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Supermixx's Black In The Building - Public Enemy



     
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Supermixx's Black In The Building Lyrics


Jump back poppin that track
Gonna wreck it nowWatchin y'all --to the record now
Catchin y'all attention
So shake it now
Oh no find my flow
Gonna break it down
Came a long way
You can't take it now
--regulatin on the regular
Do your thing. on the floor
Can you kick it nowDo your thing
Do the damn thing baby
C'mon bring it now
Go back like 8 tracks and cadillacs
Way before crack even similac
Hell wit the wire taps
New booby traps
Hear the hand claps uh

Where the party at?Do the damn thing
Getcha gravy on
Cause I be gettin it down
And your crazy on
Go on and on an on till the break of dawn
I give a damn
Cause damn is ya baby goneDo whatcha wanna do
But try to do the right thing
If its the right thing
Then go on
Do the damn thing
I know you get soul
Like a bbq chicken wing
Thet me like a king
Lemme hear you singMoney can't buy you love
Thought you knew that
Eight days a week
Livin like a rugrat
Sex machine can't face fact
Gotta chase the cat
Hear the hand claps
Turn the damn thing up
Here we go again
No means no
So now you know again
Flow it like a poet
Get ready then
Dance gotcha trembin in dem timberland
Jumpback poppin that track
Gonna shake it now
Check the cat
Gettin wreck gonna break it down the record now
Gotta break it down
Rhymin this flow on the go
C'mon get it nowYeah...
I'm saying we went from Gods to niggas
From queens to bitches
Who in the hell told you that you were in heaven
Who in the hell told you that you were in heaven
Platinum gold a house and a car
But poverty all around you by far
People living under bridges or in a car
Heaven for the super rich who call it modern living
But the Man from the east calls it a wilderness
Cause heaven for whites is hell for blacks in america
Heaven and hell are two conditions of Life
Not a place up there or a place down there
It's a condition of life on earth so value Life
Heaven is not things
It's a higher level of thinking
And at the moment one may change the conditions of Life
Our people think a job, partying and endless flow of women and moet,
Krystal and how much sex you can have is heaven
Sometimes you got to think that it may not be heaven all the time
But being able to meet Life's struggles head on, head on, head on
Without compromising your Soul soul soul soul
In this worlds Life
Not Life after death
Life on earth
Life
Not worrying about how you are gonna eat or put clothes on your children
Sit yourself in heaven at once
A woman is a very important part of heaven
She produces heaven with you
And if she is connected to the source of Life
So heaven is a condition of Life
And you can have it on earth
SO VALUE LIFE
VALUE LIFE
Who in the hell told y'all you were in heaven
Oh, Oh
Lord Have Mercy!
Songwriters
CARLTON RIDENHOUR, JAMES ALLENPublished by
Lyrics © REACH MUSIC PUBLISHING Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

Enjoy the lyrics !!!
Public Enemy, also known as P.E., is a seminal Golden Age era Hip-Hop group known for their densely layered production and politically charged lyrics demonstrating their interest in the concerns of the African American community.

PE formed in Long Island, New York, in 1982 around a WBAU radio show as Spectrum City. After one less-than-successful single, they regrouped and signed to the still developing Def Jam record label after Rick Rubin heard Chuck D freestyling on a demo. Their debut, ‘Yo! Bum Rush The Show’, was released in 1987 to mild critical acclaim, although the Hip-Hop climate changed dramatically due to sampling during the time of release. As a response, they went on to release the revolutionary ‘It Takes a Nation of Millions to Hold Us Back’ in 1988, which performed better in the charts than their previous release, and included the hit single ‘Don’t Believe the Hype’.

Slightly less militant than their previous releases Public Enemy’s, ‘Fear Of A Black Planet’ was officially recognised as being the most successful and influential of the Public Enemy recordings when, in 2004, it became one of 50 recordings, chosen that year by the Library of Congress, to be added to the National Recording Registry. Sales-wise it was the most successful of any of their albums to date. It included the powerful and controversial singles ‘911 is a Joke’ (which criticized emergency response units for taking longer to arrive at emergencies in the black community than those in the white community), and ‘Fight the Power’, which is considered by many to be the group’s premier self-describing anthem. The song is considered to be amongst the most popular and influential in Hip Hop history and was the theme song for Spike Lee’s landmark film ‘Do The Right Thing’.

