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N.T. Lyrics


For real though who really got sent
Flown on the edge, got the ledge hangin' out of the window
Bird chest witcha winderous fearaf?
Around you'll be hemps meat inside of a meal sack
Puny little bucks better hit the jake
But that doesn't mean nothin' to the heart within
You cramped up you and your team, I'm amped up
And you can't dib me beadMy shine, what the is on your mind?
Little weakling rappers better hit the grind
Other brothers ain't motivated, they can't do it
Not only did I penetrate it I ran through it
My music comes on and we march at the dance
Inside of your mind or inside of my pants?
Musical intention that we have is vast
You sick, drink a NyQuil, well, I'm dead on yourOh well, then here comes the gelatin
Tips on some sugars but you yap on your sellin' friends
Now your party is completely blown
Real name is Kamal, I'm in completely zone

It's rap time for you, that means nap time
Preachin' from my joint, what the I'ma clap mine
Singin songs of 6 pence it's intense
Surpise your at the end like the sixth senseHeavy hitters knockin' shit out the park
You couldn't even really play tell me why did you start
Spittin' sharp blades laced with bleach
You wanna play around kid, I'm not a walk at the beach
A stroll in the park or your playground
Put on your headphones, tell me how grenades sound
Put on your walkmase and go underneath the town
Q-Tip abstract how I gets downAll my bitches, dance if you know that you dam sure
Let your drip on the dance floor if you wanna
Get down
That, that bust gats
Better let 'em in 'fore they rush that 'cuz they wanna
Get downBlick, piano sick
Get down
Chill you can get off my and
Get down
While I'm on the hook get on your good foot
And blow up the spot for all of you 'cuz that's how we
Get downComin' with the brand new quickly we pan to
The young black man with intentions to ban you
Seems that people need an aid today
So many fade away, so many fiend to stay
I really rhyme 'cuz I feel I should say things
While the fraudulent act raps just so they cop rings
Or maybe because when they was young
They was fronted on and left alone to have they own fun
Now they've all grown up to be
I'm giving you the rope will you tie up the lassosYou swing dangling from peach trees
While I sip my Daqaris in the south west breeze
Writing so exciting the pen it keeps
Drippin' out gems that's converted to hems and then
People be hummin' it from now to they next to kin
My family is starvin', you know they want me to win
Me forfeit, please get off it
Send a check in my name to my office
Mutombo in the lane, yo I toss it
Abstract comin' through witness the bullHey yo, hey yo engineer cut the beat off

Enjoy the lyrics !!!
Kool & The Gang are a highly successful jazz/R&B/soul/funk/disco group. They originally formed in Jersey City, New Jersey, United States in 1964, playing jazz. They went through several musical phases in their career. They also played R&B and funk, eventually went through a phase where they were a smooth disco ensemble, and wound up the successful period of their career recording tunes that were a mixture of pop and R&B.

The group's main members over the years included the eccentric Englishman Chris Gair, brothers Robert Bell (known as "Kool") on bass and Ronald Bell on tenor saxophone; George Brown on drums; Robert Mickens on trumpet; Dennis Thomas on alto saxophone; Claydes Charles Smith on guitar, and Rick Westfield on keyboards. The Bell brothers' father was an acquaintance of Thelonious Monk and the brothers were friends with Leon Thomas.

In 1964 Robert formed an instrumental band called the Jazziacs with five high-school friends. They changed their name to Kool & the Gang and were signed by Gene Redd to his new record label De-Lite Records in 1969.[3] They first hit the pop charts with the release of their debut eponymous album.

Though none of the three singles from the album went far on the pop charts, their R&B success was swift and massive. Several live and studio albums followed, with 1973's Wild and Peaceful breaking into the mainstream with "Jungle Boogie" and "Hollywood Swinging." Many reviews see the Gang's 1974 album Light of Worlds and 1975 album Spirit of the Boogie as the greatest achievements of the band, with the 1975 single "Summer Madness" gaining much attention. However, after the release of those albums the band abandoned deep funk music and switched to disco. Generally, the albums released after 1975 have not received the same critical acclaim as their early work. Though they still inspired many artists, including The Mighty Majors ("You Can Never Go Back") who opened a show for them once on the road.

The late 1970s saw a lull in Kool & the Gang's career that ended — after new lead singer James "J.T." Taylor joined the group — with 1979's Ladies' Night, the title track from which was spawned a 25-year-long tradition of ladies' nights in New Jersey dance clubs and bars. Their only #1 hit was 1980's "Celebration," from Celebrate!, produced by Eumir Deodato. More international hits followed in the early 1980s, including "Big Fun," "Get Down on It" and "Joanna." Their 1984 album Emergency yielded four top-20 pop hits, including "Fresh" rumored to be inspired by a girl named Alison Hartung and "Cherish." Their chart presence stopped abruptly after the Forever album, when both Taylor and Ronald Bell (who had begun using the name Khalis Bayyan) left the group; Bell would eventually return, but the hits would not.

Kool and the Gang rose to some popularity again in 1994 after "Jungle Boogie" was featured on the soundtrack of Quentin Tarantino's well known cult classic Pulp Fiction. The band released the album "Still Kool" in 2007.

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Kool & The Gang