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That's All - Crossway



     
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That's All Lyrics


In the club tryin' to find me a bad ass broad
Gave her five for the pussy
Then I took her to the mall
That's all, baby girl, that's all
18 for the whole nine-five for the half
Came up in the hood, sellin' fifty dollar slabs
That's all, playboy, that's all
When them bottles, start poppin', girls start jockin'
The girl so fine that I took the chick shoppin'
Deuces on the old school, smokin' on the dro fool
Know that it's a hit, my voice done hit the pro tool
Gucci Mane, Frank Nitty, got it like
That never seen a chick with a body like that
Shawty actin' feisty, too damn sheisty
Get with Gucci Mane baby, you be so icy
Can't lie baby girl, you fine ass hell
Will I hit it in the first date time will tell?
Baby says she like the way, the top drop back

Never thought my home, boy, girl a jock like that
40 on the bracelet back to the basic
A mill worth of ice in these playa haters faces
A mill worth of ice Gucci Mane good gracious
Got a sick flow and I think it's contagious
In the club tryin' to find me a bad ass broad
Gave her five for the pussy
Then I took her to the mall
That's all, baby girl, that's all
18 for the whole nine-five for the half
Came up in the hood, sellin' fifty dollar slabs
That's all, playboy, that's all
I ain't with that flexin' cat he investing
Tell these playa, haters to check my BDS Benz
Like Yao Ming man, my money staked tall
I deal for a half a mill nigga that's all
See a bad broad Gucci Mane, I'll buy
The same dude you shop with, I'm his supplier
Gucci, Gucci, Gucci, yours truly that's me
Hood rich or cocky, I just might be
With my chain so bright, Ray Charles might see
More ice on me than a game of hockey
If you want a mean dick, you can ride in my six
Suck a good dick then I'll get your hair fixed
Gucci brake bricks down used to sell fifties
Watch on my wrist man, it cost a buck fifty
King of the city Gucci Mane, Frank Nitty
I'll gives a bitch a dove if she let me touch her titties
In the club tryin' to find me a bad ass broad
Gave her five for the pussy
Then I took her to the mall
That's all, baby girl, that's all
18 for the whole nine-five for the half
Came up in the hood, sellin' fifty dollar slabs
That's all, playboy, that's all
Gucci Mane make you look like you posed to look
Gucci shoes, Gucci fit and a pocket book
Let you party like a rock star, ride in a boxcar
Have you gainin' weight everyday, eatin' lobster
All you friends invited so you can bring a partner
Gucci in the hood, sellin' weed like a doctor
Fifty dollar slab to a trunk full of holes
Never at the house 'cause I'm always doing shows
Teamed up with big cat now they want to chit chat
Role to crash road, flat shoals represent that
Gucci in the booth and my flows crazy
Is it hot in here nigga or it's just me?
Have you at south beach falling of Jet Ski
Smokin' purple weed under shade of palm trees
In Biloxi, we could spend a hundred gees
I'll play the, you can get the slot machine
In the club tryin' to find me a bad ass broad
Gave her five for the pussy
Then I took her to the mall
That's all, baby girl, that's all
18 for the whole nine-five for the half
Came up in the hood, sellin' fifty dollar slabs
That's all, playboy, that's all

Enjoy the lyrics !!!
From their Bio webpage http://www.crosswayqt.com/cw2/page/biography.html

CROSSWAY

Ever wonder what it would have been like to hear The Beatles in a small venue in Liverpool long before they exited a plane in the United States? Do you wish you could have heard The Martins at a Sunday night sing in their home church as children? Perhaps you saw 4HIM in concert while they were still with Truth or would like to have been a fly on the wall at the first auditions for the Gaither Vocal Band?

Audience members and fans may soon be looking back at the past few "early" years of CrossWay in a "not so different" light as this young group catapults to a new respect and greater popularity in the Gospel music scene.

Formed in 1998, a group who began as four young twenty-something's emulating the traditions of four-part harmony has turned into an up-and-coming southern Gospel mainstay, creating a unique vocal blend all their own and re-defining "quartet music" for future generations. CrossWay's current recording with Spring Hill Music, entitled This I Know, has been turning industry heads since it hit the shelves; the first single, "It Looks Like Love to Me," went racing up the southern Gospel radio charts, remaining in the Top 5 on the national charts for five consecutive months in 2004-05. The follow-up single, which features Matt, was the number one "pick hit" and the number one "new release" by DJs nationwide upon its release.

Continuing that momentum, CrossWay picked up two more DOVE nominations in 2005 for Southern Gospel Recorded Song of the Year ("It Looks Like Love to Me") and Southern Gospel Album of the Year (This I Know) in addition to multiple nods including Album and Song of the Year, Male Vocalist of the Year (Matt McFarland), Progressive Song and Progressive Southern Album of the Year for the 2005 SoGospelNews.com's annual awards. "To be nominated in a category with folks like The Gaither Vocal Band, The Crabb Family, Mark Lowry and others is such an honor for us," stated Marty. "With direction from Phil Johnson and Michael Sykes, This I Know had a sound of its own from the time we entered the studio…it was different than anything we'd done. To see it impact people's lives is an encouragement to us and rejuvenating to our ministry."

That ministry includes over 150 dates annually. CrossWay joined the Crabb Family and the McRaes on the Crabb Jam 2005 tour, which took them to over 20 cities, backed by The Crabb Family Band. The tour was a "first" for the industry with a stage of artists all under the age of 30, singing individually and together in unique vocal collaborations.

"We love working with the Crabb Family," explains Paul. "The band adds so much energy to what we do and we love working with the group, not only as musicians but as friends…the chemistry on stage felt natural with both of these groups who now feel like family."

CrossWay met Matt in Myrtle Beach, SC, while singing in a musical production. Matt joined the group in 2003, and since that time, the group's sound and production have given them a harmony that is unique—incorporating elements of country and pop into their quartet-based style. Matt and his wife, Jenny, make their home in Chattanooga. Paul lives in Nashville and Chris and his wife, Carla, now live in Columbus, Mississippi. Original group member, Marty Hurt and his wife Christy, recently became parents of triplets, and Marty decided to "get off the road." Stepping into Marty's spot is Scott Rogers from Cleveland, Alabama, near Birmingham. Scott and his wife, Leigha, have two daughters, Bayley, six, and Emilee, five. His background in Christian music is very similar of that of Paul, Chris, and Matt.

"I didn’t really realize what southern Gospel music was," remembers Paul. "After I was saved, a friend took me to a concert and I was hooked, not only with the music but with the message. Christian music is where God has called me to be and I couldn't be happier. I love everything about it—singing on stage, meeting new friends across the country, sharing God's love with others... even eating at fast food restaurants day after day!"

"CrossWay represents some of the newest, freshest music in the southern Gospel genre," stated Spring Hill Music A&R director and general manager and producer/songwriter Phil Johnson. "Their youth and energy are invigorating."

BILLBOARD MAGAZINE agreed in a recent story featuring CrossWay as artists who are defining the future of the southern Gospel genre. The group also incorporated the genre's past as the legendary Oak Ridge Boys joined them on This I Know for the recent single, "Long Arm of Love." CrossWay has made several appearances alongside other Gospel heroes on the Gaither Homecoming concert stage, and the group recently had its first charting single at inspirational radio.

"We are very thankful for what God has done through our group," explains Chris, "but none of it would be worth anything if we weren't experiencing God at work in our lives and helping others embrace His work in their lives... that is why we travel... that is what counts in the end."

And in the end, there are sure to be some folks back in Mississippi, and throughout the country saying, "CrossWay... oh, we knew them when...." Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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