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Swang Lyrics


Intro (Fat Pat)
N****z betta see a n***a roll
Shorts down and I'm rollin' on 84's
Chorus (Fat Pat)
Swang-swang and I swang and I swang to the left
Pop-Pop my trunk yep, yep, yep, yep (x4)
Verse 1 (Trae)
I'ma swang I'm a swanger slab lean to the left
Pop my trunk and show what I'm about so Houston, Texas gotta be felt
I'm a vet so it's automatic when I be swingin' my wide frame
4-4's to 24's I'm subject to glide man
Like a pimp without the numbers still so fly when I slide man
Plus I'm lethal fully loaded ain't no takin' my ride man
We gangsta
And it ain't too much you can do to stop us
Don't try to knock us cuz these diamonds got boppas try'na jock us
We the best and what we gon' be and these haters know it
So haters hate us to death and I know cuz these haters show it

I only ride alone so they can picture me rollin'
And for them jackers thinkin' fly just picture what I be holdin'
Them hollow points'll make you picture just how fast they'll be foldin'
A few of them'll have you leakin' 'til you dead or you swollen
But still I ride like the law
Floatin' above everything
I'm Screwed Up Click until it's over n***a fresh off the chain
Beat the slang
Chorus (Fat Pat)
Verse 2 (Big Hawk)
I'ma swang and I swang and I swang to the left
Pop my trunk for Fat Pat's death
I would give my last breath if I could bring you back
Bring Screw back
Matter fact bring the whole crew back
Only God can do that so I'ma leave it alone
Movin' on
Groovin' to this soothin' song
I'm cruisin' along
Still got a Screw tape on
Still in the zone
Wishin' Cory Blunt was home
Ridin' on chrome
Bangin' with my bub lights on
Ridin' home
South east of the astrodome
I'm Fat Pat's clone
It's J go see Harry's own
His heartbeat pumps through my flesh and bone
Flippin' with Trae
Mobbin' down MLK
He's blue up with grey
On tint on southern deuce today
It's Dub K
Chiefin' on some lovely
And we on the boulevard actin' ugly
We gon'
Chorus (Fat Pat)
Verse 3 (Trae)
ABN is my type of nature my understanding is nothin'
Stacks in the back of a 'Lac on this glass you finna see me struttin'
Cuttin' corners on a daily basis
Move fast like Kanye West samples when I be chasin' faces
I'm known to tip like a waiter when I be leaned to the left
I brung the city through the dark with a fifth of boppers and belts
I'm ABN the Impala 67 Chevy be spinnin'
Invisible set displayed everytime they catchin' me grinnin'
Off in they face it ain't too much that they can do to a G
But try to hate me
Every second due to the fact who I be
And it don't bother me
Cuz I still be toppin' my game
Just don't come off the side of my range I might be leavin' a stain
Whether my slab or beam
N****z gon' respect that we gangsta
T-Shirt and Dickies plus the kicks that I lace up for you wankstas
Everyday is still the same
I be so loud when I bang
And thanks to Screw and P-A-T we got 'em diggin' our slang huh
Verse 4 (Pimp C)
I'm a Screwed Up affiliator strictly rollin' red
Every time we hit the parkin' lot we turn heads
I've been watched by parole, task force, and by the feds
Cuz they know I got 'em for 10 and they know the game ain't dead
It's too late
I'm deep up in it ain't nuthin' about me scary
Chiefin' in the club try'na find me somethin' hairy
Dippin' at the bar
Smokin' on the stokey
Since I came home from the pen seems like everybody know me
You got lots of friends when you up and when you ballin'
Just like Pookey all the haters started callin'
They see the diamonds and the Bentley and the candy thing
They know I'm mob stompin' Texas they know that I'm rollin' with Jane
They know it's UGK for life and that I'm down with Bun
They know we grindin' b***h'll hitcha with another one
It's UGK records right now we need distribution
Since Laura Rebel free the pimp is goin' down in Houston
Chorus (x2) (Fat Pat)
Outro (Fat Pat)
Love it man
Love it man
Love it man

Enjoy the lyrics !!!
The Human League are an English synthpop band formed in 1977. Originally a minimal post-punk synthesiser-based group from Sheffield, UK, they became one of the most successful new wave acts of the 80s. The only consistent band member is vocalist and songwriter Phil Oakey. The band's best known configuration was their 1980-1985 lineup of Phillip Oakey (vocals), Joanne Catherall (vocals), Susanne Sulley (vocals), Phillip Adrian Wright (keyboards), Jo Callis (guitar, keyboards) and Ian Burden (bass).

