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That Getter (feat. David Blake II) - DJ Quik



     
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That Getter (feat. David Blake II) Lyrics


(Early in the evening!) 8: 37 p.m.
(Yeah, smellin good in here!) Pacific Standard Time
(Look at this y'all, look) (Drankin)
This what's happenin... (LET'S GO!)Number two is for pencils so I'ma do instrumentals (yep)
I write in my head, I still see too much potential (Yeah!)
I'm throwin them parties (parties), the ones you remember ('member)
In 1999, from June to November
Walkin 'round in my sandals, but I'm gettin shit handled
With or without the scandal, yeah I'm gettin shit handled
I'm too old? (Too old?!) No such (No such)
2 Fonky (2 Fonky!) Pretty much - that's wassup (Nigga!)
Partyin in LA, niggaz showin me love (love)
They bought me twelve drinks and I threw up in the club (club)
Are y'all gon' kill me? Am I gon' kill myself?
I go too fuckin hard, I need to watch my health (Hey!)
See I need to brush my teeth and shit, lay off this leaf and shit
Before I get a DUI (See you high?) Yeah, I'm high
Finicky people, wanna hold me as hostage

I do about face and walk right into my conscience
Gold around my neck, ain't nothin on my toes
A bunch of white powder, ain't nothin up my nose
I'm a geek, I suppose (yeah!) I'm a freak, I suppose (yeah!)
I'm whatever you want me to be this week, I suppose
Yeah, it's gettin (gettin), it's gettin (gettin), it's gettin kinda hectic (hectic)
It's gettin kinda turnt and all these hoes gettin naked
I'm toastin my bread yeah, a toast to my bread yeah
I toast to my homies, now let's go eat and get fed yeah
I'm feelin kinda loaded, yeah I'm feelin some buzz yep
I'm fillin my red cup, we 'bout to go bottoms up
Nigga don't understand me, he's a goddamn lie (Why?)
Cause if he don't comprehend me, he's probably too damn high (Fucked up!)
Do you understand Porsche? Do you understand Mercedes?
Do you understand buzzers and parties with fine ladies?
You still don't, playa? Then I guess that's good
I'm like that German writing, you see under my hoods (what?)
Not in my hood (uh-huh), but up under my hoods (uh-huh)
Be as stupid as you want to like they taught you you should (uh-huh)
Niggaz is 18%, of population in school
50%'s suspension, expulsions, that shit ain't cool, partna
School is free, life after that is not
Asphalt pavement is cold (yea!), tension in jail is hot (yea!)
Motherfuckers in my neighborhood grew up to be nothin
Went around the world stuntin, they still there doin nothin
(Nothing...) And now it's (Three's Company) on my planet
(On my planet) I'm kickin Chrissy out and keepin Janet
(Uh.) That's a brunette, Moët, who's next? Go check
(Hey homie, you don't mind openin that door for them bitches)
Son, you're killin it
You're doin it just like I showed you
Remember, if these people don't like you
that means they see you as competition
They adversarial, just keep the secrets
and just let them keep on talkinStandin on the top peak I climbed to get some leverage
Opposition in my cup, toastin down the beverage
Put me in the boat, bottom filled with hoes
In the middle of the O, I still make it to the coast (I do it)
We gon' party hard, and we ain't in no rush
I've been trapped in this balloon, waitin for it to bust (BOOM!)
See this life that I'm in, workin for what I want
All this trendy things that everybody always be on
See I'm only on me, that's why I stand out
Always things that's in my way but love the way they pan out
Man, this life is so crazy! Nose is smellin them checks
I just makin music 'til I know what I'ma do next
The labels know who I am, y'all ain't gotta be worried
You can read that we winnin, nigga and that's a true story
Man, I came so far, I just never acknowledged it (love it)
I throw you my creations, I just love yo' astonishment (yea)
I'ma be me 'til the death of me
And I'ma keep it one hunnid 'til the death of me
...I love the love, did I mention that?
But sometimes these niggaz tend to make the tension bad
I keep it honest, don't be mad at me
But I don't really like to talk cause I don't like to speak
...And when I say that I keep you aroused
I'm that A1 getter, know I put it down
Cause I'm that getter, I'm that getter, I'm that getter... yeah
Cause I'm that getter, I'm that getter, I'm that getter... whoa
Cause I'm that getter, I'm that getter, I'm that getter... yeah
Cause I'm that getter, I'm that getter, I'm that getter...
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DJ Quik (born David Martin Blake on January 18, 1970) is a West Coast rapper and record producer from Compton, California. He was raised at 436 West Spruce Street in Compton, California. As a teen he took up an affiliation with the Tree Top Piru Bloods, hence why his name is spelled Quik with the C conspicuously missing. A lot of Bloods would let the name "Quick" (because CK stands for Crip Killer) but he chose "Quik" to represent the Red but at the same time in some form of respect for the other side . He grew up without a father and moved out of his mother's home when he was only 17. He lived in the house as the only male with 8 sisters. His home life was far from stable as he raps in a song that one of his sisters was selling drugs to one of his other sisters. He began selling homemade mixtapes (like "The Red Tape", 1987) after he received a turntable for his 9th grade graduation and then began doing shows DJing around Southern California when he moved out. He signed to Profile Records in the summer of 1990, reportedly as the label's first six figure signee. Not only could he rap and write his own songs, he could produce as well.

