Shame - Randy Newman



     
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Shame Lyrics


Pretty little baby
How come you never come around
Pretty little baby
How come you never come around
I sent you all them pretty flowers
Now you're nowhere to be foundI call you up at midnight sometimes I must admit
But I I find you're not at home
My head heats up like a furnace
My heart grows colder than a stone
So what's the good of all this money I got
If every night I'm left here all alone
It's a gun that I needShame shame shame shame shame
I ain't ashamed of nothing
Shame shame shame shame shame
I don't know what you're talking aboutAll right let's talk a little business
You know what I'm saying
A man of my experience of life
Don't expect a beautiful young woman like yourself

To come on over here every day
And have some old dude banging on
Her like a gypsy on a tambourine
That's not what we're talking about
That's not what we're talking about
That's not what we're talking aboutBut I will say this
I've been all over the world
I've seen some wonderful things
I haven't been well lately
I have no one to share my plans, my dreams
My hopes and my schemes, myShame shame shame shame shame
You could be right
I've sunk pretty low this time
Shame shame shame shame shame
These are truly desperate timesSaw your little sandals baby
Out behind the wishing well
Down here in the cool depths of the quarter
Where the rich folk dwell
And I pictured you in diamonds, satins and pearls
Come on back to daddy
Daddy miss his little baby girlNow, my father, he was an angry man
You cross him he made you pay
I myself, am no longer an angry man
Don't make me beg you
Don't make me begDo you know what if feels like
To wake up in the morning
Have every joint in your body aching, god damn it
Do you know what it feels like
To have to get up in the middle of the night
And sit down to take a piss
You do know
So you say
I have my doubts, missy
Do you know what it feels like
To have to beg a little bum like you for love
God damn it you little b****
I'd kill you if I didn't love you so much
Shame shame shame shame shame
Shut upForgive me
My unfocused words
I was flying blind
I lost my mind (shame shame shame)
If you could find it in your heart, if you got one
To forgive me
I'd be ever so grateful (shame shame shame)
Will you stop that please (shame shame shame)
Will you stop that please
I'm trying to talk to someone (shame)
Thank you
You know, I have a lexus now
I don't get out much
You know what I'm saying
Come on home
Songwriters
RANDY NEWMANPublished by
Lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., Universal Music Publishing Group

Enjoy the lyrics !!!
Randall Stuart "Randy" Newman (born November 28, 1943) is a singer/songwriter, arranger, composer, and pianist who is notable for his mordant (and often satirical) pop songs and for his many film scores.

Newman is noted for his practice of writing lyrics from the perspective of a character far removed from Newman's own biography. For example, the 1972 song "Sail Away" is written as a slave trader's sales pitch to attract slaves, while the narrator of "Political Science" is a U.S. nationalist who complains of worldwide ingratitude toward America and proposes a brutally ironic final solution. One of his biggest hits, "Short People" was written from the perspective of "a lunatic" who hates short people. Since the 1980s, Newman has worked mostly as a film composer. His film scores include Ragtime, Awakenings, The Natural, Leatherheads, James and the Giant Peach, Meet the Parents, Seabiscuit and The Princess and the Frog. He has scored six Disney-Pixar films: Toy Story, A Bug's Life, Toy Story 2, Monsters, Inc., Cars and most recently Toy Story 3.

He has been awarded an Academy Award, three Emmys, four Grammy Awards, and the Governor's Award from the Recording Academy. Newman was inducted into the Songwriters Hall of Fame in 2002. In 2007, Newman was inducted as a Disney Legend.

Newman grew up in a musical family with Hollywood connections; his uncles Alfred and Lionel both scored numerous films. By age 17, Randy was staff writer for a California music publisher. One semester short of a B.A. in music from UCLA, he dropped out of school. Lenny Waronker, son of Liberty Records’ president, was a close friend and, later, as a staff producer for Warner Bros., helped get Newman signed to the label.

Newman’s early songs were recorded by a number of performers. His friend Harry Nilsson recorded an entire album with Newman on piano, Nilsson Sings Newman, in 1970. Judy Collins (“I Think It’s Going to Rain Today”), Peggy Lee (“Love Story”), and Three Dog Night - for whom “Mama Told Me (Not to Come)” hit #1 - all enjoyed success with Newman’s music.

Newman became a popular campus attraction when touring with Nilsson. His status as a cult star was affirmed by his critically praised debut, Randy Newman, in 1968, which featured his own complex arrangements for full orchestra, and later by 1970’s 12 Songs. He also sang “Gone Dead Train” on the soundtrack of Performance (1970). Live and Sail Away were Newman’s first commercial successes, but his audience has been limited to some degree because his songs are often colored by his ironic, pointed sense of humor, which is rarely simple and frequently misunderstood.

Good Old Boys, for example, was a concept album about the South, with the lyrics expressing the viewpoint of white Southerners. Lyrics such as “We’re rednecks, and we don’t know our ass from a hole in the ground” made people wonder whether Newman was being satirical or sympathetic. He toured (to Atlanta and elsewhere) behind the album with a full orchestra that played his arrangements and was conducted by his uncle Emil Newman.

Little Criminals, in 1977, contained Newman’s first hit single, “Short People,” which mocked bigotry and was taken seriously by a vocal offended minority. “Baltimore” from that album was covered by Nina Simone. Following that album’s release, Newman toured for the first time since 1974. He claimed that in the interim he’d done nothing but watch television and play with his three sons. In 1979 his Born Again featured guest vocals by members of the Eagles. In 1981 Newman composed the soundtrack for the film Ragtime (the first of many soundtrack assignments) and was nominated for two Oscars (Best Song, Best Score). His 1983 album, Trouble in Paradise, included guest appearances by Linda Ronstadt, members of Fleetwood Mac, and Paul Simon, who sang a verse of “The Blues.” That album’s “I Love L.A.” became something of an anthem, thanks in part to a flashy music video directed by Newman’s cousin, Tim Newman (who went on to shoot popular videos for ZZ Top, among others). Land of Dreams (#80, 1988) spawned a minor hit in “It’s Money That Matters” (#60, 1988). It would take Newman 10 more years to make another studio album, 1999’s critically acclaimed Bad Love. With that record peaking at #194, he continues to meet his biggest success in Hollywood, where he spent most of the ’90s becoming one of the town’s most sought-after film composers. Although the material on his own records is literate and biting, the songs he writes for movies are decidedly simpler and with a sunnier outlook - and they usually meet with more success. Both “I Love to See You Smile” from Parenthood and “When She Loved Me” from Toy Story 2, for instance, were nominated for Oscars; in 1998 alone, Newman garnered three Oscar nominations for three different movies.

In 1995 Newman wrote a musical adaptation of Goethe’s Faust. Both the play and the accompanying CD (which featured guests such as Bonnie Raitt, Linda Ronstadt, Elton John, Don Henley, and James Taylor in the role of God) were commercially unsuccessful. In 2000 he received the Billboard Century Award.

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