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Nighthawk Postcards (From Easy Street) - Tom Waits



     
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Nighthawk Postcards (From Easy Street) Lyrics


there's a blur drizzle down the plateglass
as a neon swizzle stick stirrin up the sultry night air
and a yellow biscuit of a buttery cue ball moon
rollin' maverick across an obsidian sky
as the busses go groanin' and wheezin',
down on the corner I'm freezin';
on a restless boulevard at a midnight road
I'm across town from EASY STREET
with the tight knots of moviegoers and out of towners
on the stroll
and the buildings towering high above
lit like dominoes or black dice
all the used car salesmen dressed up in
Purina Checkerboard slacks
and Foster Grant wrap-around,
pacing in front of EARL SCHLEIB
$39.95 merchandise
like barkers at a shootin' gallery

they throw out kind of a Texas Guinan routine
"Hello sucker, we like your money
just as well as anybody else's here"
or they give you the P.T. Barnum bit
"There's a sucker born every minute
you just happened to be comin' along at the right time"
come over here now
you know... all the harlequin sailors are on the stroll
in a search of "LIKE NEW," "NEW PAINT,"
decent factory air and AM-FM dreams
and the piss yellow gypsy cabs
stacked up in the taxi zones waitin' like
pinball machines
to be ticking off a joy ride to a magical place
waitin' in line like "truckers welcome" diners
with dirt lots full of
Peterbilts, Kenworths, Jimmy's and the like, and
they're hiballin' with bankrupt brakes, over driven
under paid, over fed, a day late and a dollar short
but Christ I got my lips around a bottle and
my foot on the throttle and I'm standin' on the corner
standin' on the corner like a "just in town"
jasper, on a street corner with a gasper lookin
' for some kind of Cheshire billboard grin
stroking a goateed chin, and using parking meters
as walking sticks on the inebriated stroll
with my eyelids propped open at half mast
but you know... over at Chubb's Pool Hall and Snooker
it was a nickle after two, yea it was a nickle after two
and in the cobalt steel blue dream smoke, it
was the radio that groaned out the hit parade
and the chalk squeaked, the floorboards creaked
and an Olympia sign winked through a torn yellow
shade, old Jack Chance himself leanin' up against
a Wurlitzer and eyeballin' out a 5 ball combination shot
impossible you say? ...hard to believe?, perhaps
out of the realm of possibility? naaaa
he be stretchin' out long tawny fingers out across a
cool green felt with a provocative golden gate
and a full table railshot that's no sweat and I leaned
up against my bannister and wandered over to the
Wurlitzer and I punched A-2 I was lookin' for
something like Wine, Wine, Wine by the Night Caps
starring Chuck E. Weiss or High Blood Pressure
by George (cryin' in the streets) Perkins - no dice
"that's life," that's what all the people say ridin' high
in April, seriously shot down in May, but I know I'm
gonna change that tune when I'm standing underneath
a buttery moon that's all melted off to one side
It was just about that time that the sun
came crawlin' yellow out of a manhole
at the foot of 23rd Street
and a dracula moon in a black disguise
was making its way back to its
pre-paid room at the St. Moritz Hotel (scat)
and the El train came tumbling across the trestles and it sounded
like the ghost of Gene Krupa
with an overhead cam and glasspacks
and the whispering brushes of wet radials
on a wet pavement and there's a
traffic jam session on Belmont tonight
and the rhapsody of the pending
evening, I leaned up against
my bannister and I've been looking
for some kind of an emotional
investment with romantic dividends
kind of a physical negociation
is underway
as I attempt to consolidate all my
missed weekly payments, into
one-low-monthly payment
through the nose
with romantic residuals and leg akimbo
but the chances are more than likely I'll probably
be held over for another smashed weekend

Enjoy the lyrics !!!
Tom Waits (born Thomas Alan Waits, in Pomona, California, on December 7, 1949) is a prolific American singer, songwriter, composer, and actor.

He started his career in the early 1970s as a singer in spit 'n' sawdust bars. Initially, he was deeply influenced by the beat generation, novelists like Jack Kerouac and William S. Burroughs, and poets like Allen Ginsberg and Charles Bukowski. Waits is often compared to Charles Bukowski, being similar both in content and lifestyle, although Waits's views are more egalitarian than Bukowski's. Waits was unable to make a living from his music in the 70s because his classical bar music, based in pre-rock, and americana, blues, and vaudeville styles were not popular. Waits's voice back then was soft, warm and clear.

Waits subsequently developed a devoted cult following and has influenced subsequent songwriters, despite having little radio or music video support. In fact, his songs are perhaps best known to the general public in the form of cover versions of more visible artists, such as the Eagles, Bruce Springsteen and Rod Stewart.

