be careful what you wish for
Joe Crack's here to let you know the workin man is not a SUCKER
9 to 5 man you get to go home and be wit'cha kids man
I'm in Budapest somewhere
I'm in Africa where the heat come, Crack bitch, aowww!

Enjoy the lyrics !!!
Marsha Ambrosius and Natalie Stewart are the funky divas behind the neo-soul duo Floetry. Ambrosius and Stewart emerged in the mid-'90s as songwriters in demand. They're behind some of the new millennium's biggest hits, too. The pair has written tracks for Michael Jackson, Jill Scott, Glenn Lewis, and Bilal. While they're highly respected behind the scenes, Floetry is their way of moving up front.

Ambrosius is the songstress to Stewart's spoken word impresario or "floacist" role. The two met due to their love of basketball. Stewart, who hails from London, was a superstar on her court, while Ambrosius wowed fans in her local English neighborhood. They were competitive, but not rivals, so a friendship was formed. Music was also a passion. Ambrosius relished in her reggae roots while Stewart found herself grooving to funk and soul. While attending Brits Performing Arts School, Ambrosius studied business and finance, but made room for courses in voice, performance technique, and recording. Stewart split her time between acting and directing. Later, Ambrosius and Stewart headed to college.

Ambrosius planned to attend Georgia Tech University on a basketball scholarship, but injury forced her to bow out. Stewart headed for Middlesex University, eventually transferring to North London University. Still, they two kept in touch and raved about music. It wouldn't be until Stewart's girl group, 3 Plus 1, disbanded that Floetry would actually give music a serious shot.

In 1997, Ambrosius and Stewart began writing songs and playing shows in and around London. Three years later, they moved to America in search of something bigger. A brief stint in Atlanta didn't pan out, but their time spent in Philadelphia proved golden. Ambrosius and Stewart befriended Julius Erving III, basketball great Julius Erving's son, in mid-2000. Floetry and Erving clicked instantly. Erving signed on as their manager and hooked the ladies up with Jeff Townes, aka DJ Jazzy Jeff, for some recording. That's when the deals started trickling in -- Floetry were official and living out a dream. In 2002, they inked a deal with DreamWorks and touched up their own work for a debut album. Floetic appeared in October 2002, and its follow-up, Flo'Ology, reached the Top Ten upon release three years later.

MacKenzie Wilson, All Music Guide


Group Members:
Amanda Diva
Natalie Stewart
Marsha Ambrosius




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