Port of Call - Marcos Fernandes



     
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Port of Call Lyrics


And I, I called through the air that night
A calm sea voice with outline
I could only smile, I've been alone some time
And all, and all, it's been fine
And you, you had hope for me now
I danced all around it somehow
Be fair to me, I may drift a while
Were it up to me, you'd know why
I, I called through the air that night
The fault's walls warming inside
Was it infantile, that which we desired?
Were it up to me, all the warmth from your eyes
And I, I called through the air that night
My thoughts were still blurry inside
We were closer then, I've been alone some time
Filled your glass with gin, filled your hearts with pride
And you, you had hope for me now

I danced all around it somehow
Be fair to me, I may drift a while
If there's a plan for me, would it make you smile?
No, don't want to be there for nobody
I can sit here and no
Don't want to be there for tomorrow
So unsafe, I am no one to be followed
By all the signals, no
Don't want to be there for no one, I can be saved

Enjoy the lyrics !!!
A native of Yokohama, Japan, Marcos Fernandes spent over three decades in California as performer, producer and curator. He has performed in the US, Canada, Mexico, Hong Kong and Japan as a solo improviser, phonographer and as percussionist/sound artist with various ensembles, dancers and visual artists. Fernandes' work can be heard on over 50 recordings on Accretions, Bake/Staalplaat, Circumvention, Pax, Pfmentum, Phonography.org, Public Eyesore, Solitary B and others.
Fernandes has performed and/or recorded with Aaron Ximm, Bernhard Gal, Bill Horist, Carl Stone, Chris DeLaurenti, Dub Marronics, Emily Hay, Eric Glick Rieman, George Lewis, Gianni Gebbia, Haco, Hans Fjellestad, Jakob Riis, K.K.Null, Kazuhisa Uchihashi, Kazuo Imai, Lê Quan Ninh, Lesli Dalaba, Lisle Ellis, Mike Keneally, Mike Pride, Miya Masaoka, Raymond MacDonald, Seiichi Yamamoto, Tatsuya Yoshida, Tetuzi Akiyama, Thomas Dimuzio, Yuki Saga Yumiko Tanaka as well as with Donkey, Lower Left Performance Collective, Nortec Collective, Seattle Phonographers Union, Skeleton Key Orchestra and Wormhole.

Fernandes has participated in various festivals including Festival Beyond Innocence (Osaka), Impromusica Fes, Jazz Promenade (Yokohama), so.cal.sonic, Sound walk (Long Beach), San Francisco Electronic Music Festival, San Francisco Alternative Music Festival, Edgetone Music Summit (Bay Area), Big Sur Experimental Music Festival, Oakland Sound/Shift, Olympia Festival of Experimental Music and the Northwest Electroacoustic Music Festival.

He has appeared at Spruce Street Forum, Museum of Contemporary Art, CRCA/UCSD, Sushi Performance Gallery (San Diego), CECUT, Don Loope (Tijuana), Jazzorca (Mexico City), Open Gate, Il Corral/Zero Point, Dangerous Curve, Club Tropical, Line Space Line, KXLU (Los Angeles), Fringe Gallery (Hong Kong), Luggage Store, 21 Grand, KFJC (Bay Area), Polestar, COCA, Sonarchy Radio/Jack Straw (Seattle), Red Room (Baltimore), The Stone (NYC), Bridge, Museum of Kyoto, Renaiss Hall, Pit Inn, Super Deluxe, Airegin, Tokuzo (Japan) among others.

Fernandes was co-director of Spring Reverb 2003-2008 held at sites including the Museum of Contemporary Art and the Museum of Making Music, and has curated events at numerous venues including Spruce Street Forum, Casbah, Galoka, Kava Gallery, the Space and Voz Alta. From 1993 to 1996, Fernandes curated weekly performances and presented concerts at the Wikiup Cafe and Intersection Gallery, an alternative visual and performing arts space in San Diego. Fernandes is a recipient of grants from Meet the Composer and Arts Commission Yokohama..

Fernandes co-runs the artist-based independent label Accretions,home to some of today's more innovative experimentalists. He is a founding member of the Trummerflora collective, dedicated to creative music in Southern California.
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Marcos Fernandes