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Slouching Towards Bethlehem - Joni Mitchell



     
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Slouching Towards Bethlehem Lyrics


Turning and turning
Within the widening gyre
The falcon cannot hear the falconer
Things fall apart
The center cannot hold
And a blood dimmed tide
Is loosed upon the world
Nothing is sacred
The ceremony sinks
Innocence is drowned
In anarchy
The best lack conviction
Given some time to think
And the worst are full of passion
Without mercy
Surely some revelation is at hand

Surely it's the second coming
And the wrath has finally taken form
For what is this rough beast
Its hour come at last
Slouching towards Bethlehem to be born
Slouching towards Bethlehem to be born
Hoping and hoping
As if by my weak faith
The spirit of this world
Would heal and rise
Vast are the shadows
That straddle and strafe
And struggle in the darkness
Troubling my eyes
Shaped like a lion
It has the head of a man
With a gaze as blank
And pitiless as the sun
And it's moving its slow thighs
Across the desert sands
Through dark indignant
Reeling falcons
Surely some revelation is at hand
Surely it's the second coming
And the wrath has finally taken form
For what is this rough beast
Its hour come at last
Slouching towards Bethlehem to be born
Slouching towards Bethlehem to be born
Raging and raging
It rises from the deep
Opening its eyes
After twenty centuries
Vexed to a nightmare
Out of a stony sleep
By a rocking cradle
By the Sea of Galilee
Surely some revelation is at hand
Surely it's the second coming
And the wrath has finally taken form
For what is this rough beast
Its hour come at last
Slouching towards Bethlehem to be born
Slouching towards Bethlehem to be born
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Lyrics powered by lyrics.tancode.com
written by MITCHELL, JONI
Lyrics © Joni Mitchell/Crazy Crow Music/Siquomb Music, Sony/ATV Music Publishing LLC

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Joni Mitchell, CC, (born Roberta Joan Anderson; 7 November 1943 - Fort Macleod, Alberta, Canada) is a musician, singer-songwriter, poet and painter. Mitchell began singing in small nightclubs in her native Western Canada and then busking on the streets of Toronto. Her writing and art talent emerged before her exposure as a gifted musician performing in Western Canada, including Winnipeg, where she met Neil Young. She then associated with the burgeoning folk music scene of the mid-1960s in New York City.

Recording her début album in 1968 and achieving fame first as a songwriter ("Urge for Going", "Chelsea Morning", "Both Sides, Now", "Woodstock") and then as a singer in her own right. Finally settling in Southern California, Mitchell played a key part in the folk rock movement then sweeping the musical landscape. Blue, her starkly personal 1971 album, is regarded as one of the strongest and most influential records of the time. Mitchell also had pop hits such as "Big Yellow Taxi", "Free Man in Paris", and "Help Me", the last two from 1974's best-selling Court and Spark.

In 1975 Joni released "The Hissing of Summer Lawns" which can be seen as an artistic turning point, and the beginning of her unique blend of folk, jazz and rock. It was intended as a concept album of sorts, with the "concept" being the contrast being freedom and slavery, and the idea that wealth and status sometimes ironically place a great many constraints on people's behavior.

Mitchell is also an accomplished visual artist. She has, through photography or painting, created the artwork for each of her albums, and has described herself as a "painter derailed by circumstance". A blunt critic of the music industry, Mitchell has stopped recording over the last several years, and now focuses mainly on her visual art, although she released a new album - Shine on 25th September 2007.

Official website: http://www.jonimitchell.com

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Joni Mitchell