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Party Over (feat. Big Noyd) - Mobb Deep



     
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Party Over (feat. Big Noyd) Lyrics


Every day of my life since 11-2-74
On the street makin non-stop CREAM galore
Packin heat, stickin up weed stores and more
Collectin interest off of extortions to settle my score
It gets deeper when things get real
I'm down to stickin out West Bank for my mill
And I'm from Hempstead, it's close to the shacks of Park South
While I'll be outside slingin, you're always high
And don't come around to the crossroads of life
We're to the death, you and me, this beef for eternity
I'm goin out to the fullest extent
So far into my troubles it's hard for me to get back
To my everyday self and composure
Catch you when you open then I bring you to a closure
Put ice on a razor and freeze ya in ya shoulder
I went for ya grill but you dent from my boulder
I know this kid who says he knows ya because of that
Now I know where ya lay ya hat at and that's that

Say no more, I put it on you while you was yawning
Murder without warning the very next morningOnce we step thru the door, party over, that's the endin
You and your crew'll leave out, a bunch of dead men
Bump me and I'll bump you back
You ain't tough black, niggas like you just get their life jacked
But I'mma cool nigga til you push me to the limit
But try ta play me and ya ass I get up all in it
Don't try to cop pleas now son, it's dead and done
(I gave you fair warning) So run and get your guns
It's on, time to show em how I perform
My attitude will transform, leave you dead plus wrong
Gettin the flow within, representin for Queens
Shit is real, why you hopin that it's all a dream
But you can't wake up, wettin a chest you bless
Chokin off your own blood, don't blame me you brought your own deathAyo Noyd, it's on you, what you wanna do?
Whatever? Party's over, tell the rest of the crew
Yo Big Noyd it's on you, what you wanna do?
Whatever? Party's over, tell the rest of the crew
Yo Big Noyd it's on you, what you wanna do?
Whatever? Party's over, tell the rest of the crew
Yo Big Noyd it's on you, what you wanna do?
Whatever? Party's over, tell the rest of the crewMy beeper kept beepin, the other numbers started leakin
'Who is this on my mind?' I was thinkin
Then I realised it was my dun playin 911
Once I seen the numbers I ran for the fuckin guns
My dun in trouble, I be there on the double
I jumped up in the bubble, yo kid where are you?
(1-14 between Manhattan and Morningside Avenue)
This happened just right out the blue
Aiyo dun, fuck that bitch, tell her get off your dick
(But she's cryin and she says she has feelins and shit)
Yo it's a set-up, them niggas got me fed up
Ty stay in the buildin, if they move fuckin buck em
Get up off the scene, you know what I mean?
And hide yourself down with them other fuckin sixteen
Glock and get off they block
Then I hung up the cellular, ready to rock
And it's onYo, you get deaded in the streets, kid set it
You gots no credit, fool you get wetted
Up with the semi-auto Mac double, love it
'Did he shoot eleven or twelve?' is what he wondered
Nigga I got one more shot, you must be drinkin
Put the heater to his head, watch him start blinkin
'Am I goin to heaven or hell?' is what he's thinkin
Switch to a bitch as his life start sinkin
Down to a level of no return
Pull out the heat cos when the slugs hit it definitely burns
Now chill and think about your life for real
Every member of my crew is livin life for real
Got your self fucked into somethin that you couldn't finish
Up against the fulliest squad and get diminished
I'm from Q-U-E another E-N-S
So why you small tough talk? I'm not impressed
If I seen you in the Bridge, I'd make you undress
Give up the money, the polo especially the GuessBig Noyd! Party's over, tell the rest of the crew
Havoc! Party's over, tell the rest of the crew
Black Ice! Party's over, tell the rest of the crew
Queensbridge! Party's over, tell the rest of the crew
The Big Twins! Party's over, tell the rest of the crew
Ty! Party's over, tell the rest of the crew
Yo Black! It's over, tell the rest of the crew
My man Killer! Party's over, tell the rest of the crew
Germ! It's over, tell the rest of the crew
Karate Joe! It's over, tell the rest of the crew
Ron Gotti! It's over, tell the rest of the crew
Karl Capone! Party's over, tell the rest of the crew
Rasheim! Party's over, tell the rest of the crew
Stobo! Party's over, tell the rest of the crew
Tena! Party's over, tell the rest of the crew
Skins! It's over, tell the rest of the crew
And the whole fuckin projects! It's over, tell the rest of the crew
It's over, tell the rest of the crew
It's over, tell the rest of the crew
Party's over, tell the rest of the crew
Party's over, tell the rest of the crew
The motherfuckin party's over, tell the rest of the crew
Songwriters
TAJUAN AKEOM PERRY, ALBERT J. JOHNSON, KEJUAN WALIEK MUCHITAPublished by
Lyrics © Warner/Chappell Music, Inc., Universal Music Publishing Group Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