Although Waits’s albums have met with mixed commercial success in his native United States, they have occasionally achieved gold album sales status in other countries.

Lyrically, Waits's songs are known for atmospheric portrayals of seedy characters and places; he sings about the losers on the streets: alcoholics, junkies, prostitutes and social outcasts, although he also includes more conventional and touching ballads in his repertoire.

While opening for Frank Zappa, the audience catcalled and refused to listen to him; he was an unsuitable match with Zappa's avantgarde style.

Countless cigarettes, gallons of alcohol and many all night parties eventually left their trace in his face and voice.

His more recent gravelly voice can be first heard on Small Change. This distinctive voice turned out to be his trademark. It is described by the Music Hound Rock Album Guide as sounding "like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months and then taken outside and run over with a car". Small Change with its sentimental ballads, its bar-jazz attitude and Film Noir-oriented stories turned out to be his biggest commercial success in the 1970s.

Waits subsequently developed a more unique style. His songs have grown more abrasive since then, and the arrangements have turned more surreal and experimental with every new record. His life brings him to new visions, as indicated by the direction taken in his "Alice" release.

While composing the soundtrack for Francis Ford Coppola's One From the Heart Waits met Kathleen Brennan, his bride-to-be. They married in 1980 and she helped him quit drinking and smoking. Since their marriage they have been working together on his albums as co-producers and co-writers. It is hard to say which part belongs to her and which to him, but it's easy to see that they make a perfect team. Additionally, his eldest son Casey can be heard on turntables and percussion on Waits's album "Real Gone".

One of Waits's greatest successes was the album "Swordfishtrombones", released in 1983. It struck with his critics and fans alike. He achieved a new level of song writing and left former conventions (and his earlier career) behind. All songs, whether ballads, jive or jazz are played in a completely different way. It seems that Waits had taken the musical archetypes of these styles and made them his own. All tracks are in the quintessential Waits style. They have a striking rawness and listenability and they set the stage for his success and his future career.

The Bad As Me Songfacts reports that 36 years after the release of Waits' first album, Closing Time in 1973, Bad as Me became Waits's first ever top 10 album in the US when it debuted at #6 with 63,000 sales.

In the late 1980s Waits discovered an outlet for his creativity in composing musicals. His first Musical was named "The Black Rider", and is based on "Der Freischütz" by Carl Maria von Weber. It was co-produced by Robert Wilson and the lyrics come from William S. Burroughs. The story is slightly reminiscent of Kurt Weil's and Berthold Brecht's "Three Penny Opera" and the 1930s. The debut performance of the play was in 1990 at the Thalia Theater, Hamburg and has been played by various theatre groups since then.

Waits was also responsible for two other musicals, which later became albums released simultaneously in 2002. One was the musical "Blood Money," which covers the "Woyczek" theme of Georg Büchner. This one is one of the darkest works from Waits. The other musical is based on Lewis Carroll's classic children's novel, "Alice's Adventures in Wonderland". "Alice" is very romantic, dreamy and soft, and contains one of Waits most romantic songs. Even though they were released at the same time, the bootlegs of the "Alice" musical were long before traded between fans and were just rearranged and re-mastered for the official release.

Besides many film contributions as composer – the Internet Movie Database imdb.com lists 47 appearances of Waits as composer and 38 soundtracks containing songs by Waits - he also is an actor with a total of 25 appearances, ranging from some mini-roles as a trumpeter in "Heart of Saturday Night" and the R. M. Renfield in "Bram Stoker's Dracula" to the major role of Zack in Jim Jarmusch's "Down by Law". He recently appeared in Roberto Benigni's "The Tiger and the Snow", playing You Can Never Hold Back Spring at Benigni's wedding dream. Even more recently, Waits played Mr.Nick (the Devil) in Terry Gilliam's "The Imaginarium of Dr. Parnussuss".

In addition to a number of concert videos, he also appeared in the critically-acclaimed concert feature film "Big Time" (1990).

Waits has always refused to allow the use of his songs in commercials. He has filed several lawsuits against advertisers for using his material without permission. Waits also successfully sued an advertiser for using a work that was stylistically similar to his work, after he had declined to sell them the rights to his song. He has been quoted as saying, "Apparently the highest compliment our culture grants artists nowadays is to be in an ad — ideally naked and purring on the hood of a new car. I have adamantly and repeatedly refused this dubious honor."

Here is an archive of some of Tom's best quotes:
http://www.intercom.net/local/shore_journal/yas11015.html

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Tom Waits