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Never Missin' a Beat - Everlast



     
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Never Missin' a Beat Lyrics


Listen up, learn, you'll get your turn
I'm sendin' this out to all it may concern
The party master Everlast is here
Before we begin I'm gonna make this clearI don't take no short cuts, Bilal adds dope cuts
If girls were around I'd grab and grope butts
And if she got a man and he tries to step up
It's ashes to ashes and dust gets swept upTryin' to step to me, boy, you must be sick
Got a nine in my pocket, takin' heads out quick
I make my music loud, my parents proud
There's not an artist alive drawing a better crowdThan the Everlasting operator droppin' a groove
To make you get up and dance while I bust this move
And talk about myself, I don't need a partner
Bilal has the cuts then I'll help start the showLet a lyric flow and you'll know
I make you jump up out your seats, scream and say, Ho
You fall back down completely exhausted
Once you had the sound but now it seems you lost itYou're worn out, you can't take no more
Since Everlast and Bilal took control of the floor
So jump out your seat, move your feet

'Cause the beat's complete, I'm never missin' a beatNever missin' a beat, never missin' a beat
Never missin' a beat, never missin' a beatThere's no need for askin', I'm the Everlastin'
My mind is a poll and I'm gonna cast in
The ocean of words and pull out a new rhyme
And if it feels good then I'll do it two timesOr maybe three, four, or even five times
When I'm done Bilal cuts up my rhyme
He's my partner, not a stand-in
On a 'Highway to Heaven' just like Mike LandonAnd when it comes to battles my boy's a sure win
He's been in more scandals than J.R. Ewing
Busted up more parties than five-o
When it comes to a fight my boy's good to goSo step on stage, we duke it out like men
I beat you down with every word that flows out my pen
[Incomprehensible]
And I was the Green Hornet Bilal'd be KatoRight by my side kickin' up dust
And if a sucker acts stupid, grab my gat and bust
You can't run away 'cause my clip holds ten rhymesIf you been beaten once, I'll beat you ten times
Worse than you ever been beaten before
I don't drop my mic unless my throat gets soreAnd that don't happen because when I'm rappin'
My rhymes'd beat Gregory Hines if they was tappin'
So jump our your seat, move your feet
'Cause the beat's complete, I'm never missin' a beatNever missin' a beat, never missin' a beat
Never missin' a beat, never missin' a beat
Never missin' a beat, never, never missin' a beat, never
Ain't it funky, ain't it funkyLyrical and linguistic, somewhat artistic
Some call me a devil, others call me
Mystical like a crystal ball
And if you step to me you'll take a fallJust like the Roman Empire
Feel the wrath of a devil's hellfire
Callin' me a devil, some think it's a diss
To me it's just a name, it's not stones and sticksYou can't hurt me, I got a positive outlook
Readin' my good book or maybe some philosophy
Like Socrates and Plato
Step to me with drugs I just say noBut I'll drink some lemonade if it's wilder
I'm down with DLC and the Styler
The Div Einstein of rhyme is down with me
'Cause he knows that I'm on my wayI will not stray
From the path of knowledge that'll earn my pay
I think for myself, I take advice
And if I did it wrong once then I do it twiceI check my steps, make sure they're correct
And that's why me and DLC get respect
So jump our your seat, move your feet
'Cause the beat's complete, I'm never missin' a beatNever missin' a beat, never missin' a beat
Never missin' a beat, never missin' a beat

Enjoy the lyrics !!!
Erik Schrody (born August 18, 1969 in Valley Stream, New York), better known by his stage name Everlast, is a Grammy-Award winning Irish-American rapper and singer-songwriter, known for his solo hit What It's Like and as the front-man for rap group House of Pain.

He was also a part of the hip-hop supergroup La Coka Nostra, which consists of his former House of Pain mates, Danny Boy and DJ Lethal, along with Underground rap veteran Ill Bill and Irish-American rapper Slaine. On July 14 of 2009 they released their debut album A Brand You Can Trust on Uncle Howie Records and Suburban Noize Records.

Everlast was born in Valley Stream, New York of Irish descent. His grandfather was of German descent. Emerging as a member of the Rhyme Syndicate, Everlast's first solo album Forever Everlasting (1990), largely made possible by MC Ice T, was a disappointment both critically and commercially. Following the album's failure, Everlast teamed up with DJ Lethal and high school friend Danny Boy to form House of Pain. The group was signed to Tommy Boy Records, and their eponymous debut album, House of Pain (1992), went multi-platinum, spawning the successful DJ Muggs produced single Jump Around. This song was also remixed twice by Pete Rock, one version featuring a verse from him and one without. The album also featured Cypress Hill member, B-Real, on the song Put Your Head Out.