Enjoy the lyrics !!!
Mobb Deep is a hip-hop duo made up of Havoc and Prodigy. Both members are natives of Queensbridge, New York; located in Long Island City. They are perhaps most famous for their landmark album, The Infamous, and the accompanying hit single, Shook Ones Pt. II.

1992–1994: Early Career

Prodigy and Havoc met one another while attending the prestigious High School of Art & Design in Manhattan. Coming from similar backgrounds, the duo broke into the rap game in 1992. Growing up in hostile environments that included the prevalence of poverty, drugs, and gang violence, Mobb Deep attempted to express their life experiences through rapping circa 1992. Before Havoc and P were known as Mobb Deep they were a couple of teenaged rappers known as Poetical Profits. The world first heard of them via the Source's Unsigned Hype column and this is the demo track that was quoted in that feature. The song would later see the light of day on their debut LP Juvenile Hell.

"Flavor 4 The Non Believers" (demo version) They released their first album, Juvenille Hell, in 1993. At a time when East Coast hip hop was dominated by the jazziness of A Tribe Called Quest and De La Soul, and the Afro-centric stylings of Brand Nubian and Public Enemy, their style of music eschewed the popular conscious hip hop of the time, and reflected the harsh climate of New York City in the late-1980s and early-1990s. Because both Prodigy and Havoc were still in their teens at the time of their debut, many were surprised by the violent nature of the album. Although the album was not well-received by the public, it displayed the raw talent of the duo; the unique chemistry of Prodigy's lyrical delivery combined with Havoc's melancholy beats. Through this unique style, the duo were signed by Loud Records, and began recording their sophomore album, The Infamous, in 1995, which would establish the duo in the Hardcore hip hop community.

1995–2000: Rise to Success

Following its release, The Infamous became perhaps one of the most influential hip hop albums of the East Coast hardcore rap genre. Still at a young age, the duo powered themselves to the top of the hardcore rap scene through their straight forward narration of street life. As with their first lyrical production, Mobb Deep portrayed the struggles of living in New York City's Queensbridge. Their production also was noticed as the beats were often hard hitting and direct, a testament to Havoc, who produced the duos' tracks almost exclusively throughout their careers. Furthermore, the hit single Shook Ones Pt. II, received acclaim as one of the greatest rap songs ever. Their third album, Hell On Earth was released in 1996, debuting at number six on the Billboard album chart. The album continued their portrayal of harsh street life, while further pushing them to the forefront of the hardcore rap scene, along with contemporary East Coast rappers such as Notorious B.I.G., The Wu-Tang Clan collective, Jay-Z, and fellow Queensbridge associate, Nas.

In 1999, the duo released the highly anticipated Murda Musik album. Despite extensive bootlegging (nearly thirty songs of unreleased material leaked onto the internet) and countless delays, the album debuted at number three on Billboard and quickly went platinum —further highlighted by the popular single, Quiet Storm. Shortly afterwards, Prodigy released his long awaited solo album H.N.I.C (2000), in which the rapper collaborated with other artists and producers (including The Alchemist).

