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The Adventures Of Greggery Peccary - Frank Zappa



     
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The Adventures Of Greggery Peccary Lyrics


Frank zappa (guitar, vocals)
George duke (keyboards, vocals)
Bruce fowler (trombone)
Tom fowler (bass)
Chester thompson (drums)
The adventures of greggery peccary!
Oh, here comes greggery,
Little grecgery peccary
The nocturnal gregarious
Wild swine
A peccary
Is a little pig
With a white collar
That usually hangs around
Between texas and paraguay
Sometimes ranging as far
West as catalina
Catalina, catalina, catalina!

This particular peccary
Is part of that bold (bold),
New (new) breed (breeding)
That extinguishes itself
By markings which resemble a
Wide tie
Directly below the
White collar
If it's white enough
Everyone will know
That the tie I'm wearing
Is a symbol
Of how nimble mv mind will know
Ooh-ooh!
(swine suave!)
Look out!
Here he comes again!
Oh here comes greggery peccary.
Yes it's cravv, cravy, veah...
Every morning, greggery drives
His little red volkswagen to the ugly
Part of town where they keep the government buildings.
Voodn, voodn!
Boy it's so hard to find a place to park around here!
Greggery peccary takes the elevator
Up to the eighty-third floor of a grim,
Gray, evil-looking building
With a sign on the front reading:
'big swifty associates. trend-mongers'.
And what, might you ask, is a trend monger?
Well, a trend monger is a person
Who dreams up a trend
(like 'the twist' --- or 'flower power'),
And spreads it throughout the land,
Using all the frightening little skills
That science has made available!
And so it was, one fateful morning,
Greggery peccary made his way through the steno pool . . .
Hi mildred!
Hello gladys!
Wanda!
Yes, from the moment they laid
Eyes on him,
All the girls in the big swifty
Steno pool
Knew . . .
Here was a
Nocturnal,
Gregarious
Wild swine
On his way up!
A peccary of destiny,
Adventure
And
Romance!
Is there any mail for me?
Swifty's!
This is big swifty's!
At big swifty's we all know-ow-ow
You'll go
For any gimmick or gizmo!
Wouldn't you rather be involved
In a series of colorful
Time-wastinc trends?
Air hockey . . . biff . . . dush-h-h!
La-la-la-la-la-la-la-la, youp youp youp youp
Is your wife snoring by the sink?
La-la-la-la-la-la-la-la, youp youp youp youp
Ain't your life boring, don'tcha think?
Youp youp youp youp youp youp youp
Life is so much better
When there's some little something
To do!
Does it matter that this waste of time
Is what makes a life for you? hmmmmm?
I must plummet boldly
Forward
To my ultra-avant
Laminated,
Simulated
Replica-mahogany desk,
With the strategically-placed,
Imported, very hip water pipe,
And the latest edition of the
Whole earth catalog,
And rack my agile mind
For a spectacular
New trend,
Thereby rejuvenating our limping
Economy,
And providing
For bored & miserable people
Everywhere
Some great new
'thing'
To identify with.!
We have got the little answers
To the things
That might` be bothering you!
We have got your little toys!
(we're busy makin' 'em!)
Busy makin' 'em,
We're busy makin' 'em,
Busy makin' 'em
Just for you!
Yoo-hoo-hoo!
Very efficient. miss snodgrass!
And with that.
Gregcery turned
And strode nonchalantly
Into his dinky little office
With the desk and the catalog
And the very hip water pipe.
And proceeded,
With a vigor and determination
Known only to piglets
Of a similarly diminutive
Proportion,
To single-handedly invent
The calendar!
With his eye rolled heaven-ward.
And his little shiny pig-hoofs on the
Desk, greggery ponders the
Question of eternity (and fractional
Divisions thereof), as mysterious
Angelic voices sing to him from a
Great distance, providing the
Necessary clues for the construction of
This thrilling new trend!
Sunday
Sunday?
Wow!
Sunday,
'monday
Sunday,
Saturday. . .tuesday through
- monday'!
Saturday. . .
And thus the calendar,
In all of it's colorful disguises
Was presented to
The bored & miserable people
Everywhere!
Gregcery issued a memo on it.
Whereupon the entire contents
Of the steno pool
