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My Corner (feat. Lil Wayne) - Raekwon



     
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My Corner (feat. Lil Wayne) Lyrics


Yeah
Let's get real vulgar and loud in here, uh huhCome on, peace to my corner
Where niggas'll leave ya head and switch names on ya
And we ain't holdin' blame for ya
Them niggas'll kill, for real
Come on, peace to my corner
Where niggas'll leave ya head and switch names on ya
And we ain't holdin' blame for ya
Them niggas'll kill, for realPicture me stompin' you out, up on a flyin' train
Grip Nikes on, hollow through your hollow brain
I suffocate cats, I rape tracks, all of this is late facts
I wished from the stove, it came, yes
Porsche racin' with Scottish pitts
Best fly rum in the world
I got your girl eatin' exotic dick
Anthrax pussy, the minks, whiskey king
Wrote my name on her face, yeah, yeah, kush me
Elevation keep the arm clustery, thousands of guns

We got money too, and we know how to fight someone
But niggas get burned inside of mines
Chopped into a capsule, amass cool, I'm that live
Yeah, shower that nigga down, he pussy
Tryna hang with wolves, yo, you still plain pussy
Don't ever move, we'll detonate
Fuck up your whole plantation in one night to separateCome on, peace to my corner
Where niggas'll leave ya head and switch names on ya
And we ain't holdin' blame for ya
Them niggas'll kill, forreal
Come on, peace to my corner
Where niggas'll leave ya head and switch names on ya
And we ain't holdin' blame for ya
Them niggas'll kill, for realOne for the money, nothin' after that shit
I'm gettin' foreign money, money talks with an accent
Life is a maze, I done ran out of Pac-Men
Really need a crown on my head like a Catholic
Never been a bitch and I don't plan on startin'
Blood gang, beat a beat like Pam on Martin
And you wonder why my right hand man stand-offish
'Cause he got that blam blam on point like swordfish
I'm walkin' 'round the mansion on a cordless
Arguin' with a bitch 'bout how I cannot be her boyfriend
And then I told her, "Hold on, let me click over"
It was my homie T, he 'bout to bring them bricks over
We 'bout to break 'em down like when hammers hit boulders
If one of us goes down then we keep our lips frozen
Who that nigga with, Blood? Make that nigga spit blood
Bullet ain't got no name but the nigga that it hit does
Come through in my bitch car, shoot you with my bitch gun
She asked where I've been, I just had to make a quick run
I'm an NWA, nigga with an AK
That'll put an end to the melee
Smokin' on pounds 'til them shits just deadweight
Ben Franklin straitjacket, my money gon' stay straight
Lil TunechiCome on, peace to my corner
Where niggas'll leave ya head and switch names on ya
And we ain't holdin' blame for ya
Them niggas'll kill, for real
Come on, peace to my corner
Where niggas'll leave ya head and switch names on ya
And we ain't holdin' blame for ya
Them niggas'll kill, for realI seen it all, done it all and still doin' it
Who gave you crime action stories, live from the bricks?
Now it's more diamonds, more bread, more bitches, more head
More land to cover and haters get more lead
Monster rap, decorated, general stripes, I'm top rank
Raise your arm up, salute the globe's most realest still
M16 rounds from 16s
Blood money over here, cash rules daily
Flip train, lay it down flat, call it a G language
Keep flamin', sophisticated killers that's rich and famous
For actin' like your bakery bakes stacks
Get your cake snatched, and your pride too
Money can't replace that
Run but you can't hide
The games that you play'll get you viewed by a coroner, coward
This is my cornerCome on, peace to my corner
Where niggas'll leave ya head and switch names on ya
And we ain't holdin' blame for ya
Them niggas'll kill, for real
Come on, peace to my corner
Where niggas'll leave ya head and switch names on ya
And we ain't holdin' blame for ya
Them niggas'll kill, for real
Songwriters
Corey Woods, Dwayne Carter, Gregorio FordPublished by
Lyrics © MEMORY LANE MUSIC GROUP Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

Enjoy the lyrics !!!
Corey Woods (born January 12, 1970) is an American rapper most well known as Raekwon (the Chef), one of the nine Wu-Tang Clan members. Raekwon joined Wu-Tang Clan, a hip hop group based in Staten Island, New York in 1992. When the time came for him to release his first solo album, Only Built 4 Cuban Linx... (1995), hip-hop, once again, underwent a momentous transformation. The album moves from track to track like a film moves from scene to scene. With its invigorating instrumentals and dramatic lyrical tales, Raekwon painted vivid pictures and presented powerful imagery through his enchanting verbal expression.

Rae's groundbreaking debut album helped to bring the flavour of flossing to wax as well as the use of the moniker among Wu brethren and other prominent emcees. The single "Verbal Intercourse" featured the first appearance of Nas Escobar, Nas' alter ego. Similarly, Raekwon and Ghostface Killah, who served as Rae's partner in rhyme throughout the entire Cuban Linx album, also developed a slew of other identities. Identities like Lex Diamond, one of the flashy, witty and intellectually stimulating personas of the multifaceted Raekwon.

In the years after the release of Cuban Linx, Raekwon continued to record several albums with the Clan including the platinum Wu-Tang Forver (1997) and The W (2000), as well as the gold Iron Flag (2001). He also starred in the critically acclaimed film Black and White, before releasing his second solo album, Immobilarity in 1999. Four years later, it's time for another masterpiece from Raekwon.

The Lex Diamond Story, Raekwon's forthcoming third solo album is that desperately needed effort. This new LP is as much a reflection of his first musical triumph Cuban Linx, as it is a manifestation of the future and what is to come from this great emcee. Raekwon is like the E.F. Hutton of hip-hop: when he speaks, everyone listens. The current void in hip-hop is filled with this rap veteran's
crafty verbal gymnastics and artistic form of storytelling. The Lex Diamond Story takes the top shelf elements of the Wu's first album and the finest sentiments of Raekwon's debut and joins them together to deliver another classic album to the masses.

A lyrical gourmet meal, The Lex Diamond Story shows that The Chef still possesses the recipe to cook up a jambalaya of words with the main ingredient being superior skills. Animated and intense, Raekwon's stealth delivery is filled with emotion, skilled cadence and an array of diverse stories, hooks, and topics. The track, "All Over Again (The Way We Were)" touches on the flavour of "Can It Be All So Simple" with its tale of street survival. Meanwhile, "Pit Bull Fights" is reminiscent of the ferocious lyrical beating inflicted on "Incarcerated Scarfaces." Raekwon is indisputably at his creative beast. Unchained and uninhibited, he is assertive with his music and focused on his goals.

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