DamnLyrics - The center provides all the lyrics

So Long - Randy Newman



     
Page format: Left Center Right
Direct link:
BB code:
Embed:

So Long Lyrics


Why the fuck did your your ass have to go and get knocked
Now, you got me on the phone, straight talkin' to the cops
Tryin' to verify your government, they got you now, they lovin' it
They wanna hang that ass, couldn't get you in the past
Though I can't see your problem, you was still young at the time
Did a lot of older things, you was ahead of your time
Never told you to slow down, resee your crown heights, you wild
All I could say was be careful, give you a dap to bounce
Shit that you went through, watched the drama amount
Gave a fuck 'long, you wasn't part of the body count
Now, I feel guilty, half the blame of your incarceration
Till the intervene when you first started catching cases
Fuck to this, dunn, now you in there
Gotta hold it down, you mother's only son
And I'ma ride for you, baby 'cause a lot of it is still love
I'm still there when you get home, I'ma be there
You gotta
(Hold on)

And no matter
(How long)
And it seems
(So long)
You gotta
(Hold on)
And no matter
(How long)
And it seems
(So long)
You gotta
(Hold on)
And no matter
(How long)
And it seems
(So long)
You gotta
(Hold on)
And no matter
(How long)
And it seems
(So long)
I can't believe they got my dunn, it feel like my fault
'Cause I fronted you that money to get that dough
Any man's ain't accountable for they action
Still and all I feel responsible for you being gone
I hit the mall 'till it happened, K.A. now and then
Just so you can live and keep your little cosmetics
In that five years, it was a little dough we made
Out of sight, out of mind, naw dog, it's not me, I miss you
You on my mind daily
Even though I scribe to a nigga, really, you feel me?
Trying to get my shit together
So you could be proud, when you touch down
We got businesses to run now
Peep it back how we used to run up in a nigga's house
On some pety crime shit, boy, we was not playin'
On occasion, I still check ya, brotha 'til the end
Black and bone crazy ass
Reading ya letters, I see you ain't losin' ya sense of humor
Talkin' to you on the phone made my day cooler
Tellin' me, how you'll deaf to see your nose out
You need to bring your black ass home and cut that bullshit out
I could remember me and killa
Would test our new guns in the projects
'Cause that's where police won't come, iller G
My nigga 'till death do us
You almost home, until then hold ya head, dunn
You gotta
(Hold on)
And no matter
(How long)
And it seems
(So long)
You gotta
(Hold on)
And no matter
(How long)
And it seems
(So long)
You gotta
(Hold on)
And no matter
(How long)
And it seems
(So long)
You gotta
(Hold on)
And no matter
(How long)
And it seems
(So long)

Enjoy the lyrics !!!
Randall Stuart "Randy" Newman (born November 28, 1943) is a singer/songwriter, arranger, composer, and pianist who is notable for his mordant (and often satirical) pop songs and for his many film scores.

Newman is noted for his practice of writing lyrics from the perspective of a character far removed from Newman's own biography. For example, the 1972 song "Sail Away" is written as a slave trader's sales pitch to attract slaves, while the narrator of "Political Science" is a U.S. nationalist who complains of worldwide ingratitude toward America and proposes a brutally ironic final solution. One of his biggest hits, "Short People" was written from the perspective of "a lunatic" who hates short people. Since the 1980s, Newman has worked mostly as a film composer. His film scores include Ragtime, Awakenings, The Natural, Leatherheads, James and the Giant Peach, Meet the Parents, Seabiscuit and The Princess and the Frog. He has scored six Disney-Pixar films: Toy Story, A Bug's Life, Toy Story 2, Monsters, Inc., Cars and most recently Toy Story 3.

He has been awarded an Academy Award, three Emmys, four Grammy Awards, and the Governor's Award from the Recording Academy. Newman was inducted into the Songwriters Hall of Fame in 2002. In 2007, Newman was inducted as a Disney Legend.

Newman grew up in a musical family with Hollywood connections; his uncles Alfred and Lionel both scored numerous films. By age 17, Randy was staff writer for a California music publisher. One semester short of a B.A. in music from UCLA, he dropped out of school. Lenny Waronker, son of Liberty Records’ president, was a close friend and, later, as a staff producer for Warner Bros., helped get Newman signed to the label.

Newman’s early songs were recorded by a number of performers. His friend Harry Nilsson recorded an entire album with Newman on piano, Nilsson Sings Newman, in 1970. Judy Collins (“I Think It’s Going to Rain Today”), Peggy Lee (“Love Story”), and Three Dog Night - for whom “Mama Told Me (Not to Come)” hit #1 - all enjoyed success with Newman’s music.

Newman became a popular campus attraction when touring with Nilsson. His status as a cult star was affirmed by his critically praised debut, Randy Newman, in 1968, which featured his own complex arrangements for full orchestra, and later by 1970’s 12 Songs. He also sang “Gone Dead Train” on the soundtrack of Performance (1970). Live and Sail Away were Newman’s first commercial successes, but his audience has been limited to some degree because his songs are often colored by his ironic, pointed sense of humor, which is rarely simple and frequently misunderstood.

Good Old Boys, for example, was a concept album about the South, with the lyrics expressing the viewpoint of white Southerners. Lyrics such as “We’re rednecks, and we don’t know our ass from a hole in the ground” made people wonder whether Newman was being satirical or sympathetic. He toured (to Atlanta and elsewhere) behind the album with a full orchestra that played his arrangements and was conducted by his uncle Emil Newman.

Little Criminals, in 1977, contained Newman’s first hit single, “Short People,” which mocked bigotry and was taken seriously by a vocal offended minority. “Baltimore” from that album was covered by Nina Simone. Following that album’s release, Newman toured for the first time since 1974. He claimed that in the interim he’d done nothing but watch television and play with his three sons. In 1979 his Born Again featured guest vocals by members of the Eagles. In 1981 Newman composed the soundtrack for the film Ragtime (the first of many soundtrack assignments) and was nominated for two Oscars (Best Song, Best Score). His 1983 album, Trouble in Paradise, included guest appearances by Linda Ronstadt, members of Fleetwood Mac, and Paul Simon, who sang a verse of “The Blues.” That album’s “I Love L.A.” became something of an anthem, thanks in part to a flashy music video directed by Newman’s cousin, Tim Newman (who went on to shoot popular videos for ZZ Top, among others). Land of Dreams (#80, 1988) spawned a minor hit in “It’s Money That Matters” (#60, 1988). It would take Newman 10 more years to make another studio album, 1999’s critically acclaimed Bad Love. With that record peaking at #194, he continues to meet his biggest success in Hollywood, where he spent most of the ’90s becoming one of the town’s most sought-after film composers. Although the material on his own records is literate and biting, the songs he writes for movies are decidedly simpler and with a sunnier outlook - and they usually meet with more success. Both “I Love to See You Smile” from Parenthood and “When She Loved Me” from Toy Story 2, for instance, were nominated for Oscars; in 1998 alone, Newman garnered three Oscar nominations for three different movies.

In 1995 Newman wrote a musical adaptation of Goethe’s Faust. Both the play and the accompanying CD (which featured guests such as Bonnie Raitt, Linda Ronstadt, Elton John, Don Henley, and James Taylor in the role of God) were commercially unsuccessful. In 2000 he received the Billboard Century Award.

User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.

View All

Randy Newman