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The Battle Of Epping Forest - Genesis



     
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The Battle Of Epping Forest Lyrics


Along the forest road there's hundreds of cars, luxury cars
Each has got its load of convertible bars, cutlery cars, super scars
For today is the day when they sort it out, sort it out
'Cause they disagree on a gangland boundary
They disagree on a gangland boundary
There's Willy Wright and his boys, one helluva noise
That's Billy's boys with fully-fashioned mugs
That's little John's thugs, the barking slugs, super smugs
For today is the day when they sort it out, sort it out
Yes, these Christian soldiers fight to protect the poor
East end heroes got to score in the battle of Epping forest
Yes, it's the battle of Epping forest right outside your door
And you ain't seen nothing like it
No, you ain't seen nothing like it
Not since the civil war
Comin' over the hill are the boys of Bill
And Johnny's lads stand very still
With the thumpires shout, they all start to clout

There's no guns in this gentleman's bout
And Georgie moves in on the outside left
With a chain flying round his head
And Harold Demure, from art literature
Nips up the nearest tree, here come the cavalry
Amidst the battle roar, accountants keep the score, 10-4
They've never been alone, after getting a radiophone
The bluebells are ringing for sweet meal Sam, real ham
Handin' out bread and jam just like any picnic, picnic, picnic, picnic
It's 5 to 4 on William Wright, he made his pile on derby night
When Billy was a kid walking the streets, the other kids hid, so they did
And now after workin' hard in security trade, he's got it made
The shops that need aid are those that haven't paid
"I do my double-show quick" Said Mick the prick, fresh out the Nick
"I sold cheap holiday, the minute they leave
Then a visit I pay an' does it pay"
His friend, liquid Len by name, of wine, women and wands worth fame
Said, "I'm breaking the legs of the bastard that got me framed"
I'm breaking the legs of the bastard that got me framed, got me framed
They called me the reverend when I entered the church unstained
My employers have changed but the name has remained
All began when I went on a tour, hoping to find some furniture
I followed a sign, it said, 'Beautiful Chest"
It led to a lady who showed me her best
She was taken by surprise when I quickly closed my eyes
So she rang the bell, and quick as hell
Bob the nob, came out on his job to see what the trouble was
"Louise, is the reverend hard to please? "
"You're telling me!"
"Perhaps, sir, if its not too late
We could interest you in our old-fashioned Stafford shire plate? "
"Oh no, not me, I'm a man of repute"
But the devil caught hold of my soul and a voice called out "Shoot!"
To save my steeple, I visited people
For this I'd gone when I met little John
His name came, I understood
When the judge said, "You're a robbing hood"
He told me of his strange foundation
Conceived on sight of the Woodstock nation
He'd had to hide his reputation
When poor, 'twas salvation from door to door
But now, with a pin-up guru every week
It was love, peace and truth incorporated for all who seek
He employed me as a karma-ma-mechanic, with overall charms
His hands were then fit to receive, receive alms
That's why we're in the battle of Epping forest
Yes, it's the battle of Epping forest
Right outside your door
We guard your souls for peanuts
And we guard your shops and houses
For just a little more, just a little more
In with a left hook is the bethnal green butcher
But hes countered on the right by Mick's chain-gang fight
And liquid Len, with his smashed bottle men
Is lobbing Bob the nob across the gob
With his kisser in a mess, Bob seems under stress
But Jones the jug hits Len right in the mug
And Harold Demure, who's still not quite sure
Fires acorns from out of his sling, here come the cavalry
Up, up above the crowd
Inside their silver cloud, done proud
The bold and brazen brass, seen darkly through the glass
The butlers got jam on his rolls, Roy Doles out the lot
With tea from a silver pot just like any picnic, picnic, picnic, picnic
Along the forest road, its the end of the day
And the clouds roll away
Each has got its load, they'll come out for the count
At the breakin' of day
When the limos return for their final review, it's all through
All they can see is the morning goo
"There's no one left alive, must be a draw"
So the black cap barons toss a coin to settle the score

Enjoy the lyrics !!!
Genesis formed in 1967 in Godalming, Surrey, United Kingdom was one of the most popular progressive rock bands in the 1970s, 1980s and 1990s. During the 1970s, Peter Gabriel was the lead singer until his departure, when drummer Phil Collins stepped up to the mic and replaced him.

Starting as an amalgam of two bands formed by schoolboys attending Charterhouse School in Godalming, England, the original lineup consisted of Peter Gabriel, Anthony Phillips, Tony Banks, Mike Rutherford, and Chris Stewart, though Stewart was soon replaced as drummer by John Silver and then John Mayhew. By the end of 1970, Phillips and Mayhew had left the band, with Collins joining as drummer, and by early 1971, guitarist Steve Hackett had filled the gap left by Phillips. The lineup of Gabriel, Banks, Hackett, Rutherford, and Collins remained in place until Gabriel's departure in 1975.