Fashioning themselves as rowdy Irish American hooligans (Lethal is actually of Latvian heritage), they toured with various rap and alternative-rock bands after their breakthrough. They participated together with Helmet, along with several other rap acts, on the influential 1993 rock-rap collaborative Judgment Night movie soundtrack. The group eventually disbanded in 1996, with Everlast pursuing a solo career.

Everlast's second solo album Whitey Ford Sings the Blues (1998)-- which was released a full eight years after his solo debut and after he had a major heart attack – was both a commercial and critical success (selling more than 3 million copies). Whitey Ford Sings the Blues was hailed for its blend of rap with acoustic and electric guitars, developed by Everlast together with producers Dante Ross and John Gamble. The album's lead single What It's Like proved to be his most popular and successful song, although the follow up single, Ends, also reached the rock top 10.

Everlast followed-up this success by collaborating with Santana on the track Put Your Lights On on Santana's 1999 album Supernatural. It charted at #118 on the pop chart, but did considerably better with rock radio airplay, peaking at #8 on the Mainstream Rock Tracks chart. "Put Your Lights On" won Best Rock Performance by a Duo or Group with Vocal at the 2000 Grammy Awards.

Despite the success of Whitey Ford Sings the Blues and his success with Santana, Everlast's follow-up album, Eat at Whitey's (2000), stumbled commercially at first in the United States. However, it was eventually certified gold. The album was also embraced critically, especially by Rolling Stone Magazine, which reviewed the album between "good" and "great" and focused on it as that month's most important release.

Shortly after both artists contributed tracks to the End Of Days soundtrack, a feud erupted between Everlast and Eminem. Eminem and Everlast crossed paths before a concert in early 1999. Eminem says he didn't greet Everlast because he didn't recognize him right away, and said Everlast didn't acknowledge him. Everlast's version is that he tried to congratulate Eminem on his success, and Eminem blew him off. Either way, Everlast's verse from the Dilated Peoples all star track Ear Drums Pop (Remix) contained a thinly veiled reference to Eminem "I buck a .380 on ones that act shady", and went on to warn "You might catch a beatdown now where I come from" in his recounting of the incident.

Eminem, in turn, ripped Everlast several times in public and with the song I Remember (Dedication to Whitey Ford) released as the b-side to his group D12's 12" vinyl single Shit on You. In it, Eminem talks about how he remembered Everlast's music, however, "Kid Rock and Limp Bizkit came along now / Don't nobody wanna hear your old ass sing no more."

Everlast responded with the track Whitey's Revenge, released only on his official website. Whereas the song contained references to Eminem's strained relationships with his wife and mother, it was "Better run and check your kid for your DNA", again referring to Eminem's daughter, Hailie Jade Mathers, that set Eminem off.

Eminem & D12 responded with Quitter, the first half uses the backing of Eminem's own song Marshall Mathers, the second half of which is a take off on 2Pac's Hit Em Up (a diss song aimed at The Notorious B.I.G.). In it, he warns Everlast, "If you talk about my little girl in a song again, I’ma kill you." The track ends with the spoken words, "Fuck him, that’s it, I’m done, I promise, I’m done, that’s it," and again warning, "Mention my daughter’s name in a song again you fucking punk."

Everlast echoed similar sentiment on the status of this feud, stating in various interviews that he felt everything had been said and he would now refrain from further responses.

After the sale of the Tommy Boy Records' catalog of master tapes to Warner Bros. Records and its metamorphosis to a dance music label in 2002, Everlast was without a label, but in 2003 he signed with Island Def Jam. His fourth solo album, White Trash Beautiful (2004), was subsequently released after almost a four-year hiatus. The album, which had an almost country-rap feel, received mixed reviews and was a commercial failure. Eventually, Everlast was released from his contract.

In early 2006, Everlast teamed up with his former House of Pain mates DJ Lethal and Danny Boy to join the hip-hop group La Coka Nostra.The group first came to be due to the former House of Pain Hype man Danny Boy starting the group as a collective with rappers Slaine and Big Left (who has since left the group). Soon after the group started, Ill Bill of a now disbanded Non Phixion and Everlast joined the group. Their first known song was Fuck Tony Montana, which features Cypress Hill's MC B Real and Sick Jacken. Due to the popularity of the song online, the group released several more online for free. The group's debut album, A Brand You Can Trust, was released on July 14. The album features guests like Snoop Dogg, B Real, Bun B, Immortal Technique, Sick Jacken and Q-Unique. La Coka Nostra recently joined the likes of Nas and Ill Bill's brother, Necro on Rock The Bells.