Martyn Ware and Ian Craig Marsh were both working as computer programmers in 1977, and combined a love of pop music (such as glam rock and Tamla Motown) with avant garde electronic music. They acquired a Roland System 100 synthesizer and began to create music in their own rehearsal facility. Initially they formed a group called The Dead Daughters, which then became The Future with Adi Newton on vocals. Newton was soon dismissed and left to form the outfit Clock DVA. Ware and Marsh searched for a vocalist, but their first choice, Glenn Gregory (who would be the lead singer of their later band, Heaven 17), was unavailable. Ware instead decided to invite Philip Oakey, an old school friend, and a hospital porter at the time to join the band, "apparently by leaving a note stuck to his door". Oakey accepted the invitation, despite never having been in a band before. Shortly after, they decided to call themselves The Human League. A collection of demos from this period was released on CD in 2002, titled The Golden Hour of The Future, compiled by Richard X.

The original lineup of The Human League debuted in 1978 with the single "Being Boiled", a dark synth track that would later become extremely influential on later industrial musicians (namely Trent Reznor of the Nine Inch Nails). This single and it's follow-up "Empire State Human" were modest sucesses, however the group's albums - 1979's "Reproduction" and 1980's "Travelogue" - did not sell. This caused a rift in the band, and in 1980, Ian Marsh and Martyn Ware left the group.

Following the split of the original line-up, Phillip Adrian Wright (their live slide projectionist) fully joined the group and Oakey & himself released another flop single, "Boys and Girls". In order to fulfil their European tour commitments, they recruited bass player Ian Burden, and fronted the band with two singers, Susanne Sulley and Joanne Catherall, schoolgirls whom they had met in a Sheffield nightclub, and managed to complete the tour.

In 1981, Virgin Records paired them with former Stranglers producer Martin Rushent, and the first result was the single "The Sound of the Crowd", which saw them at last achieve success in the singles chart. Guitarist Jo Callis (formerly of The Rezillos) was now recruited to the band, and with Rushent at the helm, The Human League recorded their most successful album to date, "Dare!". It achieved huge success, fuelled by its further hit singles, "Open Your Heart", "Love Action" and most famously "Don't You Want Me", which reached number one in the UK charts during the Christmas of 1981 and was one of the biggest selling singles of that year, and it also charted at number one in the US during the summer of 1982. These three releases were accompanied by striking promo videos ("Love Action" based on the movie The Graduate). During their Dare! phase, the Human League were often associated with the New Romantic movement.

The band also had a number of other hits but their success faded towards the mid-1980s. Arguably, one problem was the length of time the band took to make a record. Dare! was followed by the six-song EP Fascination! (featuring hit singles "Mirror Man" and "Fascination") as a stopgap, and it took three years to release a full-length follow-up album, "Hysteria".

In 1985, outside of the Human League, Oakey scored a huge hit single in collaboration with one of his idols, synth pioneer Giorgio Moroder, with the single "Together in Electric Dreams", taken from the film soundtrack to Electric Dreams. The pair proceeded to record an entire album for Virgin, Philip Oakey & Giorgio Moroder, but this met with rather less success.

In 1986, the group found themselves in creative stagnation, struggling to record material to follow up on their previous success. Key songwriter Jo Callis departed, replaced by drummer Jim Russell, and Virgin paired the League up with cutting-edge American R&B producers Jimmy Jam and Terry Lewis. The result was the "Crash" album. The album featured much material written by Jam and Lewis' team, and showcased their distinctive DX7-led sound, making it quite a departure from previous Human League material. It did provide an American number one single, "Human", but other singles made smaller chart impact.

The following tour saw keyboardist Neil Sutton join the line-up and also keyboardist/guitarist Russell Dennett. Since 1990, their resident engineer on and off stage has been David Beevers. Following Dennett's departure in 1996, Nic Burke has been his replacement for live work since 2001.

The Human League released a new album, Credo in March 2011.

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The Human League