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People Train Lyrics


Don't wanna ride on no people train
I wanna leave when I wanna
I want to arrive in my automobile
I wanna leave when I wantDon't wanna ride on no people train
I wanna leave when I wanna
Don't mind if I die in my automobile
I wanna leave when I wantMy ex put sugar in the gas tank
Put a key to my two-tone sparkle paint
Kicked her spiked metal heels on my wood dash
Said I owe ya but I'm outta cashThen we went to overheatin' from a cold start
Fillin' 'er up with premium and a light heart
Then it was time to put the shifter into overdrive
Feel the mighty mighty power of the 'lectraglideDon't wanna ride on no people train
I wanna leave when I wanna
I want to arrive in my automobile
I wanna leave when I wantDon't wanna ride on no people train
I wanna leave when I wanna
Don't mind if I die in my automobile

I wanna leave when I wantMotorcycle, twenty-wheeler, or a limousine
In the slow lane on the back streets
Don't you know we're just headed for a breakdown
The whole world headed for a breakdownAin't green 'cause I'm addicted to the fossil fuel
Any speed I can't get there too soon
Red light, city traffic, one headlight
Black gold, canary in a coal mineDon't wanna ride on no people train
I wanna leave when I wanna
I want to arrive in my automobile
I wanna leave when I wantDon't wanna ride on no people train
I wanna leave when I wanna
Don't mind if I die in my automobile
I wanna leave when I want

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Big Head Todd & the Monsters is a rock band formed in 1986 in Colorado. The band has released eight studio albums since 1989 with their 1993 album Sister Sweetly going well beyond platinum in the US. The band has developed a sizeable live following especially in the Mountain States of the US.
Big Head Todd and The Monsters – singer-guitarist Todd Park Mohr, bassist-singer Rob Squires, drummer-singer Brian Nevin and keyboardist-guitarist-singer Jeremy Lawton -- could have begun resting on their laurels back in 1993, when their Top 10 singles “Bittersweet,” “Broken Hearted Savior,” “Circle” and “It’s Alright” pushed the album Sister Sweetly to platinum certification. However, Mohr says, “I’ve fought throughout our career not to be a one-trick pony, to be the kind of band that has depth and diversity in its catalogue. I’m a fan of this band, and I’m constantly looking forward to what comes next.”
The essence of Big Head Todd and The Monsters – a rootsy, emotionally direct variety of rock ’n’ roll that lends itself particularly well to a live setting – has been winning fans since Mohr, Rob Squires and Brian Nevin started playing together in high school (Jeremy Lawton joined in 2004). Needless to say, the three never expected to be in the same band at this late date, but, as Mohr points out, “It was a really fortunate combination of musical personalities, and we’re still partners in every sense of the word.”
The band spent seven years developing their chemistry and amassing a following, boosted significantly by the independent releases Another Mayberry (1989) and Midnight Radio (1990), before being “discovered” by the listening public at large with 1993’s Sister Sweetly. After a major-label stint (Sister Sweetly, 1994’s Stratagem, 1997’s Beautiful World), during which the trio increasingly found itself frustrated artistically, they reclaimed their independent status (2001’s Riviera, 2004’s Crimes of Passion). “If it were not for our ability to do things for ourselves, we would have disappeared a long time ago,” Mohr allows.


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Big Head Todd And The Monsters