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Take Off (Time to Hit the Floor) [feat. Terr-I] - Mr. Vegas



     
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Take Off (Time to Hit the Floor) [feat. Terr-I] Lyrics


oh yeah
mr
vegas
ah yeah
Wynter
ohhh(Wynter Gordon)boy time for lift off
get ready for take off
we gunna fly
away away away
boy im the chopper
private helicopter
come lets fly
away away away
All aboard, cause the engine hot
going express, no time to stop
boy leave your things, no need to pack
run it back, run it back, run it back
take you to my private spot

show you some things you might like alot
tell your friends bout me when you chat
run it back, run it back, run it backChorus:i said ey yo
na na na, na na
time to buckle up
we about to take off
i say i said ey yo
na na na, na na
girl, be my co - pilot
we about to take off
take off, take off,
t-t-t-ta take off (2x)
i say ey yo
na na na, na na
it's time to buckle up
we about to take offVerse 1: Mr. Vegaswell, it's time for a fly out, fly out
first class, and we buy out, buy out
from the indian and de em kyote
well dem know it's time for a nasty fly out
buckle up, got de engine start up
we gunna take, we no park up
right now all dey doors all shut
and me co-pilot so its time to fly out
sometime me take the helicopter
and come back and the day after
and don't u wanna deal with the
.........All aboard, cause the engine hot
going express, no time to stop
girl, leave your things, no need to pack
run ir back, run it back, run it back
take you to my private spot
show you some things you gon' like alot
tell your girlfriends bout me when you chatChorus:i said ey yo
na na na, na na
time to buckle up
we about to take off
i say i said ey yo
na na na, na na
girl be my co - pilot
we about to take off
take off, take off,
t-t-t-ta take off take off (2x)
i say ey yo
na na na, na na
it's time to buckle up
we about to take offgirl you can be ( I wanna be)
my co - pilot (your co - pilot)
cause any time, we touch down, me and you can down enough
so buckle up (buckle up)
and dont be gone
nah me gunna do...
when i work your bodgirl i love to fly with you
i wanna get so high with you
.......
and make love every night
open up the sky with you
that's how we fly it, fly it
up in the skyso high high
so high highChorus:i said ey yo
na na na, na na
time to buckle up
we about to take off
i say i said ey yo
na na na, na na
girl, be my co - pilot
we about to take off
take off, take off, take off (2x)
i say ey yo
na na na, na na
it's time to buckle up
we about to take offhelicopter, helicopter
everybody go
everybody go

Enjoy the lyrics !!!
He catapulted to the top of the Jamaican charts in 1997 with the dancehall boomshots "Heads High" and "Nike Air", his distinctive vocals fusing melodious singing with precision deejaying (rapping). Since then he has built an international fan base with hit singles like "Pull Up", "Tamale" and "Hot Gal Today" but it is on his latest CD "Constant Spring" that Mr. Vegas' spectacular sing-jay approach and cleverly crafted lyrics dazzle with the intensity of an evening in, well, Las Vegas.

Born Clifford Smith in Kingston, Jamaica, he was given the nickname Mr. Vegas by his cousin for the neon pink shorts he wore on the football field; in addition to his athletic skills Mr. Vegas also demonstrated musical talents early on. However an unfortunate dispute over the ownership of a DAT resulted in Vegas being hit in the jaw with an iron pipe; after the assault Vegas' mouth was wired shut so he was forced to create a unique method of vocalizing through his teeth. That style was first heard on "Nike Air", the song that initially positioned Vegas on the dancehall charts. Characterized by uplifting lyrics aimed (especially) at young women, he followed "Nike Air" with another affirming and very appealing tune "Heads High" which reached number one in Jamaica, hit the British Top Ten and found its way onto several urban stations across America.

Vegas' 1997 debut album "Heads High" (Greensleeves Records) further displayed his captivating vocal capabilities on songs like "Jacket", "Sweet Pineapple" and "Everywhere I Go"; it also earned him a British Mobo Award as Best Reggae artist, while establishing his fan base beyond the Jamaican dancehall.

However Vegas demonstrated even greater versatility on his 2001 sophomore release "Damn Right" (Greensleeves) which featured a stronger R&B and hip-hop flavor on the hits "Girls Time" and "She's A Ho", sensitive singing on the roots rocking "Rise" and a sensational duet with Sean Paul "Hot Gal Today".

With his move to the Los Angeles based independent label Delicious Vinyl Vegas released his third CD "Pull Up". The title track was recorded on Scatta Burrell's wildly popular Coolie Dance riddim, entered the Billboard charts and took Vegas' music into previously uncharted territory. Another single from "Pull Up" "Tamale" also did well, particularly in Europe.

Vegas has just completed his fourth and finest CD so far "Constant Spring" which presents an amalgam of styles including reggaeton productions by the red hot duo Luny/Tunes on the tracks "Johnny" and "Papito" and Latin tinged duets with Don Omar ("Pobre Diablo") and El Medico ("Penicilin"). Another scorching combination "Burnin" features soca sensation Kevin Lyttle. Vegas' long time associate Jamaica's Richard "Shams" Browne produced several tracks including "Million Dollar Baby" and "Slow Wine" while veteran dancehall hit makers Steely and Clevie's Sleepy Dog riddim scampers under Vegas' current Jamaican chart topper, the CDs title track "Constant Spring". Another Jamaican hit that is currently finding popularity throughout Europe is Vegas' self-produced, uncharacteristically contemplative "More Love", his emotive singing lamenting Jamaica's upwardly spiraling crime rate but the song's lyrics are applicable to many troubled territories throughout the world:

"I walk these Kingston streets, everyday a bare a beat/I can't get no sleep all I hear is AKs when they speak/ I walk Spanish town all I hear is people get gunned down, when I look around all I see is bodies on the ground. My shadow's afraid to even walk beside me, my shadow's afraid to even walk this city gun dawg and his friend full the morgue in Kingston city/too many guns in town."

"Crime, violence, war, it affects everyone," Vegas says, "and there is nothing in that song that doesn't relate to what is going on everywhere, especially Kingston. We want this album to be versatile so a Latino person a hip hop person, urban kids or all nationalities will listen to it."

Reflecting the ongoing changes within the music industry, Vegas and his manager Leslie Cooney of the Los Angeles based company Addict Management will be taking a very different approach regarding the release of "Constant Spring": they will not be signing to just one label. "We have found that as an independent artist Vegas can better exploit his appeal in every territory without the expectations and limitations of being signed to one label," says Ms. Cooney. "Instead, we will directly supply his fans with music worldwide and will seek licenses with different labels in their respective territories. Whether by an actual record or digital distribution, if there is a demand for Vegas it can now be met without waiting for the record label machinery to spring into action. We are taking matters in our own hands and Vegas is planning his own future."

And for Mr. Vegas the future appears to be shining even brighter than the flashing neon lights that abound in the Nevada city that is his namesake. www.mr-vegas.com

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Mr. Vegas