Sketch - Stereo MCs



     
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Sketch Lyrics


Feel alive
Paint it true, paint it true
Paint it true, thru and thru
Paint it true, paint it true, paint it true
Are you havin' problems tuning in?
Are the truths that you're seeing deceptively thin?
I come to clear up and pull you out of your spin
Don't adjust your set, jus' let me begin
I wanna tell you âbout my daily barrage
Commercial breaks, livin' in a mirage
Seen stars that are fake
They make you sedate as your thoughts gestate
Daylight, I can't wait
Now's it's too late and I can see my mistake
Stone love and hate
Ain't it what you make of life
Don't ya see or buckle at the knee?
The pressure around it won't let you be

I wanna know why we ain't conversin'
I wanna know why we always reversin'
Fobbin' me off with a web of diversion
Check the artist sketch if you want the true version
Paint it true, paint it true
Paint it true, thru and thru
Paint it true, paint it true, paint it true
Paint it true, to miss or mister
If you don't, we won't get the picture
Lies and deception is a terrible mixture
When you speak from the heart, it'll uplift ya
Don't be afraid when you don't understand 'cause your life span's only just began
And every step you take is as good as a stand
First impressions don't count like a slight of hand
A sudden move
The stride of a cheetah
The sound of a drum beater
Woman to woman, breast to breast
If you want the rest check the artist's sketch
Paint it true, paint it true
Paint it true, thru and thru
Paint it true, paint it true, paint it true
Feel alive
So check the sketch
No dust collects
Never fades, degrades soul made to make ya stretch
Agile, worthwhile, nothin' come from a vial or capsule
I got a natural smile
Turn out the lights
Tell me can you see what a difference exists now between you and me?
I'm at a bus stop waiting on a 33
I see for miles 'cause my mind is free
Don't take a genius to know about Venus
No misdemeanours I taking it serious
The flesh is weak, you must protect it
If you forget check the artist sketch it
Now, paint it true, paint it true
Paint it true, thru and thru
Paint it true, paint it true, paint it true
Paint it true, thru and thru, paint it true
Paint it true
Check the sketch
Paint it true, thru and thru
Paint it true, paint it true
Check the sketch
I chose this time to relate to you
A state of mind, come habitual
Like a ritual, instinctual
Like you don't know how but you know you will
And instilled on the in to will to the outside world
Sleepin' in pure formaldehyde
Crystal ball mirror upon the wall
What is the fate to befall us all?
'Cause I remember days I swear you wore flowers in your hair
And I wore cloth on my limbs all bare, we was there
But now nothin' is as was intended
Can't walk the street without being apprehended
I feel so wretched and so perplex
So I flex the real in the artist sketch
I paint it true, I paint it true
Paint it true, thru and thru
I paint it true, paint it true, paint it true
I paint it true, me to you, me to you
Paint it true, paint it true, true
You can feel whatever you wanna feel when you paint it true
And you can do it
Paint it true
Me to you
Paint it true, paint it true, paint it true, paint it true
Me to you, thru and thru
Paint it true, paint it true, paint it true, paint it true, paint it true, paint it true, paint it true
And that is all that you've got do
Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

Enjoy the lyrics !!!
Stereo MCs are a British rap group formed in 1985 in London, England. The group consists of Rob Birch (vocals), Nick "The Head" Hallam (turntables, production), Cath Coffey (backing vocals) and Ian "Owen If" Rossiter (drums). They are best known for their 1992 single "Connected" which was a major hit in the United Kingdom and the United States, as well as a crossover success on American alternative rock radio.

Rob B, the indomitable front man behind arguably the biggest selling hip hop group the UK has produced to date, is a man ready to let the music do the talking once again. Brit Awards (x2), Mercury Music Prize shortlists and world tours – all these are of little relevance to the Stereo MCs today, in 2005, on the cusp of releasing their opus to freedom and 5th studio album ‘Paradise’ on their brand new Graffiti Recordings imprint.

Rob Birch and Nick Hallam met in Nottingham in the mid-80s before relocating to London, forming the first incarnation of Stereo MCs and producing debut album ’33 45 78’ – a labour of love that involved hand-making drum loops in the most rudimentary of studios and crafting the blueprint for their sound. It was undoubtedly a raw record, but utterly original, drawing the attention of the likes of the Jungle Brothers who would soon feature in a star turn on the second album ‘Supernatural’, released in 1990.

By creating a very British take on a very American discipline, influenced as it was by the rising tide of acid house as much as Public Enemy and the early rap pioneers, Stereo MCs had created what no British group had managed before – credible Hip Hop from London able to appeal to the masses.

Touring their most successful album to date, 1992s chart smash ‘Connected’, with the likes of U2 and Happy Mondays cemented their position as musical icons of the 90s, and with sensational live shows, celebrated mix albums and increasingly high DJ profiles, it was not until 2001 that the band’s fourth LP ‘Deep Down and Dirty’ was released amidst a whirl of expectation.

“When that record came out in 2001 the whole feeling was very defensive, like any minute the door was going to swing open and ten people were waiting to pounce on us. The expectation was great, and it was hard not to be influenced by it. We were braced and tight, and didn’t find ourselves in a position to enjoy what we were doing.”

If there’s one thing that is certain about the Stereo MCs, they are a band very much influenced by their surroundings, in need of being comfortable within them and in control of them both on an immediate and wider scale.

Now, from the studio base affectionately referred to as their ‘front room’ (also coincidentally slap bang on Brixton’s frontline, just to give you a less congenial feel), Nick and Rob, writing again with a refreshed sense of creativity, have conjured yet another beautiful step in their continuing evolution as a band. Retaining their trademark throbbing bass bounce and injecting a healthy dose of soul, its unmistakably a Stereo MCs album but their liberation from the major label shackles has dusted the whole affair in a laid back optimism that was perhaps notable by its absence on Deep Down and Dirty.
The new record is all about challenging people’s preconceptions of the Stereo MCs, and the fact that they really don’t sound like any other band before or since their 1989 debut ‘33 45 78’ is counting in their favour. The opening track, Warhead, is an opening statement with an attitude that they are keen to convey, with immediately recognisable blend of bass, horns and keys, which sit in sharp contrast to Rob B’s laconic rhyming style. Unwittingly bordering on the very crux of Stereo MCs popularity, in the band’s own words it touches on a certain catchiness without becoming pop. It has an intent and walks a line which feels right for the band. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Stereo MCs