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Silent Treatment - The Roots



     
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Silent Treatment Lyrics


Girl, you know that you need to stop givin' me the silent treatment, baby
Can't you see what you mean to me?
I wanna love you constantly but you keep neglecting me
And treating me silentlyGirl, you know that you need to stop givin' me the silent treatment, baby
Can't you see what you mean to me?
I wanna love you constantly but you keep neglecting me
And treating me silentlyYo, I had a queen named Amina, height 5'7"
Caramel-complected, body like heaven
Met her through the sister of my man Big Vince
Like some shit from out the flicks we been in love ever sinceShe called me her chocolate brotha, I call her my sugar sista
Knew Shorty could work it since before I ever kissed her
I never dissed her, painted my picture to hit
But because sex she wasn't with, she started flippin' an' shitLike, listen man, I'm Queen Amina, Amina's not no freak and
That game is weak and keep tryin' to hit I could quit speakin'
Tariq in fact, you bein' Black thought don't get ya closer
I dig ya but won't bone ya because I'm so-called supposed taMost o' them would but that couldn't be me, that's not my flava
Go home and think about that, maybe later on I'll page ya
I contemplated and then concluded she was bluffin'

Steady pursuin' screwin', gettin' nothin' but the silent treatmentGirl, you know that you need to stop givin' me the silent treatment, baby
Can't you see what you mean to me?
I wanna love you constantly but you keep neglecting me
And treating me silentlyGirl, you know that you need to stop givin' me the silent treatment, baby
Can't you see what you mean to me?
I wanna love you constantly but you keep neglecting me
And treating me silently
Silently babyCrazy frustration, about my lovin' situation
When patience was a virtue, but I wasn't used to waitin'
I want some Marvin Gaye healin', feelin' is real inside
I slip and slide, my ride'll keep you occupied, I'dLove to get wit it like that, but my baby's kitty cat's capped
And locked, Love Boat is docked at the shore
And what for? Later for groupies on tour
Why won't my sugar call me no more?I mean, my queen gets upset, rejectin' and sexually neglect
Then sayin' I'm more sewer than Das EFX, and closed minded
It's like I'm blinded by the skinnin'
I'm into women because of that, this one's into communicationTemptation played the vandal, freakin' my brain, my mind
Rippin' the handle on physically scandalous acts
Yo! She knew what I wanted, but she fronted
Bust itGirl, you know that you need to stop givin' me the silent treatment, baby
Can't you see what you mean to me?
I wanna love you constantly but you keep neglecting me
And treating me silentlyGirl, you know that you need to stop givin' me the silent treatment, baby
Can't you see what you mean to me?
I wanna love you constantly but you keep neglecting me
And treating me silently
Silently babyWell, movin' right along with the song, plus the strong
Feelings on my mind, desire to intertwine
Combine and blend, baby bust a message that I send
Ain't no need to pretend because shit is real 'til the endI provide a place to hide from crime, hard times
And livin' trife, while I open ya mind, you're in my life
Like love, it ain't no way no one can rise above what's real
That's why I'm feelin' like you're makin' me buggedI puff an El on fifty deuce while I walk in the rain
Heart feelin' killa pain while I hop the train
Dial her number to the rest, and ain't no messages left
Regardless, my chest thumps from stress, yo it's a messI don't know what I got to do to make you understand
I'm for real and that's no question, no frontin' or no guessin'
Undressin', carressin', in the span, that I contain in my hand
Could touch and make you say that I'm such a manAnd call my name, so let me set your body aflame
I'll never treat you like a dame or run game, now who's to blame?
I know you're not a hoe for niggaz with a lot of dough
But I just wanted you to knowGirl, you know that you need to stop givin' me the silent treatment, baby
Can't you see what you mean to me?
I wanna love you constantly but you keep neglecting me
And treating me silently
Silently babyGirl, you know that you need to stop givin' me the silent treatment, baby
Can't you see what you mean to me?
I wanna love you constantly but you keep neglecting me
And treating me silently
Silently babyGirl, you know that you need to stop givin' me the silent treatment, baby
Can't you see what you mean to me?
I wanna love you constantly but you keep neglecting me
And treating me silently
Silently, silently

Enjoy the lyrics !!!
The Roots, also known as The Legendary Roots Crew, The Square Roots and The Foundation, are an influential, Grammy winning hip hop group based out of Philadelphia, Pennsylvania, famed for a heavily jazzy sound and live instrumentation. Inspired by the "hip-hop band" concept pioneered by Stetsasonic, the Roots themselves have garnered critical acclaim and influenced later hip-hop and R&B acts.

