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No Return - Canibus



     
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No Return Lyrics


No return... {*repeat 6X*}[Verse One]
Yo, scientists gather in a secret place to debate
They photographed the Earth from space and saw my face
They tried to translate the innate asiatic shape
before the final earthquakes came but it was too late
Only one eighth of the human race escaped to space
They were chased by flying phenomenon to the lunar base
Flotillas and space centers, lasers probed the entrance
DNA code sensors reject old genetics
I presented my cosmic clearance to a patrol of medics
I was injected with sodium pentathol and questioned
I relayed the message the way I was trained to remember it
I showed them the keypad code and told 'em to enter it
I told 'em which alphanumeric buttons were sensitive
He snatched it outta my hand and started depressing it
I told him detonation was definite if he kept at it
He never quit, he just lost his temper and flipped
I bowed my head like "I guess this is it"

My ears popped, the music stopped, and I couldn't hear shit[Hook]
Adon olam, asher malach,
b'terem kol y'tzir nivra.
L'et na'asah v'cheftzo kol,
azai melech sh'mo nikra.(Hook Translation)
Eternal master who reigned supreme,
before all of creation was drawn,
When it was finished according to his will,
then King his name was proclaimed to be.[Verse Two]
The driver jogged around to the front and opened the door
He said his name was Muhammad Jamal and he'd be with me 'till fall
He said the escort service had called
and a package would be waitin' for me at the window
I said thanks, he grabbed my bags fast and put 'em in the trunk
Then he ran around to the front, slammed it in gear
Pulled off slow, winding down his window
and asked me if I minded if he smoke, I said no, he drove off
Cut my cell phone off, then I swallowed a tablet of Zoloft
Went to sleep and woke up feelin' kinda lost
I asked him what the weather's been like lately
he said he doesn't mind the heat and hates the A/C
Said he had a son who was eighteen and made beats
and I happened to be his favorite emcee
I said for real, that's crazy, I meet him later
Yo Jamal could you please do me a favor
When we get to the corner stop at the bodega
Hopped out the car, walked inside
the store's stereo was playin' Feliz Navidad
I got a pack of condoms and walked to the back of the line
There was three Taliban that was talkin' very loud
One reached in his back side and pulled out a Beretta gun
The last word I heard myself say was a four letter one
He looked me in the eye and said the drama's never done
'cause there's no return...no return[Hook]
Adon olam, asher malach,
b'terem kol y'tzir nivra.
L'et na'asah v'cheftzo kol,
azai melech sh'mo nikra.[Verse Three]
I heard the ringtone of the red phone
Headquarters informed us there was an explosion in the red zone
We were ordered to get ready to go
and to get into our bio-weapons protective gear and clothes
I rode shotgun, my partner Ramirez drove
GPS control gave us coordinates where to go
Soon as we got there I could feel the hot air
For a second I stopped and stared, there was cops everywhere
I told 'em we need to get a square perimeter clear
We got an hour 'till nightfall, so light some flares
I said a twenty second prayer then ran to the second chair-
the lift that was there, then I waved my hands up in the air
to signal that it was clear before I ran upstairs
I could barely see, smoke was so thick in the air
I was visually impaired and started to get scared
I heard a woman scream "HELP" but I didn't know where
I started screamin' back "I'm not gonna leave you here"
Sayin' to myself "damn it's hard to breathe in here"
Searched the rooms one by one like "fuck my lungs"
Ramirez said the fire truck got stuck by the front
I crawled all the way through the foyer to the end of the hallway
and seen her on the floor next to the doorway
I was half unconscious but I just ignored the pain
Helped her to her feet and she had her arm in a brace
All this tar-like black stuff was all in her face
I radio Ramirez coughin' and tried to explain
I heard him say something to me like "It's all in flames!"
There was ceiling debris fallin all over the place
I looked her in her eye, she looked into mine, it was strange
Then I blinked for the last time and never saw her again[Hook]
Adon olam, asher malach,
b'terem kol y'tzir nivra.
L'et na'asah v'cheftzo kol,
azai melech sh'mo nikra.

Enjoy the lyrics !!!
Born Germaine Williams in 1974 in Jamaica, Canibus moved to the United States with his mother at a young age. Because his mother's career required constant relocation, the family moved frequently and the soon-to-be rapper found solace within himself. His rhetorical abilities blossomed later, once hip-hop became the guiding force in his life. He began rhyming and in the mid-'90s joined a group called T.H.E.M. (The Heralds of Extreme Metaphors.)

This group consisted also of his partner Webb. Following a fallout with his partner, Canibus pursued a solo career and began infiltrating the mix-tape circuit. By 1997, he had approached the brink of the major-label rap game, guesting regularly on high-profile releases: He contributed to "Uni-4-orm," an inclusion on the Rhyme & Reason soundtrack also featuring Heltah Skeltah and Rass Kass; "Love, Peace & Nappiness," an inclusion on the Lost Boyz's Love, Peace & Nappiness also featuring Redman and A+; "Making a Name for Ourselves," an inclusion on Common's One Day It'll All Make Sense; the non-album remix of Wyclef Jean's "Gone Till November."

And most famously, "4, 3, 2, 1," an inclusion on LL Cool J's Phenomenon also featuring Redman, DMX, and Method Man.

Of the several guest appearances, "4, 3, 2, 1" certainly meant the most, as it brought together many of New York's preeminent hardcore rappers and thus ushered Canibus into that same elite class. At the same time, however, Canibus lashed out shortly afterward with the Mike Tyson-featuring "Second Round K.O.," where he rhymed, "So I'ma let the world know the truth, you don't want me to shine/You studied my rhyme, then you laid your vocals after mine."

In fact, the entirety of the song directed barbed rhymes at LL: "You walk around showin' off your body cause it sells/Plus to avoid the fact that you ain't got skills/Mad at me 'cause I kick that sh*t real niggaz feel/While 99 percent of your fans wear high heels," and so on. Shortly thereafter, LL sought his revenge, releasing "The Ripper Strikes Back" on the Survival of the Illest soundtrack (1998) and thus channeling even more attention toward Canibus.

From the track's chorus ("Can-I-bus? Yes you can!") to practically every line of the verses ("You soft as a newborn baby takin' a nap/Make my dick hard with that bitch-ass track/Where you at? smokin' in some one-room flat/Suckin' on Clef's dick hopin' to come back"), LL unleashed a fury of insults and threats. The media, of course, elevated the battle to grand heights, as even MTV gave the story headlines. In the aftermath of 2Pac's and Biggie's deaths, such confrontations fascinated the rap community, and Canibus certainly capitalized on his newfound publicity.

As for his debut full-length, Can-i-bus (1998), though, the response was sobering. Critics expressed little support, and sales quickly dropped as listeners also felt genuinely disappointed. Executive produced by Wyclef, the album suffered on many levels, both production-wise and rhetorically as well (critics targeting Canibus' delivery more than his lyrics or themes). The momentum that "Second Round K.O." had generated simmered almost immediately, and it didn't help that LL's "Ripper Strikes Back" found substantial acceptance at the time as well.

In the two years following the release of Can-i-bus, the rapper maintained an extremely low profile, much in contrast to the regular guest appearances he had made leading up to his debut. As a result, when he finally did return with his follow-up album, 2000 B.C. (2000), few noticed, it came and went generally unheard, and Canibus returned to the underground after parting ways with Universal. He continued to record albums and release them on the independent circuit (including 2002's Mic Club, 2003's Rip the Jacker, and 2005's Mind Control); furthermore, he retained a small base of fans as well, yet his days as the next-big-thing had clearly come and gone, as they similarly had for so many other talented rappers.

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Canibus