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Prison Sex - Tool



     
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Prison Sex Lyrics


It took so long to remember just what happened
I was so young and vestal then
You know it hurt me
But I'm breathing so I guess I'm still alive
Even if signs seem to tell me otherwise
I've got my hands bound
My head down, my eyes closed
And my throat wide open
Do unto others what has been done to you
I'm treading water
I need to sleep a while
My lamb and martyr, you look so precious
Won't you come a bit closer
Close enough so I can smell you
I need you to feel this
I can't stand to burn too long
Released in this sodomy
For one sweet moment I am whole

Do unto you now what has been done to me
You're breathing so I guess you're still alive
Even if signs seem to tell me otherwise
Won't you come just a bit closer
Close enough so I can smell you
I need you to feel this
I need this to make me whole
There's release in this sodomy
For I am your witness that
Blood and flesh can be trusted
And only this one holy medium brings me piece of mind
Got your hands bound, your head down
Your eyes closed
You look so precious now
Show me something
Thought I could make it end
Thought I could wash the stains away
Thought I could break the circle if I
Slipped right into your skin
So sweet was your surrender
We have become one
I have become my terror
And you my precious lamb and martyr
I have found some kind of temporary sanity in this
Shit blood and cum on my hands
I've come round full circle
My lamb and martyr, this will be over soon
You look so precious
Songwriters
D. CAREY, P. D'AMOUR, A. JONES, J. KEENANPublished by
Lyrics © BMG RIGHTS MANAGEMENT US, LLC Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Formed around 1990 in Los Angeles, California, United States, by drummer Danny Carey, guitarist Adam Jones, vocalist Maynard James Keenan, and original bassist Paul d'Amour, Tool is a band that is most noted for combining alternative metal with a wide variety of progressive structures, irregular time signatures and lyrics that range from angry diatribes to meditations on philosophical and social matters.

After performing a handful of shows in the Los Angeles area and up the West Coast, they toured in the United States with Primus in the summer of 1992 in support of their EP Opiate. Their first full length recording, Undertow, was released in 1993.

Emerging with a groovy heavy industrial sound on their first release, when the genre was dominated by post-punk, they were later seen at the top of the industrial metal movement with the release of their second full-length studio album Ænima in 1996, the first recording the band made after original bassist Paul D’Amour left the band, replaced by Justin Chancellor. After an ongoing evolution of their sound and continuous efforts to unify musical experimentation, visual arts, and a message of personal evolution on Lateralus (2001), their most recent album 10,000 Days (2006), as well as respective tours, they are generally described as a style-transgressing act and part of progressive and art rock.

Their aspirational work features exceptionally long or complex releases, controversial lyrics and cover art, and unorthodox music videos, which results in a rather ambivalent relationship between the band and today’s music industry, at times marked by censorship, and the band’s ongoing struggle for privacy.

Nevertheless, Tool has won Grammy Awards and continues to perform worldwide and receive critical acclaim. Lateralus and 10,000 Days both debuted number one on the US Billboard 200 as well as topping the charts in numerous other countries. Between album releases, the band takes extended breaks that allow for collaboration with other artists in designing award-winning album packaging, the creation of elaborate light shows, and band member involvement in notable side-projects.

They currently have 6 major releases:
Opiate (1992)
Undertow (1993)
Ænima (1996)
Salival (Live) (2000)
Lateralus (2001)
10,000 Days (2006).

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Tool