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Story Of Bo Diddley - The Animals



     
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Story Of Bo Diddley Lyrics


Now listen here to the story of Bo Diddley
The rock 'n roll scene in general
Bo Diddley was born Ellis McDaniels
In a place called McCoom
In Mississippi about 1926
He moved to Chicago about 1938
Where his name was eventually changed to Bo Diddley
He practised the guitar every day and sometimes into the night
'Til his papa's hair began to turn white
His pa said "Son, listen here, I know"
"You can stay but, uh, that guitar's just got to go"
So he pulled his hat down over his eyes
And headed on out for them western skies
I think Bob Dylan said that
He hit New York City

He began to play the Apollo in Harlem
Good scene there
Everybody raved
One day, one night
Came a Cadillac, four headlights
Came a man with a big long fat cigar
He said "Come here son, I'm going to make you a star"
Bo Diddley said "Uh, what's in it for me?"
The man said "Uh, shut your mouth son and play the guitar"
"And you just wait and see"
Well, Bo made it, he made it real big
And so did the rest of the Rock 'n Roll scene along with him
And a white guy called Johnny Otis took Bo Diddley's rhythm
And changed into hand jive
And it went like this:
In a little old country town one day
A little old country man begin to play
Had two guitars and a beat-up saxophone
When the drummer said ??? those cats begin to ???
Oh baby, oooo we oh oh
Oooo la la that rock 'n roll
You hear me, oooo we oh oh
Oooo la la that rock 'n roll
Then the U.S. music scene, there was big changes made
Due to circumstances beyond our control
Such as payola
The rock 'n roll scene died after two years of solid rock
You got discs like, uh:
Take good care of my baby
Please don't ever make her blue
And so forth
About, uh, one year later
In a place called Liverpool in England
Uh, four young guys with mop haircuts
Begin to sing stuff like, uh:
It's been a hard day's night
And I've been workin' like a dog
And so on
A place called Richmond in Surrey
Way down in the deep south
Where the guys had long hair down their backs sang:
I want to be your lover baby
I want to be your man, yeah
And all that jazz
Well we been doin' this number "Bo Diddley"
For quite some time now
Bo Diddley visited this country last year
And we were playin' the Club A-Go-Go in Newcastle, our home town
And the doors opened one night
And to our surprise in walked the man himself, Bo Diddley
Along with him was, uh, Jerome Green, his maraca man
And the Dutchess, his gorgeous sister
Now we're doin', uh, we're doin' this number
Along with them came Rolling Stones and The Mersey Beats
They're all standin' around diggin' it
And I overheard Bo Diddley talkin'
He turned around to Jerome Green, he said
"Hey Jerome. What do you think of these guys doin our, our material?"
Jerome said "Uh, where's the bar, man. Please show me to the bar."
He turned around to the Dutchess and he said
"Hey Dutch. What do you think of these young guys doin' our material?"
She said ah, "I don't know. I only came across here to see the
Changin' of the guards and all that jazz."
But Bo Diddley looked up at me and he said, uh
With half-closed eyes and a smile
He said "Man". Took off his glasses. He said "Man"
"That sure is the biggest load of rubbish ever heard in my life"
Hey Bo Diddley (Hey, Bo Diddley)
Oh Bo Diddley (Hey, Bo Diddley)
Yeah Bo Diddley (Hey, Bo Diddley)
Oh Bo Diddley (Hey, Bo Diddley)
Yeah Bo Diddley (Hey, Bo Diddley)
Oh Bo Diddley (Hey, Bo Diddley)
---
Lyrics powered by lyrics.tancode.com
written by ERIC BURDON, ELLAS MCDANIEL
Lyrics © BMG PLATINUM SONGS OBO ARC MUSIC

Enjoy the lyrics !!!
The Animals were a British rock band of the 1960s, formed in Newcastle. They were part of the british invasion, being one of the most popular bands of their era. Known for their gritty, raw, bluesy sound and hard-voiced frontman Eric Burdon, as exemplified by their signature songs House of the Rising Sun and Don't Let Me Be Misunderstood, the band underwent numerous personnel changes, while influencing the later heavy metal music with the riffs of their rock songs such as We Gotta Get Out Of This Place and It's My Life. They emerged as an exponent of psychedelic music before dissolving at the end of the decade. In 1983 they had a comeback and toured for six months before disbanding forever.

History
First incarnation

Formed in Newcastle-upon-Tyne during 1962 and 1963 when Burdon joined the existing Alan Price Rhythm and Blues Combo, the original line-up comprised Eric Burdon (vocals), Alan Price (organ and keyboards), Hilton Valentine (guitar), John Steel (drums), and Bryan "Chas" Chandler (bass). The Animals' moderate success in their hometown and a connection with The Yardbirds manager Giorgio Gomelsky motivated them to move to London in 1964, in time to be grouped with the British Invasion. They performed fiery versions of the staple rhythm and blues repertoire (Jimmy Reed, John Lee Hooker, Nina Simone, etc). Signed to the Columbia Graphophone subsidiary of EMI, a rocking version of the standard "Baby Let Me Follow You Down" (retitled Baby Let Me Take You Home) was their first UK hit single.