Identified with it strenuously,
And worshipped it as a way of life,
And took their little pills by it.
And went back 'n forth from
Work by it.
And paid their rent by it,
And before long they were even
Having
Birthday parties in the office
By it,
Because now. at last,
Crecgery peccary's exciting new
Invention
Had made it possible
For everyone
To find out
How old they were!
What hath God wrought?
Unfortunately,
There were some people
Who simply did not wish to
Know,
And that's why,
On his way home from the office
One night,
Greggery was attacked
By a rage of hunchmen!
Making his way through the
Evening traffic, greggery notices
That the other vehicles which
Crowd and bump his little red car
Are all inhabited by slowly-aging
'very hip young people',
They appear to be casting
Sinister glances toward him
Through their glinting acid burn-
Out eyeballs, trying to run him
Off the road, or make him bump into
Something, giving strong evidence
Of hostile aggression!
To elude them, greggery takes the
Short forest exit off the express-
Way. they zoom after him in all
Manner of cars. trucks,
Garishly-painted buses, and
Motorcycles.
Greggery takes a bumpy trail
Off the main short forest road,
Which leads him up the side
Of a famous (and convenientlv
Placed) mountain, and into a strange
Cave on the edge of a cliff, not far
From a little twisted tree. . .with
Eyes on it.
Meanwhile, the enraged hunchmen
(and hunch-'women) rumble
Through the short forest until
(realizing the little swine has
Escaped, they decide to park their
Steaming vehicles in a circular
Pseudo-wagon train formation. . .
And have a love-in!
Under the influence of a fantastic
Amount of trendy chemical amusement
Aid, they proceed to perform lewd
Acts, rip each other off for small
Personal possessions, and dance
With depraved abandon in the vicinity
Of a six-foot pile of transistor radios
Each one tuned to a different station).
What?
The hunchmen finally expire
From exhaustion,
And greggery,
Who has viewed the proceedings
From a safe distance,
Breathes a sigh of relief. . .
Phew!
Only to be terrified once again
By a roar of immense laughter. . .
Ho! ho! ho!
Which seems to be rumbling up
From the very depths of the cave
In which he has hidden his car!
(good lord! what was that!? )
Grecgery doesn't realize
He has concealed himself
Inside the very mouth of
Billy the mountain!
Ho! ho! ho!
And, as you all know,
Whenever billy laughs,
Rocks and boulders hack up,
And the air for miles around
Is filled with tons of dust,
Forming a series of huge
Brown clouds!
Who is making those new brown clouds?
Who is making those clouds these days?
Ho is making those new brown clouds?
Better ask a philostopher 'n see what he says!
Greggery stops at a gas station
And makes a mysterious phone
Is this the old loft
With the paint peelin' off it
By the chinese police
Here the dogs roll by?
Is this here they keep
The philostophers now,
With the rugs & the dust,
Where the books go to die?
How many yez got?
Say yez got quite a few,
Just sittin' around there
With nothin' to do?
Well I just called yez up
'cause I wanted to see
A pilostoper be of assistance
To me!
Gregcery receives information
That
'the greatest livin philostopher
Knon to mankind'
Is currently in possession of the
Very information
In question,
And, furthermore, this information
Could be his,
If only greggery would attend a
'special therapeutic group
Assembly'
(classes now forming),
And available at a special
Low introductory fee. . .
And now, here he is,
'the greatest living philosto-
Pher known to mankind',
Quentin robert denameland!
Take it away!
"folks,
As vou can see for yourself.
The way this clock over here
Is behaving,
Time is of affliction!
Now this might be cause for alarm
Among a portion of you, as,
From a certain experience,
I tend to proclaim:
'the eons are closing'!"
Make your checks payable to
-25.8-
'quentin robert denameland,
Greatest livin philostopher
Known to mankind'!
Who is making those new brown clouds?
Who is making those clouds these days?
Who is making those new brown clouds?
If you ask a pilostopher, he'll see
That you pays!

