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Sucka Free - DJ Quik



     
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Sucka Free Lyrics


What's up, nigga? What's up, my brother?
Just loungin', you know, 'Bout to crack this forty ounce++++
Oh, look at you, lil' ol' alcoholic ass, nigga
Well, you know I got to have it, my brother, ain't nothin' changedYou wanna hit it? Yeah, what's up? Hey man, you tell me
What's up with the album, man? Hey man, we tryina finish
That muthafucka, man and I need one more song, no shit
Yeah, I wanted to know, if you wanted to bust on it?
Oh, without a doubt you know I'd love to remember that shit
You was bustin' for me over the phoneThat sucka free shit? Yeah, I remember that shit
Well, won't you put that shit right about here
Sucka, sucka, sucka, now a sucka raises up off of youDid you miss me? It took a little time to get sucka free
But since a young G it's PPC, ain't no shame in the name
And still true to the game, still servin' suckers, just the same
No sense, and dwellin' in the past tense, I roll with Quik
So you better check your ladies, gents, 'cause I'ma teach her
How to break you, right before I break herAfter I make her, then I shake her, yeah, I know, you heard it all before
But I can't deal, 'cause I see you're still simpin' for a hoe
Claimin' pimp but you're payin' for the pu', silly sucker

Punk muthafucka, they only flock and jock 'cause you're fillin' up
They pocket books and you're still judgin' bitches by they looks
When it's really all about, what she can do for youI do for me and still see a true, really? Do you hear me, bro?
Got your name all on your lips, but your chick trips
Oh no, never will I lower to your level and I got seventeen for ya, devil
Too True to ever let a sucker like you, make me do somethin'
That I don't wanna do, I'm still real with it, you gots to deal with itI serve that ass like a clocker, I don't give a fuck but who you're doin'
How you're doin or what you do it with, you better miss me
With the dumb shit, so when you're speakin' on the Playa Hamm
Or my nigga Quik, everybody knows, you're suckin' on a fat dick
It ain't nothin to nuttin' in your ass, so that you see clear boomin'
In your ear, so I know you hear bump this in your coupe
With your R&B wanna be me? Trick ass, I'm sucka free

Enjoy the lyrics !!!
DJ Quik (born David Martin Blake on January 18, 1970) is a West Coast rapper and record producer from Compton, California. He was raised at 436 West Spruce Street in Compton, California. As a teen he took up an affiliation with the Tree Top Piru Bloods, hence why his name is spelled Quik with the C conspicuously missing. A lot of Bloods would let the name "Quick" (because CK stands for Crip Killer) but he chose "Quik" to represent the Red but at the same time in some form of respect for the other side . He grew up without a father and moved out of his mother's home when he was only 17. He lived in the house as the only male with 8 sisters. His home life was far from stable as he raps in a song that one of his sisters was selling drugs to one of his other sisters. He began selling homemade mixtapes (like "The Red Tape", 1987) after he received a turntable for his 9th grade graduation and then began doing shows DJing around Southern California when he moved out. He signed to Profile Records in the summer of 1990, reportedly as the label's first six figure signee. Not only could he rap and write his own songs, he could produce as well.

His debut album, "Quik Is The Name" was led by the success of two top 20 R&B singles, "Tonite" and "Born and Raised in Compton." "Tonite" even charted on the pop charts. The album ended up reaching 10th on the album charts. None of his successive albums reached the success of his debut, though they have been well received in California, particularly his 1998 release "Rhythm-Al-Ism." His most popular albums are Quik Is The Name and Safe + Sound. . On "Safe + Sound" appears "Dollaz And Sense," which was a diss track to Compton rapper and member of the rival Tragniew Park Crips MC Eiht. Though full of bravado at the time, Quik now admits to fearing for his life during the period.

Instead of joining the G-Funk movement during the 1990's, DJ Quik had his own style that a new version of P-Funk, inspired by artists like Roger Troutman (who even taught him the use of the talkbox, which became a trademark for Quik's sound in the 1990's) and George Clinton. Throughout his career, Quik has collaborated with and produced for artists including 2Pac ("Heartz of Men", "Words To My First Born", "Late Night"), Janet Jackson ("All For You"), Snoop Dogg (e.g. "Doin' Too Much", "Buss'n Rocks", "Don't Tell"), Talib Kweli ("Put It In The Air"), Whitney Houston ("Fine"), Kurupt ("Can't Go Wrong"), Jay-Z ("Justify My Thug"), Xzibit ("Sorry I'm Away So Much"), Ludacris ("Spur of the Moment"), Chingy ("Bagg Up", and "Wurr's My Cash"),Dr. Dre, 2nd II None, Hi-C, Suga Free ("Street Gospel" album and on the "New Testament" album), 8Ball & MJG ("Buck Bounce") and others. Though he formally produced only "Heartz of Men" on 2Pac's masterpiece "All Eyez On Me" album, he went uncredited for work on many other tracks on the album; on that track he used his real name David Blake, because Profile did not allow him to use his stage name. In 2002, he produced Truth Hurts' Top 10 pop hit "Addictive". Quik used an uncleared Hindi sample on the record, and the copyright holders eventually filed a $500 million dollar lawsuit against Truth Hurts' label, Aftermath Entertainment.

Quik faced personal and professional tragedy when his friend and protegé Mausberg was murdered on the 4th of July, 2000. This was compounded by the death of his best friend Daryl Reed soon after.

Following 2000's "Balance and Options" CD he was dropped by Arista Records which in 1998 had bought Profile Records. In September 2005, DJ Quik released his first independent album on his own new label, Mad Science, which was supposed to be distributed by Warner Bros but Quik was forced to let Time Warner and so signed his Mad Science with Fontana/Universal. The album is titled "Trauma" and reflects the turmoil in the producer's life over the past few years. He than released "Trauma: Instrumentals". In recent years he has worked with a 74 piece orchestra during a collaboration with Marcus Miller while working on the score to the movie "Head of State." Over the years, Quik has morphed from a hardcore gangsta rapper to a mainstream producer and rapper who is not afraid to change his style. He has not abandoned his West Coast roots and now produces very much his own unique style.

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