The Roots' original lineup included Black Thought (MC vocals) and Ahmir "?uestlove" Thompson (drums), who were classmates at the Philadelphia High School for Creative Performing Arts. As they began to play at school and on the streets, they added another MC named Malik B., bassist Leonard Hubbardand keyboardist Scott Storch. Another MC, Dice Raw, frequently made album appearances with the group from 1995 to 1999 before leaving to record a solo album. Scott Storch also left to pursue career as a producer following the Do You Want More?!!!??! album, He produced songs such as Still D.R.E. by Dr Dre. The Roots filled his void with another keyboardist, Kamal who is still a member. A beatboxer named Rahzel also joined the group and contributed from 1995-1999. Alongside Rahzel was vocal turntablist, Scratch who greatly contributed to The Roots' sound, most notably in live concerts. He left the group in 2003. Malik B. left the group in 2000. A guitarist, Ben Kenney, enjoyed a short stint with the group and contributed to their Phrenology album, but left to join Incubus. A percussionist, Knuckles, was added in 2002 and guitarist, Kirk Douglas (a.k.a. "Captain Kirk") repleaced Kenney. A vocalist, Martin Luther toured with The Roots in 2003 and 2004 and contributed to their album The Tipping Point. The current members of The Roots are Black Thought (MC vocals), ?uestlove (drums), Hub (bass), Kamal (keyboard), Knuckles (percussion), and Captain Kirk (guitar).

The Roots' debut album, Organix released in 1993, was actually a live recording from a concert in Germany that the Roots sold at their shows. The album earned enough industry buzz to earn the Roots offers from major record labels, and they signed with DGC records, which at the time was better known for its grunge music releases.

The Roots' first album for DGC, Do You Want More?!!!??! (recorded live without the use of samples), was a moderate hit on alternative radio. Their 1996 release Illadelph Halflife was the group's first album to crack the Top 40 on Billboard's album chart, spurred in part by MTV's airplay of the video for "What They Do", a parody of rap video clichés such as the "beatdown shot," and "Clones" which was their first to single to reach the top five on the rap charts.

In 1999, The Roots released Things Fall Apart (named after a novel by Chinua Achebe), their breakthrough album. The track "You Got Me", duet with R'n'B singer Erykah Badu, earned them a Grammy award for Best rap Performance By A Duo Or Group.

In 2000, Dice Raw left the group to record his solo debut album, Reclaiming the Dead.

The Roots' reputation as a hip-hop live band made Jay-Z call on them for his MTV Unplugged album in 2002. The album featured good recreations of many of his great songs, played by the band with a little help from female vocalist Jaguar Wright.

2002's Phrenology introduced a more mainstream sound for the Roots, earning a Grammy nomination for Best Rap Album. The album's sales were boosted by radio and TV airplay for two duets on the album, "Break You Off" (featuring Musiq Soulchild) and "The Seed 2.0" (featuring cody chestnutt). The video for "The Seed 2.0" earned a nomination for the MTV2 Award at the 2003 MTV Video Music Awards. "The Seed" was also featured on the soundtrack to the Mandy Moore movie Chasing Liberty. Phrenology was certified gold (signifying U.S. sales of at least 500,000 units) in June 2003.

The Roots' 2004 release, The Tipping Point, took its name from a 2000 book by Malcolm Gladwell. The album earned two more Grammy nominations: one for Best Urban/Alternative Performance for the track "Star", and another for Best Rap Performance By A Duo Or Group for the track "Don't Say Nuthin'". The album was an immediate hit, debuting at #4 on the Billboard album chart and selling over 100,000 copies in its first week of release.

On November 15, 2005 The Roots released two compilation albums, Home Grown! The Beginner's Guide To Understanding The Roots, Volumes 1 & 2. These two separately sold discs are a compilation of past hits, live performances, and rare remixes compiled by ?uestlove himself. They also feature 70 pages of liner notes written by ?uestlove. These two albums marked the Roots' last releases on Geffen Records.

The Roots' album, Game Theory, was released on August 29, 2006. The album, which features a track that samples the song "You and Whose Army" by Radiohead, was released on Jay-Z's Def Jam.

The Roots next album 'Rising Down' was released on April 29th 2008. Features tracks with Common, Mos Def, Talib Kweli, Saigon, and other greats.

The Make Me Songfacts reports that The Roots' eleventh album, Undun, is their first concept album. It tells the story of a man called Redford Stephens who died in 1999 at the age of 25. We hear Redford retelling his life post-mortem and attempting to deconstruct what led to his undoing.

The Roots are also the house band on Late Night with Jimmy Fallon airing first on March 2nd, 2009.

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The Roots