During the period of 1970-1975, the band produced some of the most widely-acclaimed albums of the progressive rock era, including "Nursery Cryme", "Foxtrot" (featuring the side-long epic "Supper's Ready") and the seminal album "Selling England By The Pound", which generated Genesis' first foray into the charts with "I Know What I Like (In Your Wardrobe)". This lineup culminated with the band's magnum opus "The Lamb Lies Down On Broadway" in 1974. Following the tour promoting the album, frontman Peter Gabriel left the group in mid 1975.

Genesis decided to continue on as a four-piece, producing two albums, "A Trick Of The Tail" and "Wind & Wuthering", which found the band proving to themselves and to the world that they could move on after Gabriel's departure. Collins stepped up to fill the role of lead vocalist after countless auditions for a new singer proved fruitless by the completion of recording for "A Trick of the Tail". Hackett quietly departed after the "Wind & Wuthering" tour in 1977, feeling that his creative input for the band was being repressed.

In 1978, Tony Banks and Mike Rutherford contributed music to a British movie called "The Shout" based on a short story by Robert Graves, directed by Jerzy Skomilowski and produced by Jeremy Thomas. (More credits and info here http://www.imdb.com/title/tt0078259/combined)

Genesis then became a trio which began to move away from the dying embers of progressive rock. They established themselves as a more commercially-friendly outfit with the release of their 1978 album "...And Then There Were Three...", finding their first US hit with the single "Follow You Follow Me".

Banks, Rutherford, and Collins became more adept at writing radio-friendly songs in the 1980s. This reached a peak with the release of 1986's "Invisible Touch", in which more than half of the album's eight songs made it to the singles chart, including the title track, "Land Of Confusion" and "In Too Deep". All three band members produced solo albums during Genesis' downtime in the 80s and 90s - most notably Collins' increasingly successful solo work, and Rutherford's sideline group "Mike And The Mechanics" which found moderate success - with evolving styles reflected both solo and when recording together as Genesis.

Collins left the group in 1996, and was replaced vocally by Ray Wilson, the former lead singer of Scottish band "Stiltskin". Israeli born drummer Nir Zidkyahu and "Spock's Beard" drummer Nick D'Virgilio stepped in to fill the drumming role. Their 1997 album "Calling All Stations" was unable to find worldwide success, and despite scoring a minor U.K. hit with "Congo", the group slowly faded out of public consciousness. In 1998, after the "Calling All Stations" tour (the US leg of which was cut short due to poor album sales), Wilson was released from the band, and Zidkyahu and D'Virgilio, having never been "official" band members, went their separate ways. The band, now down to only Tony Banks and Mike Rutherford, took a break from performing and recording.


In 1999 Banks, Rutherford, Collins, Gabriel, and Hackett collaborated to re-record "The Carpet Crawlers" for greatest hits compilation "Turn It on Again: The Hits".


During the latter part of 2005, rumors spread that the band would reform again in its most famous five-man configuration. Genesis management stated that there were no current plans at that time, and that nothing would change in the following twelve months. Phil Collins then said in a radio interview in April 2006 that the classic Genesis line-up was considering a new live-staging of "The Lamb Lies Down on Broadway", but it was not to be. On 7th November 2006, Phil Collins, Tony Banks and Mike Rutherford announced they would be doing a twenty-date tour of Europe in the summer of 2007, with a North American tour to follow.

A Live DVD of the final European concert in Rome, where the band performed free for 500,000 fans, was released May 26th 2008: "When In Rome - Live 2007".

In April of 2011, Phil Collins, after completing a reunion tour with Genesis, said in a newspaper interview that he has no plans to tour or make another album, effectively retiring after over 40 years in the music business.

Official website: www.genesis-music.com

Similarly named bands:

In 1967-8, there was an American band that was also named Genesis. It was a psychedelic rock group based in Los Angeles which released one album In the Beginning in 1968. The name conflict was known to the record label of UK Genesis, which is why their debut album From Genesis to Revelation coyly omitted the band's name except in the album title. While both bands suffered poor sales for their debuts, the US band broke up in late 1968 not long after one of their members was drafted into the army. This more or less ended any significant confusion except in situations like Last.fm or lazy Googling.

A Colombian group called Génesis also exists. If you are scrobbling songs by that group and have ended up on this page, please fix your tags to Génesis with the first "e" accented.

Genesis

discography

Studio albums

From Genesis to Revelation (1969)
Trespass (1970)
Nursery Cryme (1971)
Foxtrot (1972)
Selling England by the Pound (1973)
The Lamb Lies Down on Broadway (1974)
A Trick of the Tail (1976)
Wind & Wuthering (1976)
...And Then There Were Three... (1978)
Duke (1980)
Abacab (1981)
Genesis (1983)
Invisible Touch (1986)
We Can't Dance (1991)
Calling All Stations (1997)

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Genesis