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That's Why I Carry (feat. N.O. Joe) - UGK



     
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That's Why I Carry (feat. N.O. Joe) Lyrics


Motherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMy nigga, you done pushed the wrong button I ain't never ran this hot
Now you the number one nigga I wanna whoop the piss out
And this not a threat, bet that, I ain't gonna let that shit slide
Gotta get that bitch right, want him dead by midnight
I followed him from his crib to the crack spot
I watched him go in and come back out, I got ready to pull the Mac out
Sandwiched him by the feeder of 610
Unloaded the pistol, now dirt is now what his dick in
Shit, I seen a slab get stripped
The discs, seats, and sound gone, and candy paint burnt to a crisp
These niggas gettin' hated on for the '84s that they skated on
Jackers in the dark alley waited on
The fool comin' out the gamblin' shack
Pistol to his back, took 4 ounces of crack, and a fat doja sack

That's why I pack, my nigga, that's why I pray
'Cause where I stay I got to carry my muthafuckin' gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayThe p-l-e-x is crowding all my space
'Bout to pop this motherfucker cause he standing in my place
He selling on my block, jacking from my boys
They coming on our side throwing down and talking noise
Now, I occupy my time hustling and getting paid
He occupying his time trying to get boys for they blades
Getting 'em for they Chevy 'Burbans, they jumping out of who doos
Coming down swinging, jumping out of candy blues talking 'bout give it up smooth
Baby boy, it's some hating going on in P.A
Mostly over stinky bitches and who sold the most yay
Niggas stunting, pulling pistols ending up in the grave
When I pull I always pop, that's why I'm living today
Girl-ass niggas 'causing plex between friends
And when you bust on your boy don't neither one of y'all niggas win
You end up killing somebody that you really ain't wanna kill
Over a pussy-ass nigga that's showing ho-type skillsMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayComing from the small town of madness, late night its all murderers
Player haters, scan'lous hoes, and 'Lac-driving slab hurters
Acting bad after 8, you can catch us on the late
Rolling dice, blowing, and sipping on the bar straight
We got the red drank, orange drank, purple drank
Laughing at these mark hoes that say they never heard of drank
Half-gallon Big Gulp, Big Red, big cup
Drink mixed up, blowing sweets, and lighting sticks up
Now in my new world, slow down, I can see
Niggas talking shit, trying to see if what they said got to me
But ho-ass type of skills say a lot to me
You just gon' fuck around and get yourself shot, to be
Or not to be, motherfuckers plot to see me crack
Under pressure, so they just impress a nigga to see me react
These niggas try to start me down like a scary clown
Don't dare me, 'round here we fuck your game up like Larry Brown
And carry pounds of killer 'round like groceries
With a presence that make you not want to stand close to me
Talking about we s'posed to be brothers
Don't make me laugh motherfuckers
You chose to be on the side opposing me
Don't matter what coast you be
From, Bun and C will light your world up explosivelyMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single dayMotherfuckers wanna start shit in every way
That's why I carry my motherfucking gun every single day

Enjoy the lyrics !!!

Ugk

UGK (short for Underground Kingz) were a hip-hop duo from Port Arthur, Texas, USA. Formed in 1987 by long-time friends Chad “Pimp C” Butler and Bernard “Bun B” Freeman, they were highly respected by many of their peers, due in part to their longevity and their entrenchment in hip-hop’s underground.

UGK, from Port Arthur, TX, the neighboring city to Beaumont, TX, released their first album in 1988. Titled The Southern Way, it was distributed by local record label Bigtyme Recordz and only available as an audio cassette. In 1992, they had caught the attention of Jive Records, and were signed to a five album record contract. Their major label debut album Too Hard to Swallow was released later that same year, on November 10. While it featured several new recordings, it also featured several songs that had been culled from The Southern Way. However, several songs that had been intended to be included on the album were excised at the last minute, apparently due to their overly explicit content. Five of these songs would surface two months before Too Hard to Swallow’s release, on an EP distributed by Bigtyme Recordz; appropriately enough, the EP was titled Banned.

Their sophomore album Super Tight… was released two years later, on August 30. Unlike their previous effort, it managed to break into the Billboard Hot 200, but ultimately peaked at a disappointing #95. Two more years passed before the release of their third album, Ridin’ Dirty. It performed better than either of its predecessors, and almost broke into the Hot 200’s top-ten, before stopping short at #15. Ridin’ Dirty would also be UGK’s last album for the time being, as they went on a five year hiatus not long afterward.

In the interim, UGK made a high-profile guest appearance on Jay-Z’s 2000 smash hit “Big Pimpin” and also appeared on Three 6 Mafia’s hit “Sippin’ on Some Sizzurp” later the very same year. Both of these collaborations greatly increased their reputation, and helped fuel anticipation for their next project. Unfortunately, Jive failed to capitalize on this new-found interest in the duo, as their sixth album, 2001’s Dirty Money, came and went with little or no fanfare.

Further problems arose in 2002, when Pimp C was incarcerated for an aggravated gun assault charge on January 28. Throughout the time of his incarceration, Bun B carried on the UGK name by making numerous guest appearances on songs by other artists, with every appearance either mentioning Pimp C or featuring a “Free Pimp C!” or “Free the Pimp” chant. Many of UGK’s peers did the same, and mentioned Pimp C in their own songs with or without Bun B. During this period, Jive released a Best of UGK album, as well as a Chopped & Screwed remix album.

As a result of Pimp C’s incarceration, both members of UGK began solo careers out of necessity. Rap-A-Lot Records released Pimp C’s solo debut, Sweet James Jones Stories, on March 1, 2005. Bun B later released his own solo foray, Trill, on October 18, 2005. It opened at #6 on the Billboard Hot 200, and also peaked at #1 on Billboard’s Top R&B/Hip-hop Album chart. It was quickly certified gold by the RIAA.

On December 30, 2005, Pimp C was released from prison and was scheduled to be on parole until December 2009. He released his first post-incarceration album, titled Pimpalation, on July 25, 2006.

UGK released Underground Kingz, their 7th studio album in August 2007. The two-disc, 26-track album hit #1 on the Billboard charts after selling 157,000 copies in its first week, strongly supported by the hit single Int’l Players Anthem (I Choose You). The single featured OutKast, and used a beat created by Three 6 Mafia’s DJ Paul and Juicy J, which was originally used in a song by Project Pat.

On December 4th, 2007, Pimp C was found dead at age 33 in his room at Hollywood’s La Mondrian hotel in Los Angeles, California, where he had been playing shows with Too $hort. According to the Los Angeles County Coroner’s Office Pimp C died from accidental overdose of Promethazine/Codeine “syrup” combined with a preexisting medical condition known as sleep apnea, which causes a person to stop breathing during sleep. He was buried on December 11th, 2007 in his hometown of Port Arthur, TX.

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