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Take a Hit - Mack 10



     
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Take a Hit Lyrics


I'm gonna get you high todayRelax facin', facin' mind-bogglin' hallucinations
Easy does it till the skull get your lungs full
Take a deep [Incomprehensible], sit back 'cause Mack
Got that bu-yow shit that get'cha higher than wick-wackIs hard as stone alone, it's always on
Never home-grown totin' 'cause the streets made me potent
Down since '84 now live for '95
Got it swingin' while some niggas bangin', I'm dope slangin'For my everyday expenses, know the consequences
The bigger the sack, the bigger the sentence
No time for repentance, put it down, count the stripes
That I tally, runnin' backstreet's and alleys through Inglewood, CaliSo back the fuck up, don't act the fuck up
Never slip from the hit, triple-six in the clip when I trip
So busters beware, never dare to have qualms
With that nigga Mack 10 full of ghetto ass bombs
Take a hitCan you feel it nigga? Nothin' can save ya
Roll ya papers and take a heel on my shit
Can you feel it nigga? Nothin' can save ya
Roll ya papers and take a heel on my shitGet'cha high like a rocket, loot in my pocket
Mean like the green, bomb like the chocolate

Thai, I Mack 1-0, gun ho
Dirty ass Lynch Mob crew, new voodooCast a killer, cap peeler, hang with gorillas
Tragic when you catch it, runnin' from my magic
New Jackin' got it crackin' like Nino's
Stackin' like casinos, bomb like the primosMake your crack dough black, attack like karate
Always beamed up like Scotty, I control your body
Leave ya numb, red rum, slug like a Dodger
Nothin' bomber than this West side ghetto gangaHundred proof pure dopeness and it seems
Heavy as a Chevy, too much for a triple beam
Fiend for the microphone, one pop ya drop
And it don't stop, I can't stop Mack 10 and it won't stopSo take a hit
(I'm gonna get you high today)
Shit, Mac 10
(But I'm gonna get you high today)
ShitCan you feel it nigga? Nothin' can save ya
Roll ya papers and take a heel on my shit
Can you feel it nigga? Nothin' can save ya
Roll ya papers and take a heel on my shitGot that one-hitter quitter shit so take a whiff
Need a torch to light my spliff, work the late night shift
Get my drift? Had it sewed up ever since I showed up
Cookin' up boulders, got a crew fulla soldiersClaimin' B's, claimin' C's, everybody Gs
Went from laces to Deez, from mo' C's to Ki's
What you need guaranteed to whip and leave ya trippin'
Like your sane, I sippin', funky germ dippin'Make you tweak, lose sleep, I creep like a phantom
Ran 'em then I win 'em, all up in 'em like venom
Got the lotions, slow motion, hit the magic potion
Don't panic, satanic, devotions, convulsionsWipe your whole crew out, niggas get blew out
Hides behind a stockin' while the bomb's tick-tockin'
Keep rockin' and it don't quit, it's Mack 10 the shit
So press your luck but'cha know you can't fuck wit it
Take a hitCan you feel it nigga? Nothin' can save ya
Roll ya papers and take a heel on my shit
Can you feel it nigga? Nothin' can save ya
Roll ya papers and take a heel on my shitCan you feel it nigga? Nothin' can save ya
Roll ya papers and take a heel on my shit
Can you feel it nigga? Nothin' can save ya
Roll ya papers and take a heel on my shit

Enjoy the lyrics !!!
Dedrick Rolison, (born August 9, 1971), better known by his stage name Mack 10 is an American rapper and actor. He was a member of hip hop trio Westside Connection, along with Ice Cube and WC. When the West Coast first rose atop the rap industry in the mid-'90s, Mack 10 emerged as one of the coast's most promising talents alongside his longtime associate Ice Cube. The two Los Angeles rappers co-wrote "Foe Life," Mack 10's 1995 breakthrough hit, and united a year later with WC to form the trio Westside Connection, a West Coast gangsta rap supergroup. The Westside Connection album became a sizable hit, rocketing to number two on the Billboard album chart and boasting the anthemic "Bow Down." Mack 10 continued his affiliation with Ice Cube on each successive album while at the same time launching a label of his own, Hoo Bangin' Records. As the '90s came to a close, the rapper's popularity dipped a bit, and he signed with leading Dirty South label Cash Money Records in 2001, where his career underwent some unlikely twists.


