DamnLyrics - The center provides all the lyrics

Shit Hits The Fan - Mobb Deep



     
Page format: Left Center Right
Direct link:
BB code:
Embed:

Shit Hits The Fan Lyrics


Yeah
Yo, let's bring it
What you gonna do when shit hits the fan?
Are you gonna stand and fight like a man?
Will you be as hard as you say you are?
Or you gonna run and go get your bodyguard?
I said what you gonna do when shit hits the fan?
Are you gonna stand and fight like a man?
And show us you're as hard as you say you are
Or you gonna run and go get your bodyguard?
Niggaz is so gangsta, niggaz is thugs
Niggaz'll spend their whole life peddlin' drugs
Slanging dope in hopes of one day bein' able
To own their own label, and give the game up
Some niggaz came up, some just didn't
That's just the way it is, if it ain't meant it, it just isn't
Some niggaz'll get money and pay niggaz to back 'em
So they can act up, feel comfortable, and rap tough

And that's ass backwards
'Cuz them niggaz just gon' keep coming back
And that's when extortion happens
You struggle to get free, I know how this shit be
You deal with anything to live legitimately
But you gon' find if you do get in this industry
It is best to be business with me than against me
Niggaz get behind mics and ain't even MCs
Niggaz get on MTV, just to diss me
This shit don't even piss me off
I'm laughin' all the way to the bank
Watchin' the satellite from a Bentley
You niggaz ain't even got a car
You're so far under my radar
I don't even know who the fuck you are
To tell you to suck my dick while I'm pissin'
I don't even listen to your shit
To know who the fuck I'm dissin'
The media just feeds into these feuds
Tryin' to add fuel to the fire, this little nigga, Ja Rule
Talking bout he's gonna slap me, nigga please
You gotta jump and swing up to hit me in the knees
I laugh at these magazines when they interview 'em
All they doin' is making fake threats to us through 'em
And pussy you're not Pac, I knew 'em
Pac was a real nigga, you just a fuckin' insult to 'em
It's too bad we had to fallout before he passes
If he could see this shit now, he'd be whoopin' your ass
You're talkin' to a pioneer, who engineered this shit for 19 years
Who you got in your ear? I ain't even gotta say it, the fans know
Quit tryin' to be tough, nigga, you look like a asshole
What you gonna do when shit hits the fan?
Are you gonna stand and fight like a man?
Will you be as hard as you say you are?
Or you gonna run and go get your bodyguard?
I said what you gonna do when shit hits the fan?
Are you gonna stand and fight like a man?
And show us you're as hard as you say you are
Or you gonna run and go get your bodyguard?
They say, "Why don't we increase the peace?"
The only peace increased is that which deletes your peeps
'Cuz niggaz run mouths, but they don't run streets
Till that 4 5 will cease the speech
Yeah, it's a shame how the beef'll creep
Could've reached the peep, now you're left with a horrible leak
I'm tryin' to be as bleak with my speech as possible
Just in case a nigga tryin' to throw me an obstacle
Nigga, I'm not boxin' you, I'm hospitable
I put you in a hospital, that's how I get at you
Let the doc op on you, he don't rid you?
You back on the streets? I send another hit at you
This is not a hypocritical issue
I will critical condition your tissue
Give a fuck if all ten of them with you
I throw a extra ten of them missiles
Turn gangstas into gentlemen vicko
And ever since Eminem dissed you
I swear I see the women and bitch in you
All this bickering back and forth over who signs who
Curtis, pull your skirt up, nigga, you got murdered
Now take it like a man and shake it off, damn
And quit tellin' all these magazines your plans
How you gone slap up my mans, you're fictitious
Nigga, we send Stan to come murder your bitches
What you gonna do when shit hits the fan?
Are you gonna stand and fight like a man?
Will you be as hard as you say you are?
Or you gonna run and go get your bodyguard?
I said what you gonna do when shit hits the fan?
Are you gonna stand and fight like a man?
And show us you're as hard as you say you are
Or you gonna run and go get your bodyguard?
Yeah, yeah
Go out behind all the gangstas you want, nigga
Matter fact, go get every gangsta from every hood
In the United States of America to back you, nigga
Ain't nobody ridin' with you
You can't see that?
You fell off, nigga, damn
Shady slash aftermath, motherfucker
2003 to infinity

