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Sugar Mice (Racket Club Acoust - Marillion



     
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Sugar Mice (Racket Club Acoust Lyrics


I was flickin' through the channels on the TV
On a Sunday in Milwaukee in the rain
Tryin' to piece together conversations
Tryin' to find out where to lay the blameBut when it comes right down to it there's no use tryin' to pretend
For when it gets right down to it there's no one here that's left to blame
Blame it on me, you can blame it on me
We're just sugar mice in the rainI heard Sinatra callin' me down through the floorboards
Where you pay a quarter for a partnership in rhyme
To the jukebox cryin' in the corner
While the waitress is countin' out the timeFor when it gets right down to it there's no use tryin' to pretend
For when it gets right down to it there's no one really left to blame
Blame it on me, oh you can blame it on me
We're just sugar mice in the rain'Cause I know what I feel, know what I want, I know what I am
Daddy took a rain check
'Cause I know what I want, know what I feel, I know what I need
Daddy took a rain check, your Daddy took a rain check
Ain't no one in here that's left to blame but me
Blame it on me, blame it on meWell the toughest thing that I ever did was talk to the kids on the phone

When I heard them asking questions I knew that you were all alone
Can't you understand that the government left me out of work?
I just couldn't stand the looks on their faces sayin', 'What a jerk!'So if you want my address it's number one at the end of the bar
Where I sit with the broken angels
Clutchin' at straws and nursin' our scars
Blame it on me, blame it on me
Sugar mice in the rainYour Daddy took a raincheck, your Daddy took a raincheck
Songwriters
Peter John Trewavas;Steven Thomas Rothery;Mark Colbert Kelly;Ian Francesko Mosley;Derek William DickPublished by
CHARISMA MUSIC PUB. USA, INC. Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Marillion are a rock band formed in Aylesbury, England . Their 30-year career is marked by two distinctive phases; the early years fronted by Fish which saw their greatest commercial success, and much longer period fronted by Steve Hogarth in which the band have constantly re-invented themselves so as to continue to be relevant into the 21st century.

The Fish era is often categorized as neo-progressive. They originally started as "Silmarillion" (from Tolkien's book) with heavy influences from classic Genesis but went on to develop their own distinctive sound. The band was formed in 1979 by Mick Pointer (drums), Steve Rothery (guitar), Doug 'Rastus' Irvine (bass), and others, soon adding vocalist Fish (real name Derek W. Dick), Diz Minitt (bass), and Brian Jelliman. By the time of their first album, 1983's Script For A Jester's Tear, the bass position had been taken over by Pete Trewavas and keyboards by Mark Kelly.

The studio albums Fugazi (1984), Misplaced Childhood (1985), and Clutching At Straws (1987), as well as the 1984 live album Real to Reel all sold respectably, and the band scored a hit single in Britain with Kayleigh in 1985.

When Fish left the band in 1988 after four albums he was replaced by Steve Hogarth. A former member of The Europeans and some-time collaborator with The The and Julian Cope, Hogarth brought a new energy to the band.

Across a further ten albums, Hogarth – along with existing members Rothery, Kelly, Trewavas, and Mosley – have reinvigorated and constantly redefined Marillion’s sound. They forged into new musical territories with a succession of inventive, emotional albums, displaying little regard to the vagaries of hit charts or radio playlists.

After the release of 1999’s marillion.com the band freed themselves from record company pressure once and for all by launching their own record label, the Intact imprint.

Thanks to their pioneering embrace of the Internet through their website http://marillion.com, Marillion have developed a unique and intimate relationship with their fans. From sponsoring entire tours of the USA to funding the recording of recent albums, Marillion’s global fan-base is unique in its affection and dedication. As a result, such passionate, wholesale support has allowed Marillion to step outside of the conventional music industry and find their own path.

In 2001 Anoraknophobia saw Marillion take the groundbreaking step of asking fans to pre-order an album 12 months before release. An amazing 12,000 people signed up, helping to finance the recording. The band once again took pre-orders for the 2004 release Marbles, but this time the money was channelled into a campaign fund to promote its launch. The success of singles Don't Hurt Yourself and You're Gone – the latter making it all the way to number 7 – vindicated the band's independent strategy.

Their 2007 album Somewhere Else reached number 24 in the UK album chart with their most recent single Thankyou Whoever You Are hitting the UK singles chart at number 15. The band shows no signs of fading away after more than 25 years of activity.

Their 15th album, "Happiness is the road", was physically released in October 2008 but was originally available exclusively from the band's website. It was released with little promotion and a deluxe pre-order package was made available as with Marbles. 'Happiness is the Road' is the second studio double album of a long career (2004's Marbles was the other). A UK and European tour followed the album's release, and the band is taking special effort to record every show in the "Happiness on the Road" tour, making the recordings available from the band's website.


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