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Stuck Inside of Mobile With the Memphis Blues Agai - Cat Power



     
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Stuck Inside of Mobile With the Memphis Blues Agai Lyrics


Oh, the ragman draws circles
Up and down the block
I'd ask him what the matter was
But I know, he don't talkAnd the ladies treat him kindly
And furnish him with tape
But deep inside his heart
I know he can't escapeOh, mama
Can this really be the end?
To be stuck inside of mobile
With the Memphis blues againWell, Shakespeare, he's in the alley
With his pointed shoes and his bells
Speaking to some French girl
Who says she knows him wellAnd I would send a message
To find out if she's talked
But the post office has been stolen
And the mailbox is lockedOh, mama
Can this really be the end?
To be stuck inside of mobile

With the Memphis blues againMona tried to tell me
To stay away from the train line
She said that all the railroad men
Just drink up your blood like wineAn' I said, "Oh, I didn't know that
But then again there's only one I've met
An' he just smoked my eyelids
An' punched my cigarette"Oh, mama
Can this really be the end?
To be stuck inside of mobile
With the Memphis blues againGrandpa died last week
And now he's buried in the rocks
But everybody still talks about
How badly they were shockedBut me, I expected it to happen
I knew he'd lost control
Rebuilt a fire on Main Street
And shot it full of holesOh, mama
Can this really be the end?
To be stuck inside of mobile
With the Memphis blues againThe senator came down here
Showing everyone his gun
Handing out free tickets
To the wedding of his sonAn' me, I nearly got busted
An' wouldn't it be my luck
To get caught without a ticket
And be discovered beneath a truck?Oh, mama
Is this really the end?
To be stuck inside of mobile
With the Memphis blues againNow, the T-Preacher looked so baffled
When I asked him why he dressed
With twenty pounds of headlines
Stapled to his chestBut he cursed me when I proved it to him
Then I whispered and said "Not even you can hide
You see, you're just like me
I hope you're satisfied"Oh, mama
Can this really be the end?
To be stuck inside of mobile
With the Memphis blues againNow, the Rainman gave me two cures
Then he said, "Jump right in"
The one was Texas medicine
The other was just railroad ginAn' like a fool I mixed them
An' it strangled up my mind
An' now people just get uglier
An' I have no sense of timeOh, mama
Can this really be the end?
To be stuck inside of mobile
With the Memphis blues againWhen Ruthie says come see her
In her honky-tonk lagoon
Where he can watch her waltz for free
'Neath her Panamanian moonAn' he say, "Aw, come on now
You know you know about my debutante"
An' she says, "Your debutante just knows what you need
But I know what you really want"Oh, mama
Can this really be the end?
To be stuck inside of mobile
With the Memphis blues againNow, the bricks lay on Grand Street
Where the neon madmen climb
They all fall there so perfectly
It all seems so well timedAn' here I sit so patiently
Waiting to find out what price
You have to pay to get out of
Going through all these things twiceOh, mama
Is this really the end?
To be stuck inside of mobile
With the Memphis blues again

Enjoy the lyrics !!!
Charlyn Marie Marshall, also known as Chan (pronounced "Shawn") Marshall, was born in Atlanta, Georgia, U.S. on 21 January 1972. After dropping out of high school, she started performing under the name Cat Power, while in Atlanta, backed by musicians Glen Thrasher, Mark Moore, and others. She soon moved to New York City, United States in 1992, then later opening for Liz Phair in 1994, she met Steve Shelley of Sonic Youth and Tim Foljahn of Two Dollar Guitar, who encouraged her to record, and played on her first two albums, 1995's Dear Sir and 1996's Myra Lee. In 1996 she was signed to Matador Records, and released her third album, What Would the Community Think, which spawned a single and music video, "Nude as the News".

Shortly following the release of What Would the Community Think Marshall disappeared from the musical scene, initially working as a baby sitter in Portland, Oregon and then moving to a farmhouse in Prosperity, South Carolina with boyfriend Bill Callahan (who performs under the name Smog). The plan was to permanently retire from music but during a sleepless night resulting from a nightmare, Marshall wrote several new songs. These songs would make up the bulk of Moon Pix. The album was recorded at Sing Sing Studios in Melbourne in eleven days with backing musicians Mick Turner and Jim White of the Dirty Three. The album was well-received by critics, and gained her recognition in the indie rock scene. However, during the subsequent tours she grew tired of her own material. This resulted in a series of shows during 1999 involving Marshall providing musical accompaniment to a series of screenings of the silent movie The Passion of Joan of Arc. The shows combined original material and many covers, many of which would later see release on The Covers Record, a collection of cover songs recorded at various sessions in 1998 and 1999. A selection of covers that didn't make it on to the album were recorded at Peel Acres, home of the highly influential and legendary British DJ John Peel. The session was broadcast on his BBC Radio 1 show and featured Marshall's own interpretations of Bob Dylan's "Hard Times in New York Town" amongst others.

In 2003 she resumed releasing original material with You Are Free, a diverse and critically acclaimed album that featured guest musicians such as Eddie Vedder, Dave Grohl, and the Dirty Three's Warren Ellis.

2004 saw the release of Speaking for Trees, a critically polarizing DVD which featured a single two-hour static shot of Marshall performing in a woodland. It was accompanied by an audio CD containing the 18-minute song "Willie Deadwilder", which featured M. Ward on guitar. 2005 found Cat Power out on the road again, touring the world and playing sold-out solo shows, including an Australian tour supporting Nick Cave. The shows largely consisted of material for her next album.

Cat Power's seventh record, The Greatest, was released in January, 2006. This was not a "Greatest Hits" record but rather a collaboration with Al Green's guitarist Teenie Hodges and many other well-known R&B musicians. A tour followed in the fall of 2006.

Early in 2006, Marshall announced the cancellation of her upcoming United States tour, citing "health-related issues". A few days later, Matador announced the cancellation of her two shows in London and Paris. She resumed touring in April 2006, playing some of the most well received shows of her career both with the Memphis Rhythm Band and as a solo performer.

In 2007, she played live music for the spring/ summer Chanel Haute Couture collection in Paris and appeared in Wong Kar Wai's film My Blueberry Nights as Katya. Also in 2007, she became the first female ever to win the Shortlist Music Prize when The Greatest was voted album of the year in June. Earlier in the year she was nominated in the Best International Female category at the annual Brit Awards, alongside more mainstream artists like Christina Aguilera and Nelly Furtado.

On January 22, 2008, Cat Power released a second collection of covers called Jukebox--her eighth LP overall. It included versions of songs by artists such as Hank Williams, James Brown, Bob Dylan, Joni Mitchell, Patsy Cline and Janis Joplin.

Since then, she has released an EP called "The Dark End Of The Street" on vinyl, only.

Cat Power released her first original song since 2008 just before Christmas 2011 when an MP3 of "King Rides By" was made available on her official site, in exchange for a donation of at least $0.99 to the Festival of Children Foundation and the Ali Forney Center charities. (King Rides By Songfacts).

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