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Oblivion (Feat. Tilda Swinton) - Patrick Wolf



     
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Oblivion (Feat. Tilda Swinton) Lyrics


I hear you, but I'm not afraid of you
I'm not afraid of youFather, where is my gun?
Now that the war has begun
Oh, let me go it alone, I need no one
I said I need no oneBut oh God, now here it comes
And it's too dark to aim this gun
Clicking now faster, faster, faster
Once again I'm on the runAnd I hear you say, oh my stubborn son
Don't you said you need no one
But don't you see danger, danger, danger's
Headed to oblivion?Followed the hunt far as I could
Through dozen weathers, petrified wood
And I took one shot in the dark
And fired the bullet silver to heartAnd oh God, now here it comes
And it's too dark to aim this gun
Now faster, faster, faster
Once again I'm on the runAnd I hear you say, oh my stubborn son
I know that you said you need no one

But don't you see danger, danger, danger
Headed to oblivion?
Oblivion, oblivion, oblivion, oblivion, oblivion, oblivionWait a second, have you come so far for it to end like this?
This is the challenge
I dare you to take a hold of that darkness from deep down in you
Get back up, what are you so afraid of?Show your face, face to me
Show your face, face to me
Be you my friend or enemy
Show your face, face to meI do not fear oblivion, I do not fear oblivion
Said I do not fear oblivion, oblivion, oblivion, oblivionFather, where is my gun?
I need no one, I need no one
Said I need no one
Songwriters
FIETING, HARDY/WOLF, HEIKO FLORIPublished by
Lyrics © Warner/Chappell Music, Inc., BMG RIGHTS MANAGEMENT US, LLC Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Patrick Wolf is an English singer-songwriter from London. Wolf mixes electronics and samples with a wide range of instruments including viola, keyboards, ukulele, and percussion, all of which he plays himself to form a fusion of jazz, folk and electronic music.

He began experimenting with sound and four-track recording at the age of 11, eventually building an arsenal of instruments that included junk-shop organs and a home-built theremin.

At the age of 14 he joined the pop-art collective Minty, a venture that caught the eyes and ears of Fat Cat Records, which went on to supply the youth with a computer and mixing tools for aid in his newfound audio experimentation. He left home at the age of 16 and formed Maison Crimineaux with his friend Fanny, which eventually found its way to France where the noisy duo played a show attended by electronic maestro Kristian Robinson (aka Capitol K), who went on to release Wolf's lauded 2003 debut. With Lycanthropy reaching number 39 in the NME's top LPs of the year, as well as receiving critical acclaim throughout Europe and America, Wolf decided to study composition at the Trinity College Music Conservatoire.

The results of that endeavor can be heard on his 2005 release Wind in the Wires, a dark collection of moody British folk and chamber pop with a chilly laptop sheen.

Wolf released his third album, and the first on a major label, The Magic Position, in February 2007. He has been busy promoting it with a successful concert tour in North America, Europe, Japan and Australia.

Wolf's fifth album, Lupercalia, is due to be released on 20 June 2011 by Hideout, a subsidiary of Mercury Records. Songfacts explains that the album title refers to the Lupercalia festival, which is was an ancient fertility and love festival that the ancient Romans celebrated between February 13-15, and was the predecessor to Valentine's Day.

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Patrick Wolf