It was followed in June 1964 by the huge transatlantic hit "House of the Rising Sun". Burdon's howling vocals and the dramatic arrangement created arguably the first folk rock hit. Whether the arrangement was inspired by Bob Dylan's version of the song (which in turn was inspired by folk singer Dave Van Ronk) or by blues singer Josh White's (who recorded it twice in 1944 and 1949) or by singer/pianist Nina Simone (who recorded it in 1962 on At The Village Gate, predating Dylan's interpretation) remains a subject of dispute, as does whether all five Animals deserved credit for the arrangement and not just Price.

The Animals' two-year chart career, masterminded by producer Mickie Most, featured singles that were intense, gritty pop covers such as Sam Cooke's Bring It On Home to Me and the Nina Simone number Don't Let Me Be Misunderstood. In contrast their album tracks stayed with rhythm and blues, with Hooker's Boom Boom and Ray Charles' I Believe to My Soul being notable examples. Burdon's powerful, deep voice and the use of keyboards as much or more than guitars were two elements that made the Animals' sound stand out.

By May 1965 the group was starting to feel internal pressures. Price left due to personal and musical differences as well as a fear of flying on tour; he went on to a successful career as a solo artist and with the Alan Price Set. Mickey Gallagher filled in for him on keyboards for a spell, until Dave Rowberry replaced him and was on hand for the hit working-class anthems We Gotta Get Out Of This Place and It's My Life. Around that time, an Animals Big Band even made a one-time appearance.

Many of The Animals' hits had come from Brill Building songwriters recruited by Most; the group, and Burdon in particular, felt this was too restrictive. As 1965 ended the group switched to Decca Records and producer Tom Wilson, who gave them more artistic freedom. In early 1966 MGM Records, their American label, collected their hits onto The Best of The Animals; it became their best-selling album in the U.S. In February 1966 Steel left and was replaced by Barry Jenkins; a leftover cover of Goffin-King's Don't Bring Me Down and the powerful hard rock tune See See Rider were the last hits as The Animals.

By this time their business affairs "were in a total shambles," according to Chandler (who would go on to manage Jimi Hendrix), and the group disbanded. Even by the standards of the day, when artists tended to be financially naïve, the Animals made very little money from their successes, eventually claiming mismanagement and theft on the part of their manager Mike Jeffery.

Second incarnation

A group with Burdon, Jenkins, and new sidemen John Weider (guitar/violin/bass), Vic Briggs alias Antion (guitar/piano), and Danny McCulloch (bass) was formed under the name Eric Burdon and the New Animals (or sometimes just Eric Burdon & The Animals) in October 1966, and changed direction. The hard-driving blues was transformed into Burdon's version of psychedelia, as the former heavy-drinking Geordie (who later said he could never get used to Newcastle, "where the rain comes at you sideways") relocated to California and became a spokesman for the Love Generation, but also a former heavy metal act and one of the upcoming stars of the genre such as Black Sabbath, Led Zeppelin and Deep Purple..

Some of this group's hits included "San Franciscan Nights", "Monterey" (a tribute to the 1967 Monterey Pop Festival), and the anti-war "Sky Pilot". There were further changes to this line-up: George Bruno (a/k/a Zoot Money, keyboards) was added in April 1968, and in July 1968 Andy Summers [sic] (guitar)—later of The Police—replaced Briggs and McCulloch.

By 1969 these Animals had dissolved, and Eric Burdon joined forces with a Latin group from Long Beach, California called War.
The first hit under Eric Burdon & War was the funky/chill-out song Spill The Wine. The Group with 8 members disbanded in July 1971.

Later incarnations

The original Animals line-up of Burdon, Price, Valentine, Chandler, and Steel briefly reunited for a benefit concert in Newcastle in 1968, for an album in 1977 and again for an album and tour (supplemented by Zoot Money on keyboards and Steve Grant on guitar) in 1983. Chandler died in 1996.

In the 2000s Burdon has toured with a new set of musicians under the name "Eric Burdon and the Animals". Periodically during the 1990s and 2000s Valentine, Steel, and Dave Rowberry toured under the name "(Hilton Valentine's) The Animals" and Valentine and Steel under the name "Animals II". Rowberry died in 2003. As of 2005 "Animals & Friends" was also active, consisting of Steel and Mickey Gallagher; this group frequently play gigs on a Color Line ship that travels between Scandinavia and Germany.

Legacy

The original Animals were inducted into the Rock and Roll Hall of Fame in 1994. Their influence can be heard in artists as varied as The Doors, Bruce Springsteen, Tom Petty & The Heartbreakers, Canned Heat, David Johansen, Joe Cocker, Fine Young Cannibals, Iggy Pop, Mando Diao and many, many more.

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The Animals