Enjoy the lyrics !!!
Mobb Deep is a hip-hop duo made up of Havoc and Prodigy. Both members are natives of Queensbridge, New York; located in Long Island City. They are perhaps most famous for their landmark album, The Infamous, and the accompanying hit single, Shook Ones Pt. II.

1992–1994: Early Career

Prodigy and Havoc met one another while attending the prestigious High School of Art & Design in Manhattan. Coming from similar backgrounds, the duo broke into the rap game in 1992. Growing up in hostile environments that included the prevalence of poverty, drugs, and gang violence, Mobb Deep attempted to express their life experiences through rapping circa 1992. Before Havoc and P were known as Mobb Deep they were a couple of teenaged rappers known as Poetical Profits. The world first heard of them via the Source's Unsigned Hype column and this is the demo track that was quoted in that feature. The song would later see the light of day on their debut LP Juvenile Hell.

"Flavor 4 The Non Believers" (demo version) They released their first album, Juvenille Hell, in 1993. At a time when East Coast hip hop was dominated by the jazziness of A Tribe Called Quest and De La Soul, and the Afro-centric stylings of Brand Nubian and Public Enemy, their style of music eschewed the popular conscious hip hop of the time, and reflected the harsh climate of New York City in the late-1980s and early-1990s. Because both Prodigy and Havoc were still in their teens at the time of their debut, many were surprised by the violent nature of the album. Although the album was not well-received by the public, it displayed the raw talent of the duo; the unique chemistry of Prodigy's lyrical delivery combined with Havoc's melancholy beats. Through this unique style, the duo were signed by Loud Records, and began recording their sophomore album, The Infamous, in 1995, which would establish the duo in the Hardcore hip hop community.

1995–2000: Rise to Success

Following its release, The Infamous became perhaps one of the most influential hip hop albums of the East Coast hardcore rap genre. Still at a young age, the duo powered themselves to the top of the hardcore rap scene through their straight forward narration of street life. As with their first lyrical production, Mobb Deep portrayed the struggles of living in New York City's Queensbridge. Their production also was noticed as the beats were often hard hitting and direct, a testament to Havoc, who produced the duos' tracks almost exclusively throughout their careers. Furthermore, the hit single Shook Ones Pt. II, received acclaim as one of the greatest rap songs ever. Their third album, Hell On Earth was released in 1996, debuting at number six on the Billboard album chart. The album continued their portrayal of harsh street life, while further pushing them to the forefront of the hardcore rap scene, along with contemporary East Coast rappers such as Notorious B.I.G., The Wu-Tang Clan collective, Jay-Z, and fellow Queensbridge associate, Nas.

In 1999, the duo released the highly anticipated Murda Musik album. Despite extensive bootlegging (nearly thirty songs of unreleased material leaked onto the internet) and countless delays, the album debuted at number three on Billboard and quickly went platinum —further highlighted by the popular single, Quiet Storm. Shortly afterwards, Prodigy released his long awaited solo album H.N.I.C (2000), in which the rapper collaborated with other artists and producers (including The Alchemist).