In 2007, Everlast was chosen to do the theme song for the TV show Saving Grace. The song,Saving Grace, plays during the show's main title sequence, and was originally released to digital outlets only, however, it was also included on Everlast's fifth solo album, Love, War and the Ghost of Whitey Ford. The album was released on September 23, 2008, on Everlast's own record label Martyr Inc, with distribution by Hickory Records/Sony/ATV Music Publishing (It was revealed through diditleak.co.uk that the album leaked out early on Friday, August 29). A second single and video, Letters Home from the Garden of Stone, was released for free download from martyr-inc.com in December 2007. The third single, a cover of Johnny Cash's Folsom Prison Blues, was released to download on August 19. The Video for Stone in My Hand debuted on the martyr-inc website on October 28, 2008, making it the fourth video for the album.

Discography

Forever Everlasting

* Released: March 27, 1990
* Label: Warner Bros. Records
* Singles: "Never Missin' a Beat", "The Rhythm", "I Got the Knack"

Whitey Ford Sings the Blues

* Released: September 8, 1998 (2× Multi-Platinum)
* Label: Tommy Boy Records
* Singles: "What It's Like", "Ends", "Painkillers"

Today (Ep)

* Released: 1999
* Label: Tommy Boy Records
* Singles: -

Eat at Whitey's

* Released: October 17, 2000 (Gold)
* Label: Tommy Boy Records
* Singles: "Black Jesus", "Deadly Assassins", "I Can't Move"

White Trash Beautiful

* Released: May 25, 2004
* Label: Island Def Jam
* Singles: "White Trash Beautiful", "Sleepin' Alone", "Blinded By The Sun", "Sad Girl", "Lonely Road"

Love, War and the Ghost of Whitey Ford

* Release Date: September 23, 2008
* Label: Martyr Inc.
* U.S. sales: 6,500+ in its first week.
* Singles: "Letters Home from the Garden of Stone", "Folsom Prison Blues", "Stone In My Hand"


Selected Guest Appearances

* Ice-T - What Ya Wanna Do? (]The Iceberg, 1989)
* Bronx Style Bob - Ode II Junior (Grandma's Ghost, 1992)
* The Whooliganz - Hit The Deck (Put Your Handz Up (Single), 1993)
* Madonna/artist] - Waiting (remix) (Rain (Maxi-Single), 1993)
* Nice & Smooth - Save The Children (Jewel of the Nile, 1993)
* Lordz Of Brooklyn - Gravesend (Lake Of Fire) (Gravesend (Soundtrack), 1997)
* Carlos Santana - Put Your Lights On (Supernatural, 1999)
* Swollen Members - Bottle Rocket (Balance, 1999)
* SX-10 - Rhyme in the Chamber (Mad Dog American, 2000)
* Dilated Peoples - Ear Drums Pop (Remix) (The Platform, 2000)
* DJ Muggs - Razor To Your Throat (Soul Assassins II, 2000)
* Run DMC - take the money and run (Crown Royal, 2001)
* Kurupt - Kuruption! (Space Boogie: Smoke Oddessey, 2001)
* Limp Bizkit - Faith/Fame Remix (New Old Songs, 2001)
* Hesher - Whose Generation (Hesher, 2001)
* X-Ecutioners - B-Boy Punk Rock 2001 (Built From Scratch, 2002)
* DJ Muggs - Gone for Good (Dust, 2003)
* Danny Diablo - Rise Above (Street CD Vol 2, 2005)
* The Lordz - "The Brooklyn Way" (The Brooklyn Way, 2006)
* Swollen Members - Put Me On (Black Magic, 2006)
* Snoop Dogg - My Medicine (Ego Trippin', 2008)
* Ill Bill - Only Time Will Tell "Pain Gang"(The Hour of Reprisal, 2008)
* Swollen Members - Dumb (Armed to the Teeth, 2009)


Soundtracks

* Judgment Night (1993) -- "Just Another Victim" Helmet & House of Pain
* Gravesend (1997) -- "Gravesend (Lake of Fire)" w/ Lordz of Brooklyn; "Some Nights (Are Better Than Others)"
* End Of Days (1999) -- "So Long"
* Big Daddy (1999) -- "Only Love Can Break Your Heart"
* Black & White (2000) -- "Life's A Bitch"
* King of the Jungle (2000) --"Love for Real (Remix)" feat. N'Dea Davenport
* Ali (2001) -- "The Greatest"
* Saving Grace (TV series) (2007) -- Saving Grace

Birth Name: Erik Schrody

Also Known As: Whitey Ford, Mr. White, Whitey Farad

Born: August 18, 1969 (1969-08-18) (age 40)

Origins: Valley Stream, New York

Genres: Blues, Hip hop, Rock, Alternative, Country-rap

Instruments: Vocals, Emceeing, Guitar

Years Active: 1988–Present

Labels: Martyr Inc. Records. Warner Bros. Records, Tommy Boy/Warner Bros. Records, Island/ IDJMG/ Universal Records, PIAS Recordings

Associated Acts: House of Pain, La Coka Nostra, SOUL ASSASSINS, Cypress Hill, Rhyme Syndicate, B-Real, Carlos Santana








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