Public Enemy are to be considered musical pioneers for a broad variety of reasons. For instance, Terminator X elevated DJing to a refined art. Some of his most innovative scratching tricks can be heard on the track ‘Rebel Without A Pause’. PE’s production team, ‘The Bomb Squad’, offered up a web of innovative samples and beats; critic Steven Thomas Earlewine declared that PE “brought in elements of free jazz, hard funk, even musique concrète, via their [production] team, the Bomb Squad, creating a dense, ferocious sound unlike anything that came before.”

PE revolutionized the rap world with their political, social and cultural consciousness. These themes became infused into skilled and poetic rhymes with jazzy backbeats. They are recognised as the first Hip Hop group to make extended world tours, leading to huge popularity and influence within the Hip Hop communities of Europe and Asia. They also changed the internet’s music distribution capability by being the first group to release MP3 albums, a format virtually unknown at the time.

Public Enemy, in keeping with their ‘pioneer’ status, also helped to form and define the so-called ‘crossover’ genre of music (heavy rock music spliced with hip hop) by collaborating with New York thrash metal outfit Anthrax in 1991. The single ‘Bring The Noise’ was a remarkable potpourri of semi-militant pro-black lyrics, grinding guitars and sporadic humour. The two bands, cemented by a mutual respect, and the personal friendship between Chuck D and his Anthrax counterpart Scott Ian, introduced a hitherto alien genre to rock fans.

During the seemingly unlikely tour of Anthrax and Public Enemy, Flavor Flav made his famous pronouncement onstage that “They said this tour would never happen” (heard on Anthrax’s Live: The Island Years CD). This has become something of legendary significance in both rock and rap circles. There is some justification for the theory that without this unlikely musical partnership, bands such as Rage Against The Machine and Linkin Park would not have existed, and the genres of rap rock, nu metal and their related offshoots might have never developed.

Members of Public Enemy

Chuck D
Real name: Carlton Douglas Ridenhour
Role: Group leader, lyricist, main vocalist, and artwork
Birthdate: August 1, 1960

Flavor Flav
Real name: William Jonathan Drayton, Jr.
Role: Lyricist, vocalist, hype-man, and comic relief.
Birthdate: March 16, 1959

Professor Griff
Real name: Richard Griffin
Role: Head of S1W, liaison between PE and S1W, road manager. Ensured that the chaotic Flavor Flav was available when needed. Occasional vocalist and/or producer, plays drums at live shows.
Birthdate: August 1, 1960 (the same as Chuck D)

Terminator X
Real name: Norman Rogers
Role: DJ, Producer
Birthdate: August 25, 1966

Dj Lord
Real name: Lord Aswod
Role: DJ, Producer

The following are a part of The Bomb Squad, the revolutionary production group which is closely associated with (and sometimes considered a part of) Public Enemy:

Hank Shocklee
Real name: Hank Boxley
Bill Stephany
Keith Shocklee
Eric “Vietnam” Sadler
Chuck D - often listed as a member of the Bomb Squad under the pseudonymn “Carl Ryder”, a shortened form of his real name.

The S1W’s are sometimes considered a part of Public Enemy, as well.

There are three other groups named Public Enemy:

2) The first Public Enemy, an Oi!/punk band formed in 1984 who released one LP album (England's Glory) and one 7 inch (Skinheads). This band was never white supremacist and has no connection to the "revived" Public Enemy:

3) White Power group from the UK, formed by Paul Burnley (of No Remorse). Released 3 CDs: “Paul Burnley Is The Real Public Enemy”, "There is only one..." and “Archives”.

4) Public Enemy was a Hardcore/Punk group from Tuscon, Arizona.

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Public Enemy