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Real Talk - Raekwon



     
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Real Talk Lyrics


[Trae]Yeah, real talk for my niggaz on the block
I been wrecking for a second, but I promised that I wouldn't stop
I been in it with my niggaz, for a long time
But they gotta give it to me, cause they know I wouldn't drop
Same nigga, with the flow
Same nigga that'll spin a nigga's ass up, throw his ass in the trunk
I'm a representative, for the Assholes
Try to run up on me, I'll teach a nigga how to stunt
Southwest, you better get your hands up
'Fore I send a wave of niggaz, that'll hit your man's up
While you wanna-be thugs, better pull your pants up
Then the shit, hit the fan
Then I fuck, your fans up
These niggaz, really got a nigga fucked up
Hating motherfuckers, I'll show you what the beef is
Show you niggaz how to lose teeth, keep running off at the mouth
And I can show you niggaz, what the sleep is
Better give it up, when you hear the name Trae

When I hit the block in black, your ass better pray
Tell the five in the hood, I don't play
And I got more niggaz, in the slugs
In the tip, of a K
And I run with the C's, and the B's on the block
And the G's, and few B.D.'s on the block
And I kept it real, so I got the keys to the block
I'm a gangsta, they don't make these on the block
I'll put it on the pack, and I'll ride for it first
Nigga jump, gonna be the first nigga that'll slide for it
They don't wanna see me in a zone, when I try for it
Any real nigga, stand up and get an eye for it
Cause I'm oh so real, though homie
And I'm next in the line, finna show the world what it was
H-Town, till the death
Intuition of a nigga named Pac, finna let it rain for the thugs
[Trae]Somebody better give me the crown, these niggaz out of line
And I see, I gotta put 'em in they place
Everyday it be the same old shit, I gotta click on a bitch
I don't really, wanna pay another case
Whey they niggaz wanna try a nigga, like a nigga soft than a bitch
I'll lean on a nigga, like Boss on a switch
Better chill, 'fore I get to going off on a bitch
Lace the Nike's, and break a nigga jaw in this bitch
Everybody, wanna know about the South
But I promise, you niggaz'll wanna take another route
A.B.N., fin to hit a nigga's ass in the drought
In the town right now, (no doubt)
If you got a problem with Trae, let's get it on
Iggy on lock, so I'm back in a zone still packing the chrome
I was late for the hood, so I'm bad to the bone
Since I roll on the block, it's half of the bone
Shit just got wrong, you can hear it in my tone
(I'm pissed), but I'm still moving along
Yeah Jay‘Ton, still grooving along
So the niggaz in the blue, got love for the Home
For the H, and the West state
I"ll put it on a nigga, in the worst way
That'll be your worst day, and I put it on Trae
Motherfuckers better get in a line, or the dirt where you gon lay
This right here, for my nigga named Nick
In a hospital bed, half gone
I'll run up on a bitch nigga, who that out that shout out
Feel I gotta hit his ass, with the chrome
Nothing less, R-E-S-T-L-E double S
Stress, got a nigga on amp
So I got mob for life, like 24/7
And I promise, I'm about to be the champ

Enjoy the lyrics !!!
Corey Woods (born January 12, 1970) is an American rapper most well known as Raekwon (the Chef), one of the nine Wu-Tang Clan members. Raekwon joined Wu-Tang Clan, a hip hop group based in Staten Island, New York in 1992. When the time came for him to release his first solo album, Only Built 4 Cuban Linx... (1995), hip-hop, once again, underwent a momentous transformation. The album moves from track to track like a film moves from scene to scene. With its invigorating instrumentals and dramatic lyrical tales, Raekwon painted vivid pictures and presented powerful imagery through his enchanting verbal expression.

Rae's groundbreaking debut album helped to bring the flavour of flossing to wax as well as the use of the moniker among Wu brethren and other prominent emcees. The single "Verbal Intercourse" featured the first appearance of Nas Escobar, Nas' alter ego. Similarly, Raekwon and Ghostface Killah, who served as Rae's partner in rhyme throughout the entire Cuban Linx album, also developed a slew of other identities. Identities like Lex Diamond, one of the flashy, witty and intellectually stimulating personas of the multifaceted Raekwon.

In the years after the release of Cuban Linx, Raekwon continued to record several albums with the Clan including the platinum Wu-Tang Forver (1997) and The W (2000), as well as the gold Iron Flag (2001). He also starred in the critically acclaimed film Black and White, before releasing his second solo album, Immobilarity in 1999. Four years later, it's time for another masterpiece from Raekwon.

The Lex Diamond Story, Raekwon's forthcoming third solo album is that desperately needed effort. This new LP is as much a reflection of his first musical triumph Cuban Linx, as it is a manifestation of the future and what is to come from this great emcee. Raekwon is like the E.F. Hutton of hip-hop: when he speaks, everyone listens. The current void in hip-hop is filled with this rap veteran's
crafty verbal gymnastics and artistic form of storytelling. The Lex Diamond Story takes the top shelf elements of the Wu's first album and the finest sentiments of Raekwon's debut and joins them together to deliver another classic album to the masses.

A lyrical gourmet meal, The Lex Diamond Story shows that The Chef still possesses the recipe to cook up a jambalaya of words with the main ingredient being superior skills. Animated and intense, Raekwon's stealth delivery is filled with emotion, skilled cadence and an array of diverse stories, hooks, and topics. The track, "All Over Again (The Way We Were)" touches on the flavour of "Can It Be All So Simple" with its tale of street survival. Meanwhile, "Pit Bull Fights" is reminiscent of the ferocious lyrical beating inflicted on "Incarcerated Scarfaces." Raekwon is indisputably at his creative beast. Unchained and uninhibited, he is assertive with his music and focused on his goals.

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