2001–2004: Decline

Some time after the release of Murda Muzik, rapper Jay-Z, spoke out against the duo, leading to an increase in publicity. At the Hot 97 Summer Jam show of 2001, Jay-Z performed the freestyle, "Takeover", which he later re-recorded for the The Blueprint LP, dissing Prodigy. He also revealed photographs allegedly of Prodigy wearing a dance leotard in 1988. Mobb Deep subsequently released Infamy in 2001. The album marked a major stylistic change that saw the duo move away from the raw, minimalist, stripped-down beats of their hardcore roots, towards more commercial fare with such songs as Hey Luv. This transition fostered accusations of "selling out" — upsetting many long-time fans who did not wish to see them veer away from their original style. Although this stylistic adjustment opened up Mobb's audience to a wider variety, many critics and fans credit Prodigy's feud with Jay-Z with damaging Mobb Deep's gangster image and record sales (most evident when comparing the platinum-selling Murda Muzik to Infamy barely reaching the gold status). Not to be fazed, Prodigy noted that his lifelong bout with sickle cell anemia and his beef with Jay-Z had changed his outlook.

In 2003, the group split with Loud Records and released The Murda Mixtape which proclaimed "Free Agents" on the cover, addressing the group's split with Loud and search for a new label. Jive Records signed the duo later in the year and subsequently released Amerikaz Nightmare in 2004, which was seen by the general rap audience as a weaker release by the two - resulting in poor sales and the subsequent dropping of the duo from Jive.

2005–Present

In the spring of 2005, it was announced that the duo signed with G-Unit Records. This came as a surprise to many, as 50 Cent aimed a sly diss at them on the "Piggy Bank" track. The duo made it known that this was not the case as Havoc stated in an interview, "Mobb Deep isn't gonna change and when we first got here 50 was like, 'Listen, I want y'all to keep doing what you been doing.' That's it." 50 Cent has a connection to the duo, as he grew up in nearby Jamaica, Queens and also has used Havoc as a producer for several different beats. The relationship became deeper than business as the Mobb and 50 Cent got tattoos to pledge their loyalty to each other. Prodigy has the words "G-Unit" tattooed on his right hand and 50 has "Mobb Deep" tattooed on his wrist. Upon signing to G-Unit, both Prodigy and Havoc were given new Porsches, for two artists who have received very little monetary compensation in the past.

They currently have recorded their album, titled Blood Money which was released on May 2, 2006. It features G-Unit members 50 Cent, Lloyd Banks, Tony Yayo, and Young Buck. This marks their seventh release and has vaulted the duo into the hip-hop spotlight. As one of the most recognized names in hip-hop, it is hoped that G-Unit will help Mobb Deep attract a new fanbase. As Havoc stated shortly after the deal, “As an artist, you want to be able to reach the furthest audience as you can. We put in hard work on our previous albums and still hit our core fan base. The difference this time around is that more people will hear this product this time.” Despite this, many of the Mobb's longtime fans are skeptical as G-Unit is known for their mainstream crossover music, and fear that Mobb Deep will conform to this style.

Technique

Early on, Mobb Deep gained their critical acclaim for a dark, dynamic, grimey sound with haunting melodies--Havoc's production--that to many represented "street" in a way not done by many or any before. Additionally, Prodigy's penchant for starting off a verse with an attention-grabbing line, writing compelling rhymes based heavily on Queensbridge slang, and a rambling but clear delivery appealed to fans on the lyrical aspect.

For some time, Prodigy was the star MC of the duo, Havoc sounding less focused on the lyrical aspect and more on production. This continued until The Alchemist was brought in to do a few beats for each album, after which Havoc seemed to begin concentrating more on his verbal prowess, slowly developing his own style. After the beef with Jay-Z, Prodigy changed his style, rhyming words less and slowing down his delivery, while Havoc increasingly contributed more to the rhyme end of the duo. After being on independant labels, such as LOUD, and then a larger label JIVE, styles from the grimy, gritty styles from the QB duo changed greatly, much to the despair of the mainstream fans, never fully recovering from the Jay-Z beef, they were forced into the limelight, and after releasing the street wood effort of Infamy, never reclaiming the status of the best kept secret. Signing with G-Unit seems to have worsened their career and Blood Money, their first album released on G-Unit, only sold approximately 110,000 in its first week, coming in at #3 on the Billboard 200.

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Mobb Deep