2001–2004: Decline

Some time after the release of Murda Muzik, rapper Jay-Z, spoke out against the duo, leading to an increase in publicity. At the Hot 97 Summer Jam show of 2001, Jay-Z performed the freestyle, "Takeover", which he later re-recorded for the The Blueprint LP, dissing Prodigy. He also revealed photographs allegedly of Prodigy wearing a dance leotard in 1988. Mobb Deep subsequently released Infamy in 2001. The album marked a major stylistic change that saw the duo move away from the raw, minimalist, stripped-down beats of their hardcore roots, towards more commercial fare with such songs as Hey Luv. This transition fostered accusations of "selling out" — upsetting many long-time fans who did not wish to see them veer away from their original style. Although this stylistic adjustment opened up Mobb's audience to a wider variety, many critics and fans credit Prodigy's feud with Jay-Z with damaging Mobb Deep's gangster image and record sales (most evident when comparing the platinum-selling Murda Muzik to Infamy barely reaching the gold status). Not to be fazed, Prodigy noted that his lifelong bout with sickle cell anemia and his beef with Jay-Z had changed his outlook.

In 2003, the group split with Loud Records and released The Murda Mixtape which proclaimed "Free Agents" on the cover, addressing the group's split with Loud and search for a new label. Jive Records signed the duo later in the year and subsequently released Amerikaz Nightmare in 2004, which was seen by the general rap audience as a weaker release by the two - resulting in poor sales and the subsequent dropping of the duo from Jive.

2005–Present

In the spring of 2005, it was announced that the duo signed with G-Unit Records. This came as a surprise to many, as 50 Cent aimed a sly diss at them on the "Piggy Bank" track. The duo made it known that this was not the case as Havoc stated in an interview, "Mobb Deep isn't gonna change and when we first got here 50 was like, 'Listen, I want y'all to keep doing what you been doing.' That's it." 50 Cent has a connection to the duo, as he grew up in nearby Jamaica, Queens and also has used Havoc as a producer for several different beats. The relationship became deeper than business as the Mobb and 50 Cent got tattoos to pledge their loyalty to each other. Prodigy has the words "G-Unit" tattooed on his right hand and 50 has "Mobb Deep" tattooed on his wrist. Upon signing to G-Unit, both Prodigy and Havoc were given new Porsches, for two artists who have received very little monetary compensation in the past.

They currently have recorded their album, titled Blood Money which was released on May 2, 2006. It features G-Unit members 50 Cent, Lloyd Banks, Tony Yayo, and Young Buck. This marks their seventh release and has vaulted the duo into the hip-hop spotlight. As one of the most recognized names in hip-hop, it is hoped that G-Unit will help Mobb Deep attract a new fanbase. As Havoc stated shortly after the deal, “As an artist, you want to be able to reach the furthest audience as you can. We put in hard work on our previous albums and still hit our core fan base. The difference this time around is that more people will hear this product this time.” Despite this, many of the Mobb's longtime fans are skeptical as G-Unit is known for their mainstream crossover music, and fear that Mobb Deep will conform to this style.

Technique

Early on, Mobb Deep gained their critical acclaim for a dark, dynamic, grimey sound with haunting melodies--Havoc's production--that to many represented "street" in a way not done by many or any before. Additionally, Prodigy's penchant for starting off a verse with an attention-grabbing line, writing compelling rhymes based heavily on Queensbridge slang, and a rambling but clear delivery appealed to fans on the lyrical aspect.

For some time, Prodigy was the star MC of the duo, Havoc sounding less focused on the lyrical aspect and more on production. This continued until The Alchemist was brought in to do a few beats for each album, after which Havoc seemed to begin concentrating more on his verbal prowess, slowly developing his own style. After the beef with Jay-Z, Prodigy changed his style, rhyming words less and slowing down his delivery, while Havoc increasingly contributed more to the rhyme end of the duo. After being on independant labels, such as LOUD, and then a larger label JIVE, styles from the grimy, gritty styles from the QB duo changed greatly, much to the despair of the mainstream fans, never fully recovering from the Jay-Z beef, they were forced into the limelight, and after releasing the street wood effort of Infamy, never reclaiming the status of the best kept secret. Signing with G-Unit seems to have worsened their career and Blood Money, their first album released on G-Unit, only sold approximately 110,000 in its first week, coming in at #3 on the Billboard 200.

User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.

View All

Mobb Deep