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Real Talk - Yo Gotti



     
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Real Talk Lyrics


[Trae]Yeah, real talk for my niggaz on the block
I been wrecking for a second, but I promised that I wouldn't stop
I been in it with my niggaz, for a long time
But they gotta give it to me, cause they know I wouldn't drop
Same nigga, with the flow
Same nigga that'll spin a nigga's ass up, throw his ass in the trunk
I'm a representative, for the Assholes
Try to run up on me, I'll teach a nigga how to stunt
Southwest, you better get your hands up
'Fore I send a wave of niggaz, that'll hit your man's up
While you wanna-be thugs, better pull your pants up
Then the shit, hit the fan
Then I fuck, your fans up
These niggaz, really got a nigga fucked up
Hating motherfuckers, I'll show you what the beef is
Show you niggaz how to lose teeth, keep running off at the mouth
And I can show you niggaz, what the sleep is
Better give it up, when you hear the name Trae

When I hit the block in black, your ass better pray
Tell the five in the hood, I don't play
And I got more niggaz, in the slugs
In the tip, of a K
And I run with the C's, and the B's on the block
And the G's, and few B.D.'s on the block
And I kept it real, so I got the keys to the block
I'm a gangsta, they don't make these on the block
I'll put it on the pack, and I'll ride for it first
Nigga jump, gonna be the first nigga that'll slide for it
They don't wanna see me in a zone, when I try for it
Any real nigga, stand up and get an eye for it
Cause I'm oh so real, though homie
And I'm next in the line, finna show the world what it was
H-Town, till the death
Intuition of a nigga named Pac, finna let it rain for the thugs
[Trae]Somebody better give me the crown, these niggaz out of line
And I see, I gotta put 'em in they place
Everyday it be the same old shit, I gotta click on a bitch
I don't really, wanna pay another case
Whey they niggaz wanna try a nigga, like a nigga soft than a bitch
I'll lean on a nigga, like Boss on a switch
Better chill, 'fore I get to going off on a bitch
Lace the Nike's, and break a nigga jaw in this bitch
Everybody, wanna know about the South
But I promise, you niggaz'll wanna take another route
A.B.N., fin to hit a nigga's ass in the drought
In the town right now, (no doubt)
If you got a problem with Trae, let's get it on
Iggy on lock, so I'm back in a zone still packing the chrome
I was late for the hood, so I'm bad to the bone
Since I roll on the block, it's half of the bone
Shit just got wrong, you can hear it in my tone
(I'm pissed), but I'm still moving along
Yeah Jay‘Ton, still grooving along
So the niggaz in the blue, got love for the Home
For the H, and the West state
I"ll put it on a nigga, in the worst way
That'll be your worst day, and I put it on Trae
Motherfuckers better get in a line, or the dirt where you gon lay
This right here, for my nigga named Nick
In a hospital bed, half gone
I'll run up on a bitch nigga, who that out that shout out
Feel I gotta hit his ass, with the chrome
Nothing less, R-E-S-T-L-E double S
Stress, got a nigga on amp
So I got mob for life, like 24/7
And I promise, I'm about to be the champ

Enjoy the lyrics !!!
Mario Mims (born May 19, 1981 in Memphis, Tennessee), better known by his stage name Yo Gotti, is an American rapper signed to Cash Money Records. Formerly known as Lil Yo in the 90's, he released his first album, From Da Dope Game 2 Da Rap Game, in 2000. Since then he has released 2001's Self-Explanatory, 2003's Life, 2006's Back 2 Da Basics, 2008's Cocaine Muzik, 2009's CM2 (Cocaine Muzik 2 hosted by DJ Drama), and The Pyrex King: Street Runnaz Special Edition.