Born Dedrick D'Mon Rolison in 1971, Mack 10 perpetually represented Inglewood, California throughout his career, the Los Angeles neighborhood he called home. His professional rap career began in 1995 when he signed with Priority, the premier label for West Coast rap at the time, and released his self-titled album. The West Coast gangsta movement was peaking around this time, and Mack 10 capitalized on the trend with "Foe Life," a song he wrote with Ice Cube, one of the West Coast's reigning talents. The partnership struck gold, and the song became a coastal anthem, opening the door for a successive single, "On Them Thangs." Mack 10 then partnered with Ice Cube again a year later to form the West Coast supergroup Westside Connection along with another Los Angeles rapper, WC. The three had united for a standout song on Mack 10's debut album, "Westside Slaughterhouse," and hoped to reprise their camaraderie for the Westside Connection album. They certainly did so, recording the boastful lead single "Bow Down," which taunted the East Coast, along with several other songs discussing the East-West tension that dominated rap at the time.


Mack 10 followed the number two-charting Westside Connection album with his second album, Based on a True Story, and its lead single, "Backyard Boogie," in 1997. The album became his most successful, peaking at number 14 on the Billboard album chart, and confirmed his quick ascendance to fame. Moreover, the album is generally considered to be Mack 10's career highlight: it features a modest number of guests (Snoop Dogg, E-40, Ice Cube), top-notch G-funk-era producers (Ant Banks, Soopafly), and little of the filler that would begin to populate his successive releases. Mack 10 returned a year later with another Top 20 album, Recipe, which is notable for its abundance of guests. In fact, only one song featured Mack 10 alone; every other song featured at least one guest, if not more; everyone from Master P and Mystikal to Jermaine Dupri and Ol' Dirty Bastard. Following the extravagencies of Recipe in 1997, Mack 10's career began to slowly spiral downward, much like the West Coast gangsta rap scene he rode to fame. His only release in 1998 was Hoo Bangin': Mix Tape, more of a showcase for the many up-and-coming rappers on his Hoo Bangin' label than for himself, and listeners weren't very interested. When Mack 10 finally did return with another full-length of his own, The Paper Route, in 2000, three years after Recipe, listeners similarly weren't very interested.

The relative disappointment of The Paper Route brought Mack 10's souring relationship with Priority Records to an end, and along came Cash Money Records, who happily signed the rapper to a contract. The partnership seemed somewhat unlikely. Cash Money was a leading Dirty South label with a small roster of in-house rappers such as Juvenile and Lil Wayne; however, the label was looking to expand its roster as well as its reach, and Mack 10 offered it a great opportunity to unite the West Coast and Dirty South. The resulting album, Bang or Ball (2001), neither topped the charts nor garnered substantial attention despite boasting "Hate in Yo Eyes," a Dr. Dre production that interpolated the Bee Gees' "Stayin' Alive." The album nonetheless signaled a new direction for Mack 10, who sounded surprisingly comfortable working with one of the Dirty South's premier producers, Manny Fresh. Less than a year later in summer 2002 came Mack 10 Presents da Hood, a Hoo Bangin' release prominently featuring numerous up-and-coming West Coast rappers: K-Mac, Deviossi, Skoop, Cousteau, and Techniec. More importantly, though, the album featured "L.A. for Ya," an anthemic song that was customized for the West Coast's leading radio stations as well as for Lakers and Clippers home games. The customized versions worked, and the song garnered quite a bit of airplay on the West Coast, making it one of Mack 10's biggest hits in years. Ghetto, Gutter and Gangster appeared in 2003 followed by Hustla's Handbook two years later

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