His debut album, "Quik Is The Name" was led by the success of two top 20 R&B singles, "Tonite" and "Born and Raised in Compton." "Tonite" even charted on the pop charts. The album ended up reaching 10th on the album charts. None of his successive albums reached the success of his debut, though they have been well received in California, particularly his 1998 release "Rhythm-Al-Ism." His most popular albums are Quik Is The Name and Safe + Sound. . On "Safe + Sound" appears "Dollaz And Sense," which was a diss track to Compton rapper and member of the rival Tragniew Park Crips MC Eiht. Though full of bravado at the time, Quik now admits to fearing for his life during the period.

Instead of joining the G-Funk movement during the 1990's, DJ Quik had his own style that a new version of P-Funk, inspired by artists like Roger Troutman (who even taught him the use of the talkbox, which became a trademark for Quik's sound in the 1990's) and George Clinton. Throughout his career, Quik has collaborated with and produced for artists including 2Pac ("Heartz of Men", "Words To My First Born", "Late Night"), Janet Jackson ("All For You"), Snoop Dogg (e.g. "Doin' Too Much", "Buss'n Rocks", "Don't Tell"), Talib Kweli ("Put It In The Air"), Whitney Houston ("Fine"), Kurupt ("Can't Go Wrong"), Jay-Z ("Justify My Thug"), Xzibit ("Sorry I'm Away So Much"), Ludacris ("Spur of the Moment"), Chingy ("Bagg Up", and "Wurr's My Cash"),Dr. Dre, 2nd II None, Hi-C, Suga Free ("Street Gospel" album and on the "New Testament" album), 8Ball & MJG ("Buck Bounce") and others. Though he formally produced only "Heartz of Men" on 2Pac's masterpiece "All Eyez On Me" album, he went uncredited for work on many other tracks on the album; on that track he used his real name David Blake, because Profile did not allow him to use his stage name. In 2002, he produced Truth Hurts' Top 10 pop hit "Addictive". Quik used an uncleared Hindi sample on the record, and the copyright holders eventually filed a $500 million dollar lawsuit against Truth Hurts' label, Aftermath Entertainment.

Quik faced personal and professional tragedy when his friend and protegé Mausberg was murdered on the 4th of July, 2000. This was compounded by the death of his best friend Daryl Reed soon after.

Following 2000's "Balance and Options" CD he was dropped by Arista Records which in 1998 had bought Profile Records. In September 2005, DJ Quik released his first independent album on his own new label, Mad Science, which was supposed to be distributed by Warner Bros but Quik was forced to let Time Warner and so signed his Mad Science with Fontana/Universal. The album is titled "Trauma" and reflects the turmoil in the producer's life over the past few years. He than released "Trauma: Instrumentals". In recent years he has worked with a 74 piece orchestra during a collaboration with Marcus Miller while working on the score to the movie "Head of State." Over the years, Quik has morphed from a hardcore gangsta rapper to a mainstream producer and rapper who is not afraid to change his style. He has not abandoned his West Coast roots and now produces very much his own unique style.

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Dj Quik