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Pet Sematary - DJ Quik



     
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Pet Sematary Lyrics


Man Quik, what they talkin' 'bout?
Man they talkin' 'bout R&B music and Gangsta Rap is dead
What!? Damn
Aye, we need to go bury both of them muthafuckaz in the pet semetary
Take them to Compton and Watts then
I hit the liquor depot, on Crenshaw
Where all the working class G's go
Around the corner from Greg house
On the next block
Knocking something down
Cause South Central got the best cock
And the flyest bitches live in ran down spots
That's why them niggas be Piruin' and Crippin'
Tryin' to protect that ghetto pussy they hittin'
And you know what you goin' get when you buy you a Quik beat
And you know what's goin' happen your bitches and Quik meet
And I know that she goin' kiss and tell
She can't keep it quiet, can't help it when the dick is swell

Have to admit it
It's just good
She's gotta laugh
Like a parent, I put a whoopin' on her bottom half
I'm a player from the Himalayas
Niggas don't agree, then them niggas' haters
I'm just tryin' to be the R&B savior with the instrumental
Or goin' down like JFK in a Continental
The most underrated, so mothafu*kin' hated
Anything I do for music is never celebrated
Ya'll killin' the game like pesticides
But, DJ Quik is unpasteurized
My music is flawless, my lyrics is lawless
Your hood wouldn't be eatin'
I'm the reason for all this
Ya'll tryin' say I got my jaw broke in Compton
What kind of fake gangsta movies ya'll be watchin'
That's some cowboy sh*t, this some now boy sh*t
When them rounds hit your car, that's as loud as it's goin' get
Handle my lightweight, get him embalmed [?]
So don't fu*k with the great
You're much safer on skates
On thin ice
With lead plates
I'm 'bout to reboot, go in and recoup, come through and shoot, make 'em scatter like shoooop
So all that don't like me, you can suck a dick or somethin'
Turn over on your stomach, take a dildo 'til you vomit
I know you niggas crampin', I know the real you
You keep fu*kin' with me, and I'm goin' kill you
Now what they want to go and cancel Arsenio Hall for
Now we got no place to kick it, That's so uncalled for
I'm a bad motherfu*ker, cause my Glock says so
But my wallet says Gucci, I'm a fly killer yo
Jewels on your ass, pullin' tools on your ass
Recite a scripture before I put these on your ass
I'm a [?]
Put that in perspective, it's about a half oz of the OG
Gettin' low key
Rollin' more trees than a hatchback
Chillin' like it's '79
My lyrics so wicked, nigga, go and rewind
So, one more time, I'm from the world's most dangerous city
Back on the scene with no cracks on my screen
I'm like an addict gettin' back on that thing
If R&B is dead, nigga, Rest In Peace
But I'm still goin' write the stuff that make the stress release, Preach
Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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DJ Quik (born David Martin Blake on January 18, 1970) is a West Coast rapper and record producer from Compton, California. He was raised at 436 West Spruce Street in Compton, California. As a teen he took up an affiliation with the Tree Top Piru Bloods, hence why his name is spelled Quik with the C conspicuously missing. A lot of Bloods would let the name "Quick" (because CK stands for Crip Killer) but he chose "Quik" to represent the Red but at the same time in some form of respect for the other side . He grew up without a father and moved out of his mother's home when he was only 17. He lived in the house as the only male with 8 sisters. His home life was far from stable as he raps in a song that one of his sisters was selling drugs to one of his other sisters. He began selling homemade mixtapes (like "The Red Tape", 1987) after he received a turntable for his 9th grade graduation and then began doing shows DJing around Southern California when he moved out. He signed to Profile Records in the summer of 1990, reportedly as the label's first six figure signee. Not only could he rap and write his own songs, he could produce as well.

His debut album, "Quik Is The Name" was led by the success of two top 20 R&B singles, "Tonite" and "Born and Raised in Compton." "Tonite" even charted on the pop charts. The album ended up reaching 10th on the album charts. None of his successive albums reached the success of his debut, though they have been well received in California, particularly his 1998 release "Rhythm-Al-Ism." His most popular albums are Quik Is The Name and Safe + Sound. . On "Safe + Sound" appears "Dollaz And Sense," which was a diss track to Compton rapper and member of the rival Tragniew Park Crips MC Eiht. Though full of bravado at the time, Quik now admits to fearing for his life during the period.

Instead of joining the G-Funk movement during the 1990's, DJ Quik had his own style that a new version of P-Funk, inspired by artists like Roger Troutman (who even taught him the use of the talkbox, which became a trademark for Quik's sound in the 1990's) and George Clinton. Throughout his career, Quik has collaborated with and produced for artists including 2Pac ("Heartz of Men", "Words To My First Born", "Late Night"), Janet Jackson ("All For You"), Snoop Dogg (e.g. "Doin' Too Much", "Buss'n Rocks", "Don't Tell"), Talib Kweli ("Put It In The Air"), Whitney Houston ("Fine"), Kurupt ("Can't Go Wrong"), Jay-Z ("Justify My Thug"), Xzibit ("Sorry I'm Away So Much"), Ludacris ("Spur of the Moment"), Chingy ("Bagg Up", and "Wurr's My Cash"),Dr. Dre, 2nd II None, Hi-C, Suga Free ("Street Gospel" album and on the "New Testament" album), 8Ball & MJG ("Buck Bounce") and others. Though he formally produced only "Heartz of Men" on 2Pac's masterpiece "All Eyez On Me" album, he went uncredited for work on many other tracks on the album; on that track he used his real name David Blake, because Profile did not allow him to use his stage name. In 2002, he produced Truth Hurts' Top 10 pop hit "Addictive". Quik used an uncleared Hindi sample on the record, and the copyright holders eventually filed a $500 million dollar lawsuit against Truth Hurts' label, Aftermath Entertainment.

Quik faced personal and professional tragedy when his friend and protegé Mausberg was murdered on the 4th of July, 2000. This was compounded by the death of his best friend Daryl Reed soon after.

Following 2000's "Balance and Options" CD he was dropped by Arista Records which in 1998 had bought Profile Records. In September 2005, DJ Quik released his first independent album on his own new label, Mad Science, which was supposed to be distributed by Warner Bros but Quik was forced to let Time Warner and so signed his Mad Science with Fontana/Universal. The album is titled "Trauma" and reflects the turmoil in the producer's life over the past few years. He than released "Trauma: Instrumentals". In recent years he has worked with a 74 piece orchestra during a collaboration with Marcus Miller while working on the score to the movie "Head of State." Over the years, Quik has morphed from a hardcore gangsta rapper to a mainstream producer and rapper who is not afraid to change his style. He has not abandoned his West Coast roots and now produces very much his own unique style.

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Dj Quik