As one of the six epicenters of Southern hip hop, Memphis has always had a thriving underground capable of producing major platinum superstars such as Eightball & MJG, 3-6 Mafia and Project Pat,Skip a.k.a Gianni Booker. All of the above-mentioned artists at one point in time literally dominated the city’s underground rap scene before going on to become national superstars. Next up to bat is Yo Gotti, M-Town’s current underground rap kingpin. Like his namesake John Gotti, the Memphis based rapper has been running the Southern underground scene with an iron fist for the past. Known and respected throughout the South for his skill and finesse on the microphone, Yo Gotti is one the South’s most respected young rappers.
Born Mario Mims, Yo Gotti grew up in the infamous Ridge Crest Apartments in a North Memphis neighborhood called Frazier. His childhood was typical for a poor ghetto youth in the Deep South. Raised in a family of hustlers and exposed to hard times 24 hours a day the Tennessee rap titan soon turned to the only thing that he knew could get him paid, hustling. “Being from the hood things like hustling will come your way,” says Yo Gotti. “Everybody in my family hustled in some kinda way.” Ironically, hustling is what ultimately led Yo Gotti to rapping.
Taking his cue from Memphis rap legends such as Eightball & MJG, Al Kapone, Gangsta Black, Triple 6 Mafia and Kingpin Skinny Pimp, all of whom he lists as influences, Yo Gotti released his own underground tape entitled, Youngster on the Come Up and placed it on consignment at local mom & pop record stores as well as hustling it out the trunk. The tape sold like hotcakes on the street and made Yo Gotti the hottest rapper on the streets of Memphis. From the Dope Game to the Rap Game, Yo Gotti’s sophomore effort sold so well that Select-O-Hits, a local based independent distributor offered him a small deal and the Memphis rapper more than doubled his fan base with absolutely no marketing or promotions. Soon he found himself ranked among the city’s top rappers. In addition to being featured on the cover of Murderdog Magazine along side his idols Kingpin Skinny Pimp and Al Kapone his record From the Dope Game to the Rap Game made the list for the magazine’s top independent record for the year 2000.
Two years later he inked a distribution deal with TVT Records and released the critically acclaimed album Life, which did respectable numbers for an independent label. “It sold about 40 or 50,000, with no promotions or video,” says Yo Gotti. “That record did what it did on its own.” But as the old saying goes when one door is closed another opened. Gotti’s reputation as the king of Memphis continued to spread and that eventually led him to a production deal with Cash Money/Universal records for his group the Block Burnaz. With his TVT sophomore album entitled Back 2 Da Basics, Yo Gotti returns with the same hardcore street flavor that his die-hard fans have come to know and love, only this time around the true king of Memphis has elevated his game a bit. Given the fact that his last record didn’t do the type of big number he’d hope for you’d think that Yo Gotti would switch up his style to reach a larger audience. Right? Wrong! According to Gotti his street credibility with his underground fans means more to him than gold or platinum status.
“The one thing that you have to understand is that when you create a fan base off of street product the last thing you wanna do is disrespect them by changing because of the record companies and stuff like that. When you do that you change what created you. To me it is very important that I keep in tune with the people that helped to sell 40,000 records independently. That’s why I call my record Back 2 Da Basics.”
Produced by DJ Thoomp, Mannie Fresh, Carlos Brody and newcomers Street Tunes, Back 2 Da Basics offers fans a gritty, insider’s view into the real streets of Memphis as seen through the eyes of Yo Gotti. Nowhere is this viewpoint more intense than on “Full Time,” the amped up lead single –and featured in the MTV Films’ Hustle & Flow movie - with a thunderous bass and intoxicating beat that espouses Gotti’s formula to success –hustle full time.
“A lotta cats wanna be a rapper or a street hustler but they don’t wanna put in the time that it takes,” says Yo Gotti. “They want the money and the cars and the girls, but they don’t wanna work hard for it. But to be successful at anything you gotta grind for it.” On the song “Mama We Gone Be Alright,” he waxes introspective by reflecting on all of the hard times that he and his family have suffered through the years and offers her hope-filled words encouragement. “Mama We Gone Be Alright” along with the gripping tune “My Story” emerges as two of the most interesting songs on Back 2 Da Basics. These three titles along with club banging songs like “Shorty” featuring Baby make Back 2 Da Basics one of the best albums of the year.

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Yo Gotti