Sam's Last Boogie - Trout Fishing in America



     
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Sam's Last Boogie Lyrics


(K. Grimwood/E. Idlet)
In the darkest part of the city,
And on the coldest night of the year,
A dangerous man with a gun in his hand
Put an end to a brief career.
You won't read about it in the paper,
You won't hear about it on the news,
But handsome Sam the Boogie Man
hung up his dancing shoes.
Let me tell you 'bout Sam the Boogie Man
He was the king of Second Street
He was a dancer from his fingertips
To the bottoms of his feet.
Well, inside that boy an unnatural joy
Just swinging to the beat.
His dips and slides would mesmerize
Each woman that he'd meet.
And that boy could boogie!

Sure could boogie!
Yeah, boogie was the beat that moved the feet
Of Sam that Boogie Man.
Well, Ruby was this showgirl
with opalescent eyes,
An ivory smile and a diamond heart,
And alabaster thighs.
He met her in the summertime
Out on a parquet floor,
And he danced her from those neon lights
Right to her bedroom door.
And that boy could boogie!
Sure could boogie!
Yeah, boogie was the beat that moved the feet
Of Sam that Boogie Man.
He thought it was another fling,
But that girl was much too strong,
She swore that she would see him dead
If he ever did her wrong.
As summer lost its leaves to fall,
So this fine affair
Was fading fast, it couldn't last;
Sam vanished in the air.
And that boy could boogie!
Sure could boogie!
Yeah, boogie was the beat that moved the feet
Of Sam that Boogie Man.
Well, he couldn't go to dance halls
'cause he knew that he'd be found;
But he slipped up in Saint Louie,
When he heard that boogie sound.
And he was tearing up the dance floor
when they escorted him outside;
Said, "You want to dance, well here's your chance."
And they took him for a little ride.
It was Sam's last boogie,
Sam's last boogie,
It was Sam's last boogie
but he boogied 'til the day he died!

Enjoy the lyrics !!!
Trout Fishing in America is the long-standing musical partnership of Keith Grimwood and Ezra Idlet. The name taken from a Richard Brautigan novel, seems almost as incongruent and intriguing as a picture of this musical duo - Ezra Idlet (guitar) stands six feet nine inches and Keith Grimwood (bass), five feet five and one half inches. What is more intriguing is the musical career these two have carved out in three decades of writing, recording and performing together. Trout Fishing in America can look back at a body of work that is impressive and know they are just hitting their stride. On the heels of their fourth Grammy nomination Big Round World, and the release of their second children's book/cd Chicken Joe Forgets Something Important, it is no wonder that Trout Fishing in America sees the future as the brightest part of their successful career.

A brief history of Trout Music: Grimwood's professional musical experience began when, as the precocious teenage bass player, he began sitting in with jazz musicians who had socks older than him. Always the good student, he earned a degree in music from the University of Houston and then quickly landed a position with the Houston Symphony. By that time Idlet had given up his spot on the bench of a local junior college basketball team to pursue a life of rock & roll. It was shortly thereafter that Idlet and Grimwood met as members of the Houston based eclectic folk/rock band St. Elmo's Fire which became the perfect percolator for Trout Fishing in America. As St. Elmo's dissolved in 1979, Trout Fishing in America was officially born. Idlet and Grimwood had become best of friends and musical partners.

Success happens when opportunity meets preparation. After years of accumulating original songs and polishing their performance TFIA was ready when the CD revolution took place. TFIA was in the first wave of artist owned labels (Trout Records) to successfully record and market their own music. Their infectious mix of folk/pop and family music is tempered by the diverse influences of reggae, latin, blues, jazz and classical music. TFIA recordings have garnered three National Indie Awards and multiple Parents Choice Gold and American Library Awards as well as 4 Grammy nominations. TFIA has also expanded their touring territory to over forty states and several Canadian provinces.

Sharing knowledge and encouraging art has become another musical mission of TFIA. In the past few years they have developed a variety of song writing workshops for teachers and students which illustrate how art and music come from the fabric of everyday life. Their willingness to make fun of our most annoying and sometimes disgusting habits in one song then touch our hearts with tender and passionate images of family life in the next is what makes the connection between Trout Fishing in America and their audience so real.

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Trout Fishing in America