Enjoy the lyrics !!!
Frank Vincent Zappa (1940-1993) was an American composer, guitarist, singer, bandleader and producer. He was one of the most prolific musicians of his time, releasing over fifty albums of original material spanning over a thirty-five year career.

Born on 21st December 1940 in Baltimore, Maryland, Zappa's earliest influences were 1950s pop and rock (such as doo-wop and rhythm and blues), and 20th-century classical composers including Igor Stravinsky and Edgard Varèse. His output was divided between adventurous instrumental compositions and succinct, catchy rock songs with ribald, satirical, or comically absurd lyrics. On stage he demanded virtuosity and spontaneity from his musicians, and employed many performers who would later go on to achieve fame in their own rights. He directed and released a number of films featuring himself, his musicians and entourage, including 200 Motels and Baby Snakes.

His career started in 1955. His earliest recordings date from the mid-1960s, and include collaborations with his school friend Captain Beefheart. In 1965 he joined a bar-band called The Soul Giants, quickly dominating its musical direction and rechristening it The Mothers. Their first release (as The Mothers of Invention; the name alteration requested by their record company) was the 1966 double album Freak Out!. The line-up of the Mothers gradually expanded to accommodate Zappa's increasingly ambitious and avant-garde music, but by 1969 he decided to work outside the band structure, focusing on his solo career, and effectively disbanding the Mothers in 1971.

The beginnings of his solo career in the late sixties and early seventies was characterised by a strong free jazz influence, with albums containing little, if any, lyrical content, such as Hot Rats, Waka/Jawaka and The Grand Wazoo. Towards the mid-seventies his albums became more rock-orientated, with a combination of jazz fusion instrumentation and rock song structures. This more accessible sound bore reasonable mainstream appeal, especially with the release of the well-advertised albums Over-Nite Sensation and Apostrophe (') (which both went Gold), but Zappa's unpredictably eclectic output never led to solid mainstream recognition. He receieved uniformly lukewarm reviews from popular music publications such as Rolling Stone throughout his career. In his late seventies' output, the gulf between his humorous songs and more lengthy, complex instrumental music widened, and albums, such as Zappa In New York, Joe's Garage: Acts I, II & III, and Sleep Dirt displayed, by track, both sides firmly segregated.

Zappa saw a second run of success in the early eighties with the release of many albums with predominantly comedic rock songs, but later continued to experiment with virtually every style of music through the eighties, and was productive as ever until his death. His output in this later-career period included two albums of strikingly original classical music with the London Symphony Orchestra, an electronic take on 18th-century chamber music (written by the obscure Italian composer 'Francesco Zappa', no relation), an album of synclavier compositions (misleadingly titled Jazz From Hell which garnered a Grammy award), a double-CD release of electric guitar instrumental music (the laconically titled Guitar) and a plenitude of official live releases, revisiting fan-favourites as well as showcasing Zappa's talent for reinventing the music of others; his version of Stairway To Heaven becoming a word-of-mouth favourite.

Zappa produced almost all of his own albums, spending many hours in the studio recording and manipulating tracks, and was always at the forefront of emerging technologies; from tape editing, collage, multitrack and overdubbing in the sixties to digital recording, electronic instruments and sampling in the eighties. Conversely, Zappa was also a obsessive self-archivist, recording virtually every one of his live performances, and often using live recordings of new material without needing to enter the studio. The archive of tapes at his family home in Los Angeles continues to be a source of posthumous releases for the Zappa Family Trust. He was also noted as a spotter of talent and his shifting line-up of musicians included Lowell George, Jean-Luc Ponty, Terry Bozzio, Chad Wackerman, George Duke, Mike Keneally, Adrian Belew and Steve Vai, as well as giving Alice Cooper his first break in music and working again with his old collaborator Captain Beefheart when his career was in decline.

In the late 1980s he became active in politics, campaigning against the PMRC's music censorship scheme and acting as culture and trade representative for Czechoslovakia in 1989; and considered running as an independent candidate for president of the US.

His death in Los Angeles, California, on 4th December 1993 came three years after he was diagnosed with prostate cancer.

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